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Cлово "COMES"


А Б В Г Д Е Ж З И Й К Л М Н О П Р С Т У Ф Х Ц Ч Ш Щ Э Ю Я
0-9 A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
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1. Eugene Onegin. A Novel in Verse by Aleksandr Pushkin. Chapter five
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2. Эссе о драматургии ("Playwriting", на английском языке)
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3. Eugene Onegin. A Novel in Verse by Aleksandr Pushkin. Chapter four
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4. Eugene Onegin. A Novel in Verse by Aleksandr Pushkin. Chapter seven
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5. Lolita. Part Two. Chapters 9 - 16
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6. Eugene Onegin. A Novel in Verse by Aleksandr Pushkin. Chapter eight
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7. Интервью Набокова на английском языке. Playboy, 1964 г.
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8. Anniversary notes
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9. Eugene Onegin. A Novel in Verse by Aleksandr Pushkin. Chapter six
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10. Савельева В.В.: Художественная гипнология и онейропоэтика русских писателей. Приложение
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11. Чарльз Кинбот: Серебристый свет. Подлинная жизнь Владимира Набокова. Chapter Three. Mashen'ka
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12. Набоков Дмитрий: Отцовские бабочки. Интервью данное Брайеном Бойдом журналу BOMB Magazine
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13. Eugene Onegin. A Novel in Verse by Aleksandr Pushkin. Chapter three
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14. Lolita. Part Two. Chapters 17 - 21
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15. The wings of desire
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16. Сакун С. В.: Гамбит Сирина (сборник статей). "Л. Кэрролл и Ф. Достоевский в романе "Защита Лужина". Тематическая традиция"
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17. Интервью Набокова на английском языке. TV-13 NY, 1965 г.
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18. Набоков Дмитрий: Отцовские бабочки. Отцовские бабочки. Father's Butterflies (английский язык)
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19. Трезьяк Дж.: Разгадывая страдание
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20. Inspiration
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21. Мельников Н. Г.: О Набокове и прочем. «Художник должен быть реакционером…»
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22. Articles about butterflies
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23. Найман Эрик: Извращения в «Пнине» (Набоков наоборот). Глава 2
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24. Sartre's first try (Review)
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25. Интервью Набокова на английском языке. BBC-2, 1969 г.
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26. Lolita. Part One. Chapters 9 - 11
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27. Боги (перевод С. В. Сакуна)
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28. Интервью Набокова на английском языке. Bayerischer Rundfunk, 1971-72 г.
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29. Шифф Стейси: Вера (Миссис Владимир Набоков). 5. Набоков: начало вводного курса
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30. Интервью Набокова на английском языке. The Paris Review, 1967 г.
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31. L. C. Higcins and N. D. Riley
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32. Комментарий к роману "Евгений Онегин". Глава вторая. Пункты XVIII - XXXI
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33. Lolita. Part Two. Chapters 32 - 36
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34. Интервью Набокова на английском языке. Novel, 1970 г.
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35. Ада, или Радости страсти. Семейная хроника. (Часть 2, глава 11)
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36. Брайан Бойд. Владимир Набоков: американские годы. Глава 17. Преследуемый славой: Европа, Америка, Европа, 1959–1961
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37. Вне Лолиты: Вновь открывая Набокова. (Проект CNN, 1999 г.). His Legacy
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38. Чарльз Кинбот: Серебристый свет. Подлинная жизнь Владимира Набокова. Chapter Eight. Dying Is No Fun
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39. Интервью Набокова на английском языке. The New York Times Book Review, 1968 г.
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40. Lolita. Part One. Chapters 18 - 22
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1. Eugene Onegin. A Novel in Verse by Aleksandr Pushkin. Chapter five
Входимость: 5. Размер: 54кб.
Часть текста: carpeting.   All's bright, all's white around. II   Winter! The peasant, celebrating,   in a flat sledge inaugurates the track;   his naggy, having sensed the snow,   4  shambles at something like a trot.   Plowing up fluffy furrows,   a bold kibitka flies:   the driver sits upon his box   8  in sheepskin coat, red-sashed.   Here runs about a household lad,   upon a hand sled having seated “blackie,”   having transformed himself into the steed; 12  the scamp already has frozen a finger.   He finds it both painful and funny — while   his mother, from the window, threatens him... III   But, maybe, pictures of this kind   will not attract you;   all this is lowly nature;   4  there is not much refinement here.   Warmed by the god of inspiration,   another poet in luxurious language   for us has painted the first snow   8  and all the shades of winter's delectations. 27   He'll captivate you, I am sure of it,   when he depicts in flaming verses   secret promenades in sleigh; 12  but I have no intention of contending...
2. Эссе о драматургии ("Playwriting", на английском языке)
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Часть текста: in manuscript, replete with Nabokov's corrections, additions, deletions, occasional slips of the pen, and references to previous and subsequent installments of the course. I have limited myself to what editing seemed necessary for the presentation of the lectures in essay form. If Nabokov had been alive, he might perhaps have performed more radical surgery. He might also have added that the gruesome throes of realistic suicide he finds unacceptable onstage (in "The Tragedy of Tragedy") are now everyday fare on kiddies' TV, while "adult" entertainment has long since outdone all the goriness of the Grand Guignol. He might have observed that the aberrations of theatrical method wherein the illusion of a barrier between stage and audience is shattered - a phenomenon he considered "freakish" - are now commonplace: actors wander and mix; the audience is invited to participate; it is then applauded by the players in a curious reversal of roles made chic by Soviet performers ordered to emulate the mise-en-sce´ne of party congresses; and the term "happening" has already managed to grow obsolescent. He might have commented that the quest for originality for...
3. Eugene Onegin. A Novel in Verse by Aleksandr Pushkin. Chapter four
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Часть текста: by Aleksandr Pushkin Chapter four CHAPTER FOUR La morale est dans la nature des choses. Necker VII   The less we love a woman   the easier 'tis to be liked by her,   and thus more surely we undo her   4  among bewitching toils.   Time was when cool debauch   was lauded as the art of love,   trumpeting everywhere about itself,   8  taking its pleasure without loving.   But that grand game   is worthy of old sapajous   of our forefathers' vaunted times; 12  the fame of Lovelaces has faded   with the fame of red heels   and of majestic periwigs. VIII   Who does not find it tedious to dissemble;   diversely to repeat the same;   try gravely to convince one   4  of what all have been long convinced;   to hear the same objections,   annihilate the prejudices   which never had and hasn't   8  a little girl of thirteen years!   Who will not grow weary of threats,   entreaties, vows, feigned fear,   notes running to six pages, 12  betrayals, gossiping, rings, tears,   surveillances of aunts, of mothers,   and the onerous friendship of husbands! IX   Exactly thus my Eugene thought.   In his first youth   he had been victim of tempestuous errings   4  and of unbridled passions.   Spoiled by a habitude of life,   with one thing for a while   enchanted, disenchanted with another,   8  irked slowly by desire,   irked, too, by volatile success,   hearkening in the hubbub and the hush   to the eternal mutter of his soul, 12  smothering yawns with laughter:   this was the way he killed eight years,   having lost life's best bloom. X   With belles no longer did he fall in love,   but dangled after them just anyhow;   when they refused, he solaced in a twinkle;   4  when they...
4. Eugene Onegin. A Novel in Verse by Aleksandr Pushkin. Chapter seven
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Часть текста: yet transparent woods   as if with down are greening.   The bee flies from her waxen cell   after the tribute of the field. 12  The dales grow dry and varicolored.   The herds are noisy, and the nightingale   has sung already in the hush of nights. II   How sad your apparition is to me,   spring, spring, season of love!   What a dark stir there is   4  in my soul, in my blood!   With what oppressive tenderness   I revel in the whiff   of spring fanning my face   8  in the lap of the rural stillness!   Or is enjoyment strange to me,   and all that gladdens, animates,   all that exults and gleams, 12  casts spleen and languishment   upon a soul long dead   and all looks dark to it? III   Or gladdened not by the return   of leaves that perished in the autumn,   a bitter loss we recollect,   4  harking to the new murmur of the woods;   or with reanimated nature we   compare in troubled thought   the withering of our years,   8  for which there is no renovation?   Perhaps there comes into our thoughts,   midst a poetical reverie,   some other ancient spring, 12  which sets our heart aquiver   with the dream of a distant clime,   a marvelous night, a moon.... IV   Now is the time: good lazybones,   epicurean sages; you,   equanimous fortunates;   4  you, fledglings of the Lyóvshin 41 school;   you, country Priams;   and sentimental ladies, you;   spring calls you to the country,   8  season of warmth, of flowers, of labors,   of...
5. Lolita. Part Two. Chapters 9 - 16
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Часть текста: only as a flash of natural sunshine on an indoor court. Of the rest, none had any claims to nymphetry except Eva Rosen. Avis ws a plump lateral child with hairy legs, while Mona, though handsome in a coarse sensual way and only a year older than my aging mistress, had obviously long ceased to be a nymphet, if she ever had been one. Eva Rosen, a displaced little person from France, was on the other hand a good example of a not strikingly beautiful child revealing to the perspicacious amateur some of the basic elements of nymphet charm, such as a perfect pubescent figure and lingering eyes and high cheekbones. Her glossy copper hair had Lolita’s silkiness, and the features of her delicate milky-white face with pink lips and silverfish eyelashes were less foxy than those of her likesthe great clan of intra-racial redheads; nor did she sport their green uniform but wore, as I remember her, a lot of black or cherry darka very smart black pullover, for instance, and high-heeled black shoes, and garnet-red fingernail ...
6. Eugene Onegin. A Novel in Verse by Aleksandr Pushkin. Chapter eight
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Часть текста: Muse began to visit me.   My student cell was all at once   radiant with light: in it the Muse   opened a banquet of young fancies, 12  sang childish gaieties,   and glory of our ancientry,   and the heart's tremulous dreams. II   And with a smile the world received her;   the first success provided us with wings;   the aged Derzhavin noticed us — and blessed us   4  as he descended to the grave.   . . . . . . . . . . . . . . . . . . . .   . . . . . . . . . . . . . . . . . . . .   . . . . . . . . . . . . . . . . . . . .   8  . . . . . . . . . . . . . . . . . . . .   . . . . . . . . . . . . . . . . . . . .   . . . . . . . . . . . . . . . . . . . .   . . . . . . . . . . . . . . . . . . . . 12  . . . . . . . . . . . . . . . . . . . .   . . . . . . . . . . . . . . . . . . . .   . . . . . . . . . . . . . . . . . . . . III   And I, setting myself for law   only the arbitrary will of passions,   sharing emotions with the crowd,   4  I led my frisky Muse into the hubbub   of feasts and turbulent discussions —   the terror of midnight patrols;   and to them, in mad feasts,   8  she brought her gifts,   and like a little bacchante frisked,   over the bowl sang for the guests;   and the young people of past days 12  would turbulently dangle after her;   and I was proud 'mong friends   of my volatile mistress. IV   But I dropped out of their alliance —   and fled afar... she followed me.   How often the caressive Muse   4  for me would sweeten the mute way   with the bewitchment of a secret tale!   How often on Caucasia's crags,   Lenorelike, by the moon,   8  with me she'd gallop on a steed!   How often on the shores of Tauris   she in the gloom of night  ...
7. Интервью Набокова на английском языке. Playboy, 1964 г.
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Часть текста: bestseller. In the aftermath of this cause celebre, do you ever regret having written Lolita? On the contrary, I shudder retrospectively when I recall that there was a moment, in 1950, and again in 1951, when I was on the point of burning Humbert Humbert's little black diary. No, I shall never regret Lolita. She was like the composition of a beautiful puzzle-- its composition and its solution at the same time, since one is a mirror view of the other, depending on the way you look. Of course she completely eclipsed my other works-- at least those I wrote in English: The Real Life of Sebastian Knight, Bend Sinister, my short stories, my book of recollections; but I cannot grudge her this. There is a queer, tender charm about that mythical nymphet. Though many readers and reviewers would disagree that her charm is tender, few would deny that it is queer-- so much so that when director Stanley Kubrick proposed his plan to make a movie of Lolita, you were quoted as saying, "Of course they'll have to change the plot. Perhaps they will make Lolita a dwarfess. Or they will make her 16 and Humbert 26. " Though you finally wrote the screenplay yourself, several reviewers took the film to task for watering down the central relationship....
8. Anniversary notes
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Часть текста: shadow of a precedent and therefore decided simply to publish the rough jottings I made as an objective reader anxious to eliminate slight factual errors of which such a marvelous gift must be free; for I knew what pains the editors, Charles Newman and Alfred Appel, had taken to prepare it and remembered how firmly the guest co-editor, when collecting the ingredients of this great feast, refused to show me any plum or crumb before publication.  BUTTERFLIES Butterflies are among the most thoughtful and touching contributions to this volume. The old-fashioned engraving of a Catagramma- like insect is delightfully reproduced twelve times so as to suggest a double series or "block" of specimens in a cabinet case; and there is a beautiful photograph of a Red Admirable (but "Nymphalidae" is the family to which it belongs, not its genus, which is Vanessa-- my first bit of carping).  ALFRED APPEL, JR. Mr. Appel, guest co-editor, writes about my two main works of fiction. His essay "Backgrounds of Lolita" is a superb example...
9. Eugene Onegin. A Novel in Verse by Aleksandr Pushkin. Chapter six
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Часть текста:   4  Gvozdin, Buyanov, Petushkov,   and Flyanov (who is not quite well)   have bedded in the dining room on chairs,   with, on the floor, Monsieur Triquet   8  in underwaistcoat and old nightcap.   All the young ladies, in Tatiana's   and Olga's rooms, are wrapped in sleep.   Alone, sadly by Dian's beam 12  illumined at the window, poor Tatiana   is not asleep   and gazes out on the dark field. III   With his unlooked-for apparition,   the momentary softness of his eyes,   and odd conduct with Olga,   4  to the depth of her soul   she's penetrated. She is quite unable   to understand him. Jealous   anguish perturbs her,   8  as if a cold hand pressed   her heart; as if beneath her an abyss   yawned black and dinned....   “I shall perish,” says Tanya, 12  “but perishing from him is sweet.   I murmur not: why murmur?   He cannot give me happiness.” IV   Forward, forward, my story!   A new persona claims us.   Five versts from Krasnogórie,   4  Lenski's estate, there lives   and thrives up to the present time   in philosophical reclusion   Zarétski, formerly a brawler,   8  the hetman of a gaming gang,   chieftain of rakehells, pothouse tribune,   but now a kind and simple   bachelor paterfamilias, 12  a steadfast friend, a peaceable landowner,  ...
10. Савельева В.В.: Художественная гипнология и онейропоэтика русских писателей. Приложение
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Часть текста: to analyze the psychological phenomenon, which is described in the literary text”) [20, с.9]. These studies are interdisciplinary, for they are situated on the boundaries of different academic fields, such as physiology, medicine, philosophy, psychology, literary and cultural studies, and semiotics. V.M.Kovalzon, The Doctor of Biology and a member of the International Association for the Study of Dreams, defines the process of sleeping as “...особое генетически детерминированное состояние организма человека и других теплокровных животных (т.е. млекопитающих и птиц), характеризующееся закономерной последовательной сменой определенных полиграфических картин в виде циклов, фаз и стадий» (“.a special, genetically determined state of the human body and the body of other warm-blooded animals (mammals and birds), which is characterized by the logical succession of certain multi-graphic pictures in the form of cycles, phases and stages” ) [6, с.311]. The process of sleeping is inevitably accompanied by the phases of dreams, which some scholars describe as the period of paradoxical sleeping. According to J.M. Lotman, a dream is «семиотическое зеркало, и каждый видит в нем отражение своего языка» (“.a semiotic mirror, and everyone beholds in it the reflection of his or her own language”) [9, с.124]. V. N. Toporov, while chronologically cataloguing literary dreams from the texts of I. S. Turgenev, proposed to classify them according to their themes and to distinguish their repeating motifs and archetypes [21]. But the recurrence of similar images and situations of literary dreams...