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А Б В Г Д Е Ж З И Й К Л М Н О П Р С Т У Ф Х Ц Ч Ш Щ Э Ю Я
0-9 A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
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1. Eugene Onegin. A Novel in Verse by Aleksandr Pushkin. Chapter one
Входимость: 1. Размер: 72кб.
2. Lolita. Part One. Chapters 18 - 22
Входимость: 1. Размер: 53кб.
3. Савельева В.В.: Художественная гипнология и онейропоэтика русских писателей. Приложение
Входимость: 1. Размер: 39кб.

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1. Eugene Onegin. A Novel in Verse by Aleksandr Pushkin. Chapter one
Входимость: 1. Размер: 72кб.
Часть текста: bonnes comme les mauvaises actions, suite d'un sentiment de supériorité, peut-être imaginaire. Tiré d'une lettre particulière   Not thinking to amuse the haughty world,   having grown fond of friendship's heed,   I wish I could present you with a gage   4  that would be worthier of you —   be worthier of a fine soul   full of a holy dream,   of live and limpid poetry,   8  of high thoughts and simplicity.   But so be it. With partial hand   take this collection of pied chapters:   half droll, half sad, 12  plain-folk, ideal,   the careless fruit of my amusements,   insomnias, light inspirations,   unripe and withered years, 16  the intellect's cold observations,   and the heart's sorrowful remarks. CHAPTER ONE To live it hurries and to feel it hastes. Prince Vyazemski I   “My uncle has most honest principles:   when he was taken gravely ill,   he forced one to respect him   4  and nothing better could invent.   To others his example is a lesson;   but, good God, what a bore to sit   by a sick person day and night, not stirring   8  a step away!   What base perfidiousness   to entertain one half-alive,   adjust for him his pillows, 12  sadly serve him his medicine,   sigh — and think inwardly   when will the devil take you?” II   Thus a young scapegrace thought   as with post horses in the dust he flew,   by the most lofty will of Zeus   4  the heir of all his kin.   Friends of Lyudmila and ...
2. Lolita. Part One. Chapters 18 - 22
Входимость: 1. Размер: 53кб.
Часть текста: Charlotte was in everyday life matter-of-fact and gregarious. Moreover, I discovered that although she could not control her heart or her cries, she was a woman of principle. Immediately after she had become more or less my mistress (despite the stimulants, her “nervous, eager chri  a heroic chri   !  had some initial trouble, for which, however, he amply compensated her by a fantastic display of old-world endearments), good Charlotte interviewed me about my relations with God. I could have answered that on that score my mind was open; I said, insteadpaying my tribute to a pious platitudethat I believed in a cosmic spirit. Looking down at her fingernails, she also asked me had I not in my family a certain strange strain. I countered by inquiring whether she would still want to marry me if my father’s maternal grandfather had been, say, a Turk. She said it did not matter a bit; but that, if she ever found out I did not believe in Our Christian God, she would commit suicide. She said it so solemnly that it gave me the creeps. It was then I knew she was a woman of principle. Oh, she was very genteel: she said “excuse me” whenever a slight burp interrupted her flowing speech, called an envelope and ahnvelope, and when talking to her lady-friends referred to me as Mr. Humbert. I thought it would please her if I entered the community trailing some glamour after me. On the day of our wedding a little interview with me appeared in the Society Column of the Ramsdale Journal  , with a photograph of Charlotte, one eyebrow up and a misprint in her name (“Hazer”). Despite this contretempts, the publicity warmed the porcelain cockles of her heartand made my rattles shake with awful glee. by engaging in church work as well as by getting to know the better mothers of Lo’s schoolmates, Charlotte in the course of twenty...
3. Савельева В.В.: Художественная гипнология и онейропоэтика русских писателей. Приложение
Входимость: 1. Размер: 39кб.
Часть текста: такого исследования состоят не в том, чтобы методами психологии анализировать литературный материал, но в том, чтобы методами филологии анализировать то психологическое явление, которое описано литературным материалом» (“The purposes of such studies are not to use the psychological methods for the literary analysis, but to use the literary methods in order to analyze the psychological phenomenon, which is described in the literary text”) [20, с.9]. These studies are interdisciplinary, for they are situated on the boundaries of different academic fields, such as physiology, medicine, philosophy, psychology, literary and cultural studies, and semiotics. V.M.Kovalzon, The Doctor of Biology and a member of the International Association for the Study of Dreams, defines the process of sleeping as “...особое генетически детерминированное состояние организма человека и других теплокровных животных (т.е. млекопитающих и птиц), характеризующееся закономерной последовательной сменой определенных полиграфических картин в виде циклов, фаз и стадий» (“.a special, genetically determined state of the human body and the body of other warm-blooded animals (mammals and birds), which is characterized by the logical succession of certain multi-graphic pictures in the form of cycles, phases and stages” ) [6, с.311]. The process of sleeping is inevitably accompanied by the phases of dreams, which some scholars describe as the period of paradoxical sleeping. According to J.M. Lotman, a dream is «семиотическое зеркало, и каждый видит в нем отражение своего языка» (“.a semiotic mirror, and everyone beholds in it the reflection of his or her own language”) [9, с.124]. V. N. Toporov, while chronologically cataloguing literary dreams from the texts of I. S. Turgenev, proposed to classify them according to their themes and to distinguish their repeating motifs and archetypes [21]. But the recurrence of similar images and situations of literary dreams might be found in the literary texts...