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А Б В Г Д Е Ж З И Й К Л М Н О П Р С Т У Ф Х Ц Ч Ш Щ Э Ю Я
0-9 A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
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1. Интервью Набокова на английском языке. Playboy, 1964 г.
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2. Чарльз Кинбот: Серебристый свет. Подлинная жизнь Владимира Набокова. Chapter Eight. Dying Is No Fun
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3. Eugene Onegin. A Novel in Verse by Aleksandr Pushkin. Chapter five
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4. Чарльз Кинбот: Серебристый свет. Подлинная жизнь Владимира Набокова. Chapter Nine. Zashchita Luzhina
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5. Эссе о драматургии ("Playwriting", на английском языке)
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6. Eugene Onegin. A Novel in Verse by Aleksandr Pushkin. Chapter eight
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7. Комментарий к роману "Евгений Онегин". Глава седьмая. Пункты XXXII - LV
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8. Lolita. Part One. Chapters 12 - 17
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9. Anniversary notes
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10. Lolita. Part Two. Chapters 3 - 8
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11. Комментарий к роману "Евгений Онегин". "Десятая глава"
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12. Eugene Onegin. A Novel in Verse by Aleksandr Pushkin. Chapter three
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13. Блюмбаум Аркадий: Антиисторицизм как эстетическая позиция (К проблеме: Набоков и Бергсон)
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14. Ада, или Эротиада (перевод О. М. Кириченко). Часть вторая. Глава 7
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15. Комментарий к роману "Евгений Онегин". Глава шестая. Эпиграф, пункты I - XX
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16. Погребная Я.В.: Поиски «Лолиты» - герой-автор-читатель-книга на границе миров. 4. Идентификация героя и его мира в аспекте мифоритуальной архаики
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17. Истинная жизнь Севастьяна Найта (перевод Г. Барабтарло). Тайна Найта
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18. Мельников Н. Г.: О Набокове и прочем. «Чудовищная проза» Джона Барта
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19. Интервью Набокова на английском языке. The Sunday Times, 1969 г.
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20. Брайан Бойд. Владимир Набоков: русские годы. Введение
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21. Lolita. Part One. Chapters 1 - 8
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22. Вне Лолиты: Вновь открывая Набокова. (Проект CNN, 1999 г.). Nabokov's Pictorial Biography
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23. Здесь говорят по-русски (перевод С. Сакуна)
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24. Lolita. Part Two. Chapters 32 - 36
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25. Букс Нора: Двое игроков за одной доской: Вл. Набоков и Я. Кавабата
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26. Комментарий к роману "Евгений Онегин". Глава первая. Пункты VI - XVI
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27. Лолита. (часть 2, главы 3-5)
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28. Комментарии к "Евгению Онегину" Александра Пушкина. "Десятая глава"
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29. Комментарии к "Евгению Онегину" Александра Пушкина. Глава первая. Пункты XXXIII - XXXVII
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30. Комментарий к роману "Евгений Онегин". Глава первая. Пункты XXXVI - XLIII
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31. Бойд Брайян: Владимир Набоков - вступление в биографию
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32. Мельников Н. Г.: О Набокове и прочем. Корнелий и Вольтиманд, или как перешекспирить Шекспира
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33. Lolita. Part One. Chapters 9 - 11
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34. Как редко теперь пишу по-русски... (Из переписки В. В. Набокова и М. А. Алданова)
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35. Грейсон Джейн: Французский связной - Набоков и Альфред де Мюссе. Идеи и опыты перевода
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36. Вне Лолиты: Вновь открывая Набокова. (Проект CNN, 1999 г.). The Writer
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37. The Song of Igor's Campaign, Igor son of Svyatoslav and grandson of Oleg (перевод Набокова)
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38. Lolita. Part Two. Chapters 22 - 26
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39. Комментарии к "Евгению Онегину" Александра Пушкина. Глава первая. Пункты VIII - XX
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40. Вне Лолиты: Вновь открывая Набокова. (Проект CNN, 1999 г.). The Man
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41. Набоков Дмитрий: Отцовские бабочки. Отцовские бабочки. Father's Butterflies (английский язык)
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42. Другие берега. (глава 4)
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43. Интервью Набокова на английском языке. Wisconsin Studies, 1967 г.
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44. Lolita. Part Two. Chapters 17 - 21
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45. Роупер Р: Набоков в Америке. По дороге к «Лолите». Глава 13
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46. Бартон Д.Д.: Миры и антимиры Владимира Набокова. Часть I. Набоков — man of letters
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47. Ада, или Радости страсти. Семейная хроника. (Часть 2, глава 7)
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48. Галинская И.Л.: Владимир Набоков - современные прочтения. Набоков-драматург
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1. Интервью Набокова на английском языке. Playboy, 1964 г.
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Часть текста: takes into account the order of my interviewer's questions as well as the fact that a couple of consecutive pages of my typescript were apparently lost in transit. Egreto perambis doribus! With the American publication of Lolita in 1958, your fame and fortune mushroomed almost overnight from high repute among the literary cognoscenti-- which you bad enjoyed for more than 30 years-- to both acclaim and abuse as the world-renowned author of a sensational bestseller. In the aftermath of this cause celebre, do you ever regret having written Lolita? On the contrary, I shudder retrospectively when I recall that there was a moment, in 1950, and again in 1951, when I was on the point of burning Humbert Humbert's little black diary. No, I shall never regret Lolita. She was like the composition of a beautiful puzzle-- its composition and its solution at the same time, since one is a mirror view of the other, depending on the way you look. Of course she completely eclipsed my other works-- at least those I wrote in English: The Real Life of Sebastian Knight, Bend Sinister, my short stories, my book of recollections; but I cannot grudge her this. There is a queer, tender charm about that mythical nymphet. Though many readers and reviewers would disagree that her charm is tender, few would deny that it is queer-- so much so that when director Stanley Kubrick proposed his plan to make a movie of Lolita, you were quoted as saying, "Of course they'll have to change the plot. Perhaps they will make Lolita a dwarfess. Or they will make her 16 and Humbert 26. " Though you finally wrote the screenplay yourself, several reviewers took the film to task for watering down the central relationship. Were you satisfied with the final product? I thought the movie was absolutely first-rate. The four main actors deserve the very highest praise. Sue Lyon bringing that breakfast tray or childishly pulling on her sweater in the car-- these are moments of unforgettable...
2. Чарльз Кинбот: Серебристый свет. Подлинная жизнь Владимира Набокова. Chapter Eight. Dying Is No Fun
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Часть текста: свет. Подлинная жизнь Владимира Набокова Chapter Eight. Dying Is No Fun Chapter Eight Dying Is No Fun In hindsight the Master's relatively eventful life reads like a novel written by an author so swept away by creative enthusiasm that he keeps forgetting to reread what he has already written but so attuned to a particular frequency of inspiration that revision and successive drafts are superfluous: the tale can be extruded in a single, extremely long, growing ever longer, parti-colored stream, like the endless rope of silk handkerchiefs a conjuror extracts with mock amazement from his black satin sleeve, or, for that matter, from the mouth of a compliant, if somewhat sheepish, volunteer. But Nabokov's death still comes as an unpleasant shock, an absurdly anomalous element at the end of the series, as if the final section of the streamer were not one last, particularly colorful piece of silk, but a live worm, a rotting plum, or some other equally strange bit of inexplicable detritus. Thank you, Madam, you may return to your seat. That Nabokov did not die of natural causes is only now beginning to be publicly acknowledged. His "mysterious" death, variously attributed to a fall, a viral infection, pneumonia, or mundane cardiac arrest, is now known to have been caused, or at least hastened along, by a special, nearly untraceable poison whose unpronounceable name I will not reveal here for fear that some unbalanced individual bearing a grudge against a family member, former love, noisy neighbor, or Department Head 1 might seek it out. The substance is readily available. It is odorless, flavorless, and difficult to detect unless a thorough autopsy is performed by an experienced medical examiner soon after the victim's death. Nabokov, who had been in and out of hospitals for the two years preceding his passing, was known to be in ill health. No foul play was suspected and so no autopsy was performed. The body, I learned too...
3. Eugene Onegin. A Novel in Verse by Aleksandr Pushkin. Chapter five
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Часть текста: by Aleksandr Pushkin Chapter five CHAPTER FIVE Never know these frightful dreams, You, O my Svetlana! Zhukovski I   That year autumnal weather   was a long time abroad;   nature kept waiting and waiting for winter.   4  Snow only fell in January,   on the night of the second. Waking early,   Tatiana from the window saw   at morn the whitened yard,   8  flower beds, roofs, and fence;   delicate patterns on the panes;   the trees in winter silver,   gay magpies outside, 12  and the hills softly overspread   with winter's brilliant carpeting.   All's bright, all's white around. II   Winter! The peasant, celebrating,   in a flat sledge inaugurates the track;   his naggy, having sensed the snow,   4  shambles at something like a trot.   Plowing up fluffy furrows,   a bold kibitka flies:   the driver sits upon his box   8  in sheepskin coat, red-sashed.   Here runs about a household lad,   upon a hand sled having seated “blackie,”   having transformed himself into the steed; 12  the scamp already has frozen a finger.   He finds it both painful and funny — while   his mother, from the window, threatens him... III   But, maybe, pictures of this kind   will not attract you;   all this is lowly nature;   4  there is not much refinement here.   Warmed by the god of inspiration,   another poet in luxurious language   for us has painted the first snow   8  and all the shades of winter's delectations. 27   He'll captivate you, I am sure of it,   when he depicts in flaming verses   secret promenades in...
4. Чарльз Кинбот: Серебристый свет. Подлинная жизнь Владимира Набокова. Chapter Nine. Zashchita Luzhina
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Часть текста: "Remember, dear, that the greatest menace to happy domestic life is CHESS." -- Shakhmatnaia goriachka 1 Zashchita Luzhina [literally, Luzhin's Defense] was written in 1929 while the Master and his wife were vacationing and hunting butterflies in the Pyren?es Orientales and published serially, first in Rul' (one chapter), then in Sovremennye zapiski , nos. 40-42, and finally in book form later that same year by Slovo in Berlin. An English version, translated by the author in collaboration with Michael Scammell, was published in 1964 by Putnam as The Defenestration . This edition is true to the original with the exception of two references to Zembla that the author, or the translator, or an unnamed editor, or an inattentive typesetter, chose to remove, or happened to remove inadvertantly, from Chapters Two and Five. Zashchita Luzhina is a book about chess, "a game of skill played by two persons, each having sixteen pieces to move in different ways, on a board divided into 64 squares, alternately light and dark." (I owe this pithy definition to Webster.) If the reader does not know, or has forgotten, the rules to the game, he or she is invited to consult one of the many pamphlets devoted to chess that must surely exist in every language written and read in the civilized world. The word chess derives from Middle English ches or chesse , thence from Old French eschec (francophones will hear here an echo of the French word for failure, a not irrelevant observation for the case under discussion), or echac ,2 thence from Persian shah , a king, the most important piece in the game....
5. Эссе о драматургии ("Playwriting", на английском языке)
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Часть текста: reading, and performing plays. The reader is urged to bear in mind, however, that, later in life, Father might have expressed certain thoughts differently. The lectures were partly in typescript and partly in manuscript, replete with Nabokov's corrections, additions, deletions, occasional slips of the pen, and references to previous and subsequent installments of the course. I have limited myself to what editing seemed necessary for the presentation of the lectures in essay form. If Nabokov had been alive, he might perhaps have performed more radical surgery. He might also have added that the gruesome throes of realistic suicide he finds unacceptable onstage (in "The Tragedy of Tragedy") are now everyday fare on kiddies' TV, while "adult" entertainment has long since outdone all the goriness of the Grand Guignol. He might have observed that the aberrations of theatrical method wherein the illusion of a barrier between stage and audience is shattered - a phenomenon he considered "freakish" - are now commonplace: actors wander and mix; the audience is invited to participate; it is then applauded by the players in a curious reversal of roles made chic by Soviet performers ordered to emulate the mise-en-sce´ne of party congresses; and the term "happening" has already managed to grow obsolescent. He might have commented that the quest for originality for its own sake has led to ludicrous excesses and things have taken their helter-skelter course in random theatre as they have in random music and in random painting. Yet Nabokov's own plays demonstrate that it is possible to respect the rules of drama and still be original, just as one can write original poetry without neglecting the basic requirements of prosody, or play brilliant tennis, to...
6. Eugene Onegin. A Novel in Verse by Aleksandr Pushkin. Chapter eight
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Часть текста: of swans,   near waters shining in the stillness,   8  the Muse began to visit me.   My student cell was all at once   radiant with light: in it the Muse   opened a banquet of young fancies, 12  sang childish gaieties,   and glory of our ancientry,   and the heart's tremulous dreams. II   And with a smile the world received her;   the first success provided us with wings;   the aged Derzhavin noticed us — and blessed us   4  as he descended to the grave.   . . . . . . . . . . . . . . . . . . . .   . . . . . . . . . . . . . . . . . . . .   . . . . . . . . . . . . . . . . . . . .   8  . . . . . . . . . . . . . . . . . . . .   . . . . . . . . . . . . . . . . . . . .   . . . . . . . . . . . . . . . . . . . .   . . . . . . . . . . . . . . . . . . . . 12  . . . . . . . . . . . . . . . . . . . .   . . . . . . . . . . . . . . . . . . . .   . . . . . . . . . . . . . . . . . . . . III   And I, setting myself for law   only ...
7. Комментарий к роману "Евгений Онегин". Глава седьмая. Пункты XXXII - LV
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Часть текста: У Тани льется из очей. 11—12 Простите — До приезда из Одессы на двухлетнее жительство в Михайловское в августе 1824 г. Пушкин бывал там дважды, летом 1817 г., вскоре после выпуска из Лицея, и летом 1819 Во время первого визита он познакомился с семейством Осиповых, своих тригорских соседей, и 17 августа 1817 г., перед возвращением в Петербург, посвятил им небольшую элегию из шестнадцати стихов, написанную четырехстопным ямбом, которая начинается так (стихи 1–2, 5, 11–12): Простите, верные дубравы! Прости, беспечный мир полей… …………………………………… Прости, Тригорское!… …………………………………… Быть может (сладкое мечтанье!) Я к вашим возвращусь полям… И конечно, именно в Тригорское, а не в свое Михайловское поэт возвращается в последнем, ретроспективном отступлении в «Путешествии Онегина» (1830). Ср. также с элегией Ленского в гл. 6, XXI–XXII. Кроме того, см. мой коммент. к гл. 7, XXVIII, 5–9. 13—14 И слез ручей / У Тани льется из очей.  — Ср. у Козлова, «Княгиня Наталья Долгорукая», ч. II, конец строфы V: …и вдруг у ней Ручьями слезы из очей… Здесь та же самая рифма: очей — ручей {161} . См. коммент. к гл. 7, XV, 8—14; XVI, 1–7 и XXIX, 5—7. Ср. схожую концовку стихового абзаца в «Эде» (1826) Баратынского, стихи...
8. Lolita. Part One. Chapters 12 - 17
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Часть текста: them that for all the devil’s inventiveness, the scheme remained daily the same. First he would tempt meand then thwart me, leaving me with a dull pain in the very root of my being. I knew exactly what I wanted to do, and how to do it, without impinging on a child’s chastity; after all, I had had some   experience in my life of pederosis; had visually possessed dappled nymphets in parks; had wedged my wary and bestial way into the hottest, most crowded corner of a city bus full of straphanging school children. But for almost three weeks I had been interrupted in all my pathetic machinations. The agent of these interruptions was usually the Haze woman (who, as the reader will mark, was more afraid of Lo’s deriving some pleasure from me than of my enjoying Lo). The passion I had developed for that nymphetfor the first nymphet in my life that could be reached at last by my awkward, aching, timid clawswould have certainly landed me again in a sanatorium, had not the devil realized that I was to be granted some relief if he wanted to have me as a plaything for some time longer. The reader has also marked the curious Mirage of the Lake. It would have been logical on the part of Aubrey McFate (as I would like to dub that devil of mine) to arrange a small treat for me on the promised beach, in the presumed forest. Actually, the promise Mrs. Haze had made was a fraudulent one: she had not told me that Mary Rose Hamilton (a dark little beauty in her own right) was to come too, and that the two nymphets would be whispering apart, and playing apart, and having a good time all by themselves, while Mrs. Haze and her handsome lodger conversed sedately in the seminude, far from prying eyes. Incidentally, eyes did pry and tongues did wag. How queer life is! We hasten to alienate the very fates we ...
9. Anniversary notes
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Часть текста: number (17, Winter 1970, Northwestern University, Evanston, Illinois) which is dedicated to me on the occasion of my seventieth birthday. I soon realized, however, that I might find myself discussing critical studies of my fiction, something I have always avoided doing. True, a festschrift is a very special and rare occasion for that kind of sport, but I did not wish to create even the shadow of a precedent and therefore decided simply to publish the rough jottings I made as an objective reader anxious to eliminate slight factual errors of which such a marvelous gift must be free; for I knew what pains the editors, Charles Newman and Alfred Appel, had taken to prepare it and remembered how firmly the guest co-editor, when collecting the ingredients of this great feast, refused to show me any plum or crumb before publication.  BUTTERFLIES Butterflies are among the most thoughtful and touching contributions to this volume. The old-fashioned engraving of a Catagramma- like insect is delightfully reproduced twelve times so as to suggest a double series or "block" of specimens in a cabinet case; and there is a beautiful photograph of a Red Admirable (but "Nymphalidae" is the family to which it belongs, not its genus,...
10. Lolita. Part Two. Chapters 3 - 8
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Часть текста: my fool preferred the corniest movies, the most cloying fudge. To think that between a Hamburger and a Humburger, she wouldinvariably, with icy precisionplump for the former. There is nothing more atrociously cruel than an adored child. Did I mention the name of that milk bar I visited a moment ago? It was, of all things, The Frigid Queen. Smiling a little sadly, I dubbed her My Frigid Princess. She did not see the wistful joke. Oh, d not scowl at me, reader, I do not intend to convey the impressin that I did not manage to be happy. Readeer must understand that in the possession and thralldom of a nymphet the enchanted traveler stands, as it were, beyond happiness.   For there is no other bliss on earth comparable to that of fondling a nymphet. It is hors   concours  , that bliss, it belongs to another class, another plane of sensitivity. Despite our tiffs, despite her nastiness, despite all the fuss and faces she made, and the vulgarity, and the danger, and the horrible hopelessness of it all, I still dwelled deep in my elected paradisea paradise whose skies were the color of hell-flamesbut still a paradise. The able psychiatrist who studies my caseand whom by now Dr. Humbert has plunged, I trust, into a state of leporine fascinationis no doubt anxious to have me take Lolita to the seaside and have me find there, at last, the “gratification” of a lifetime urge, and release from the “subconscious” obsession of an incomplete childhood romance with the initial little Miss Lee. Well, comrade, let me tell you that I did   look for a...