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    А Б В Г Д Е Ж З И Й К Л М Н О П Р С Т У Ф Х Ц Ч Ш Щ Э Ю Я
    0-9 A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
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    1. The Song of Igor's Campaign, Igor son of Svyatoslav and grandson of Oleg (перевод Набокова)
    Входимость: 11. Размер: 34кб.
    2. Articles about butterflies
    Входимость: 10. Размер: 35кб.
    3. Интервью Набокова на английском языке. Wisconsin Studies, 1967 г.
    Входимость: 8. Размер: 63кб.
    4. Butterfly collecting in Wyoming, 1952
    Входимость: 7. Размер: 14кб.
    5. Интервью Набокова на английском языке. Playboy, 1964 г.
    Входимость: 5. Размер: 53кб.
    6. Eugene Onegin. A Novel in Verse by Aleksandr Pushkin. Chapter seven
    Входимость: 4. Размер: 67кб.
    7. Интервью Набокова на английском языке. The Paris Review, 1967 г.
    Входимость: 4. Размер: 29кб.
    8. Букс Нора: Эшафот в хрустальном дворце. О русских романах Владимира Набокова. Глава I. Звуки и запахи
    Входимость: 4. Размер: 91кб.
    9. Интервью Набокова на английском языке. Novel, 1970 г.
    Входимость: 4. Размер: 30кб.
    10. Eugene Onegin. A Novel in Verse by Aleksandr Pushkin. Chapter one
    Входимость: 3. Размер: 72кб.
    11. Чарльз Кинбот: Серебристый свет. Подлинная жизнь Владимира Набокова. Chapter Seven. King, Queen, Knave
    Входимость: 3. Размер: 18кб.
    12. Набоков Дмитрий: Отцовские бабочки. Интервью данное Брайеном Бойдом журналу BOMB Magazine
    Входимость: 3. Размер: 24кб.
    13. Карпов Н.А.: Романтические контексты Набокова. Примечания
    Входимость: 3. Размер: 141кб.
    14. Сконечная О.: Русский параноидальный роман. Глава 5. После конца света: Набоков
    Входимость: 2. Размер: 139кб.
    15. Букс Н.: "Оперные призраки" в романах В. Набокова
    Входимость: 2. Размер: 45кб.
    16. Давыдов С. С.: "Тексты-матрёшки" Владимира Набокова. Глава третья. Гностическая исповедь в романе ("Приглашение на казнь"). 1. Метафизика
    Входимость: 2. Размер: 73кб.
    17. Чарльз Кинбот: Серебристый свет. Подлинная жизнь Владимира Набокова. Chapter Two. An Insipid Incipit
    Входимость: 2. Размер: 6кб.
    18. Чарльз Кинбот: Серебристый свет. Подлинная жизнь Владимира Набокова. Chapter Nine. Zashchita Luzhina
    Входимость: 2. Размер: 23кб.
    19. Грейсон Джейн: Метаморфозы "Дара"
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    20. Lolita. Part One. Chapters 28 - 33
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    21. Eugene Onegin. A Novel in Verse by Aleksandr Pushkin. Chapter two
    Входимость: 2. Размер: 51кб.
    22. Интервью Набокова на английском языке. Life, 1964 г.
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    23. Давыдов Сергей: "Гносеологическая гнусность" Владимира Набокова - Метафизика и поэтика в романе "Приглашение на казнь"
    Входимость: 2. Размер: 41кб.
    24. Eugene Onegin. A Novel in Verse by Aleksandr Pushkin. Chapter six
    Входимость: 2. Размер: 55кб.
    25. Lolita. Part One. Chapters 12 - 17
    Входимость: 2. Размер: 43кб.
    26. Lolita. Part One. Chapters 1 - 8
    Входимость: 2. Размер: 53кб.
    27. Полищук В.: Жизнь приема у Набокова
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    28. Anniversary notes
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    29. Боги (перевод С. В. Сакуна)
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    30. Розенгрант Дж.: Владимир Набоков и этика изображения. Двуязычная практика
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    31. Eugene Onegin. A Novel in Verse by Aleksandr Pushkin. Chapter three
    Входимость: 1. Размер: 61кб.
    32. Eugene Onegin. A Novel in Verse by Aleksandr Pushkin. Chapter five
    Входимость: 1. Размер: 54кб.
    33. Интервью Набокова на английском языке. Bayerischer Rundfunk, 1971-72 г.
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    34. Lolita. Part Two. Chapters 32 - 36
    Входимость: 1. Размер: 58кб.
    35. Карпов Н.А.: Романтические контексты Набокова. Избранная библиография
    Входимость: 1. Размер: 42кб.
    36. Lolita. Part Two. Chapters 22 - 26
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    37. Eugene Onegin. A Novel in Verse by Aleksandr Pushkin. Chapter eight
    Входимость: 1. Размер: 71кб.
    38. Вне Лолиты: Вновь открывая Набокова. (Проект CNN, 1999 г.). Nabokov's Pictorial Biography
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    39. On some inaccuracies in klots' field guide
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    40. Интервью Набокова на английском языке. BBC-2, 1969 г.
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    41. Сконечная Ольга: "Я" и "Он" - о присутствии Марселя Пруста в русской прозе Набокова
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    42. Audubon's butterflies, moths and other studies
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    43. Блюмбаум Аркадий: Антиисторицизм как эстетическая позиция (К проблеме: Набоков и Бергсон)
    Входимость: 1. Размер: 123кб.
    44. Ранчин Андрей: Набоков В. В. (Энциклопедия "Кругосвет")
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    45. Lolita. Part Two. Chapters 1 - 2
    Входимость: 1. Размер: 49кб.
    46. Долинин Александр: Набоков, Достоевский и достоевщина
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    47. Брайан Бойд. Владимир Набоков: русские годы. Глава 18. Перевод и превращение: Берлин, 1934–1937
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    48. Шифф Стейси: Вера (Миссис Владимир Набоков). 1. Петербург, 38–48
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    49. Шифф Стейси: Вера (Миссис Владимир Набоков). 3. В Зазеркалье
    Входимость: 1. Размер: 143кб.
    50. Вне Лолиты: Вновь открывая Набокова. (Проект CNN, 1999 г.). His Legacy
    Входимость: 1. Размер: 7кб.

    Примерный текст на первых найденных страницах

    1. The Song of Igor's Campaign, Igor son of Svyatoslav and grandson of Oleg (перевод Набокова)
    Входимость: 11. Размер: 34кб.
    Часть текста: Might it not become us, brothers, to begin in the diction of yore the stern tale of the campaign of Igor, Igor son of Svyatoslav? Let us, however, begin this song in keeping with the happenings of these times and not with the contriving of Boyan. For he, vatic Boyan if he wished to make a laud for one, ranged in thought [like the nightingale] over the tree; like the gray wolf across land; like the smoky eagle up to the clouds. For as he recalled, said he, the feuds of initial times, "He set ten falcons upon a flock of swans, and the one first overtaken, sang a song first"- to Yaroslav of yore, and to brave Mstislav who slew Rededya before the Kasog troops, and to fair Roman son of Svyatoslav. To be sure, brothers, Boyan did not [really] set ten falcons upon a flock of swans: his own vatic fingers he laid on the live strings,   which then twanged out by themselves a paean to princes. So let us begin, brothers, this tale- from Vladimir of yore to nowadays Igor. who girded his mind with fortitude, and sharpened his heart with manliness; [thus] imbued with the spirit of arms, he led his brave troops against the Kuman land in the name of the Russian land. Boyan apostrophized O Boyan, nigh tingale of the times of old! If you were to trill [your praise of]   these troops,   while hopping, nightingale, over the tre e of thought; [if you were] flying in mind up to the clouds; [if] weaving paeans around these times, [you were] roving the Troyan Trail,...
    2. Articles about butterflies
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    Часть текста: of the species (the holarctic argyrognomon Berg str.=idas auct.) to which anna Edw., scudderi Edw., aster Edw., and six other nearctic subspecies belong. I bungled my family's vacation but got what I wanted. Owing to rains and floods, especially noticeable in Kansas, most of the drive from New York State to Colorado was entomologically uneventful. When reached at last, Telluride turned out to be a damp, unfrequented, but very spectacular cul-de-sac (which a prodigious rainbow straddied every evening) at the end of two converging roads, one from Placerville, the other from Dolores, both atrocious. There is one motel, the optimistic and excellent Valley View Court where my wife and I stayed, at 9,000 feet altitude, from the 3rd to the 29th of July, walking up daily to at least 12,000 feet along various more or less steep trails in search of sublivens. Once or twice Mr. Homer Reid of Telluride took us up in his jeep. Every morning the sky would be of an impeccable blue at 6 a. m. when I set out. The first innocent cloudlet would scud across at 7: 30 a. m. Bigger fellows with darker bellies would start tampering with the sun around 9 a. m., just as we emerged from the shadow of the cliffs and trees onto good hunting grounds. Everything would be cold and gloomy half an hour later. At around 10 a. m. there would come the daily electric storm, in several installments, accompanied by the most irritatingly close lightning I have ever encountered anywhere in the Rockies, not excepting Longs Peak, which is saying a good deal, and followed by cloudy and rainy weather through the rest of the day. After 10 days of this, and despite ...
    3. Интервью Набокова на английском языке. Wisconsin Studies, 1967 г.
    Входимость: 8. Размер: 63кб.
    Часть текста: of their small balcony. Since Mr. Nabokov does not like to talk off the cuff (or "Off the Nabocuff," as he said) no tape recorder was used. Mr. Nabokov ei! ther wrote out his answers to the questions or dictated them to the interviewer; in some instances, notes from the conversation were later recast as formal questions-and-answers. The interviewer was Nabokov's student at Cornell University in 1954, and the references are to Literature 311-312 (MWF, 12), a course on the Masterpieces of European Fiction (Jane Austen, Gogol, Dickens, Flaubert, Tolstoy, Stevenson, Kafka, Joyce, and Proust). Its enrollment had reached four hundred by the time of Nabokov's resignation in 1959. The footnotes to the interview, except where indicated, are provided by the interviewer, Alfred Appel, Jr. For years bibliographers and literary journalists didn't know whether to group you under "Russian" or "American. "Now that you're living in Switzerland there seems to be complete agreement that you're American. Do you find this kind of distinction at all important regarding your identity as a writer? I have always maintained, even as a schoolboy in Russia, that the nationality of a worthwhile writer is of secondary importance. The more distinctive an insect's aspect, the...
    4. Butterfly collecting in Wyoming, 1952
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    Часть текста: northern Colorado, within 15 miles from the Wyoming State Line, mainly south of the unpaved road 127; and W. Medicine Bow National Forest, in the Sierra Madre, using the abominable local road from Encampment to the Continental Divide (approximately 9,500 ft. alt.). Western Wyoming: sagebrush, approximately 6,500 ft. alt. immediately east of Dubois along the (well-named) Wind River; western Shoshone and Teton National Forests, following admirable paved road 26, from Dubois towards Moran over Togwotee Pass (9,500 ft. alt.); near Moran, on Buffalo River, approximately 7,000 ft. alt.; traveling through the construction hell of the city of Jackson, and bearing southeast along paved 187 to The Rim (7,900 ft. alt.); and, finally, spending most of August in collecting around the altogether enchanting little town of Afton (on paved 89, along the Idaho border), approximately 7,000 ft. alt., mainly in canyons east of the town, and in various spots of Bridger National Forest, Southwestern part, along trails up to 9,000 ft. alt. Most of the material collected has gone...
    5. Интервью Набокова на английском языке. Playboy, 1964 г.
    Входимость: 5. Размер: 53кб.
    Часть текста: your fame and fortune mushroomed almost overnight from high repute among the literary cognoscenti-- which you bad enjoyed for more than 30 years-- to both acclaim and abuse as the world-renowned author of a sensational bestseller. In the aftermath of this cause celebre, do you ever regret having written Lolita? On the contrary, I shudder retrospectively when I recall that there was a moment, in 1950, and again in 1951, when I was on the point of burning Humbert Humbert's little black diary. No, I shall never regret Lolita. She was like the composition of a beautiful puzzle-- its composition and its solution at the same time, since one is a mirror view of the other, depending on the way you look. Of course she completely eclipsed my other works-- at least those I wrote in English: The Real Life of Sebastian Knight, Bend Sinister, my short stories, my book of recollections; but I cannot grudge her this. There is a queer, tender charm about that mythical nymphet. Though many readers and reviewers would disagree that her charm is tender, few would deny that it is queer-- so much so that when director Stanley Kubrick proposed his plan to make a movie of Lolita, you were quoted as saying, "Of course they'll have to change the plot. Perhaps they will make Lolita a dwarfess. Or they will make her 16 and Humbert 26. " Though you finally wrote the screenplay yourself, several reviewers took the film to task for watering down the central relationship. Were you satisfied with the final product? I thought the movie was absolutely first-rate. The...
    6. Eugene Onegin. A Novel in Verse by Aleksandr Pushkin. Chapter seven
    Входимость: 4. Размер: 67кб.
    Часть текста: it better, then?” “Where we are not.” Griboedov I   Chased by the vernal beams,   down the surrounding hills the snows already   have run in turbid streams   4  onto the inundated fields.   With a serene smile, nature   greets through her sleep the morning of the year.   Bluing, the heavens shine.   8  The yet transparent woods   as if with down are greening.   The bee flies from her waxen cell   after the tribute of the field. 12  The dales grow dry and varicolored.   The herds are noisy, and the nightingale   has sung already in the hush of nights. II   How sad your apparition is to me,   spring, spring, season of love!   What a dark stir there is   4  in my soul, in my blood!   With what oppressive tenderness   I revel in the whiff   of spring fanning my face   8  in the lap of the rural stillness!   Or is enjoyment strange to me,   and all that gladdens,...
    7. Интервью Набокова на английском языке. The Paris Review, 1967 г.
    Входимость: 4. Размер: 29кб.
    Часть текста: Lolita. They marry-- to no particular public outrage; rather, public cooing. No, it is not my sense of the immorality of the Humbert Humbert-Lolita relationship that is strong; it is Humbert's sense. He cares, I do not. I do not give a damn for public morals, in America or elsewhere. And, anyway, cases of men in their forties marrying girls in their teens or early twenties have no bearing on Lolita whatever. Humbert was fond of "little girls"-- not simply "young girls." Nymphets are girl-children, not starlets and "sex kittens." Lolita was twelve, not eighteen, when Humbert met her. You may remember that by the time she is fourteen, he refers to her as his "aging mistress." One critic has said about you that "his feelings are like no one else's. " Does this make sense to you? Or does it mean that you know your feelings better than others know theirs? Or that you have discovered yourself at other levels? Or simply that your history is unique? I do not recall that article; but if a critic makes such a statement, it must surely mean that he has explored the feelings of literally millions of people, in at least three countries, before reaching his conclusion. If so, lama rare fowl indeed. If, on the other hand, he has merely limited himself to quizzing members of his family or club, his statement cannot be discussed seriously. Another critic has written that your "worlds are static. They may become tense with obsession, but they do not break apart like the worlds of everyday reality. " Do you agree? Is there a static quality in your view of things? Whose "reality"? "Everyday" where? Let me suggest that the very term "everyday reality" is utterly static since it presupposes a situation that is permanently observable, essentially...
    8. Букс Нора: Эшафот в хрустальном дворце. О русских романах Владимира Набокова. Глава I. Звуки и запахи
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    Часть текста: был опубликован в 1926 году в Берлине [2]. Научная литература об этом произведении многочисленна и интересна. Исследователи отмечали «чеховский дух» романа [3], аналогию встреч/расставаний Ганина и Машеньки — Онегина и Татьяны [4], автобиографические черты в образах главных героев [5], основные структурные мотивы «Машеньки»: поезда и трамваи, свет и тени [6]. Особого внимания заслуживают работы о методе креативной памяти у Набокова [7], структурных принципах организации текста [8], а также о свойстве «полигенетичности» набоковской прозы [9], проявившемся уже в его первом крупном произведении. В данной главе предлагается новое прочтение романа. 1 Произведение молодого Набокова, несмотря на кажущуюся бесхитростность и традиционность, обнаруживает черты поэтики его зрелой прозы. Текст «вырастает» из центральной метафоры, элементы которой разворачиваются в романе в самостоятельные тематические мотивы. Указанием на метафору служит прием литературной аллюзии, доведенный в более поздних произведениях Набокова до изысканной потаенности, но в «Машеньке» реализованный с уникальной авторской откровенностью — с прямым называнием адресата. Отсылка размещена в условной сердцевине текста, в точке высокого лирического напряжения, в момент символического обретения героем души (подробнее об этом мотиве — см. ниже), в сцене на подоконнике «мрачной дубовой уборной», когда 16-летний Ганин мечтает о Машеньке. «И эту минуту, когда он сидел… и тщетно ждал, чтобы в тополях защелкал фетовский соловей, — эту минуту Ганин теперь справедливо считал самой важной и возвышенной во всей его жизни» (с. 73). Стихотворение ...
    9. Интервью Набокова на английском языке. Novel, 1970 г.
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    Часть текста: both ends. Now that your first novel has appeared (Mashenka, 1926), it seems appropriate that, as we sail into the future, even earlier works should adhere to this elegant formula and make their quantum leap into English. Yes, my forthcoming Poems and Problems [McGraw-Hill] will offer several examples of the verse of my early youth, including "The Rain Has Flown," which was composed in the park of our country place, Vyra, in May 1917, the last spring my family was to live there. This "new" volume consists of three sections: a selection of thirty-six Russian poems, presented in the original and in translation; fourteen poems which I wrote directly in English, after 1940 and my arrival in America (all of which were published in The New Yorker), and eighteen chess problems, all but two of which were composed in recent years (the chess manuscripts of the 1940-1960 period have been mislaid and the earlier unpublished jottings are not worth printing). These Russian poems constitute no...
    10. Eugene Onegin. A Novel in Verse by Aleksandr Pushkin. Chapter one
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    Часть текста:   the careless fruit of my amusements,   insomnias, light inspirations,   unripe and withered years, 16  the intellect's cold observations,   and the heart's sorrowful remarks. CHAPTER ONE To live it hurries and to feel it hastes. Prince Vyazemski I   “My uncle has most honest principles:   when he was taken gravely ill,   he forced one to respect him   4  and nothing better could invent.   To others his example is a lesson;   but, good God, what a bore to sit   by a sick person day and night, not stirring   8  a step away!   What base perfidiousness   to entertain one half-alive,   adjust for him his pillows, 12  sadly serve him his medicine,   sigh — and think inwardly   when will the devil take you?” II   Thus a young scapegrace thought   as with post horses in the dust he flew,   by the most lofty will of Zeus   4  the heir of all his kin.   Friends of Lyudmila and Ruslan!   The hero of my novel,   without preambles, forthwith,   8  I'd like to have you meet:   Onegin, a good pal of mine,   was born upon the Neva's banks,   where maybe you were born, 12  or used to shine, my reader!   There formerly I too promenaded —   but harmful is the North to me. 1 III   Having served excellently, nobly,   his father lived by means of debts;   gave three balls yearly   4  and squandered everything at last.   Fate guarded Eugene:   at first, Madame looked after him;   later, Monsieur replaced her.   8  The child was boisterous but charming.   Monsieur l'Abbé, a poor wretch of a Frenchman,   not to wear out the infant,   taught him all things in play, 12  bothered him not with stern moralization,   scolded him...