Поиск по творчеству и критике
Cлово "FOUR"


А Б В Г Д Е Ж З И Й К Л М Н О П Р С Т У Ф Х Ц Ч Ш Щ Э Ю Я
0-9 A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
Поиск  
1. Lolita. Part Two. Chapters 9 - 16
Входимость: 8. Размер: 59кб.
2. Lolita. Part Two. Chapters 27 - 31
Входимость: 7. Размер: 46кб.
3. Интервью Набокова на английском языке. Wisconsin Studies, 1967 г.
Входимость: 6. Размер: 63кб.
4. Lolita. Part Two. Chapters 17 - 21
Входимость: 6. Размер: 52кб.
5. Интервью Набокова на английском языке. Playboy, 1964 г.
Входимость: 5. Размер: 53кб.
6. Интервью Набокова на английском языке. Anonymous, 1962 г.
Входимость: 4. Размер: 10кб.
7. Lolita. Part Two. Chapters 3 - 8
Входимость: 4. Размер: 54кб.
8. Anniversary notes
Входимость: 4. Размер: 33кб.
9. Чарльз Кинбот: Серебристый свет. Подлинная жизнь Владимира Набокова. Chapter Nine. Zashchita Luzhina
Входимость: 4. Размер: 23кб.
10. Эссе о драматургии ("Playwriting", на английском языке)
Входимость: 4. Размер: 59кб.
11. Lolita. Part One. Chapters 1 - 8
Входимость: 4. Размер: 53кб.
12. Lolita. Part Two. Chapters 22 - 26
Входимость: 3. Размер: 57кб.
13. Роупер Р: Набоков в Америке. По дороге к «Лолите». Библиография
Входимость: 3. Размер: 43кб.
14. Eugene Onegin. A Novel in Verse by Aleksandr Pushkin. Chapter six
Входимость: 2. Размер: 55кб.
15. Butterfly collecting in Wyoming, 1952
Входимость: 2. Размер: 14кб.
16. Articles about butterflies
Входимость: 2. Размер: 35кб.
17. Вне Лолиты: Вновь открывая Набокова. (Проект CNN, 1999 г.). The Writer
Входимость: 2. Размер: 8кб.
18. Карпов Н.А.: Романтические контексты Набокова. Примечания
Входимость: 2. Размер: 141кб.
19. Lolita. Part Two. Chapters 1 - 2
Входимость: 2. Размер: 49кб.
20. Чарльз Кинбот: Серебристый свет. Подлинная жизнь Владимира Набокова. Chapter One. On Visiting Nabokov's Tomb
Входимость: 2. Размер: 9кб.
21. Быкова И. В.: Имена главных героев в романе В. Набокова «Бледное пламя» или «Легкость в мыслях необыкновенная»
Входимость: 2. Размер: 28кб.
22. Lolita. Part One. Chapters 28 - 33
Входимость: 2. Размер: 42кб.
23. Набоков Дмитрий: Отцовские бабочки. Отцовские бабочки. Father's Butterflies (английский язык)
Входимость: 2. Размер: 36кб.
24. Eugene Onegin. A Novel in Verse by Aleksandr Pushkin. Chapter four
Входимость: 2. Размер: 54кб.
25. Lolita. Part One. Chapters 18 - 22
Входимость: 2. Размер: 53кб.
26. Чарльз Кинбот: Серебристый свет. Подлинная жизнь Владимира Набокова. Chapter Four. Night Roams the Fields
Входимость: 2. Размер: 6кб.
27. Интервью Набокова на английском языке. The New York Times Book Review, 1968 г.
Входимость: 2. Размер: 15кб.
28. Lolita. Part Two. Chapters 32 - 36
Входимость: 2. Размер: 58кб.
29. Lolita. Part One. Chapters 23 - 27
Входимость: 2. Размер: 59кб.
30. The Song of Igor's Campaign, Igor son of Svyatoslav and grandson of Oleg (перевод Набокова)
Входимость: 1. Размер: 34кб.
31. Роупер Р: Набоков в Америке. По дороге к «Лолите». Примечания
Входимость: 1. Размер: 175кб.
32. Перевод Набоковым Евгения Онегина на английский язык. Eugene Onegin. A Novel in Verse by Aleksandr Pushkin
Входимость: 1. Размер: 1кб.
33. Чарльз Кинбот: Серебристый свет. Подлинная жизнь Владимира Набокова. Chapter Three. Mashen'ka
Входимость: 1. Размер: 16кб.
34. Боги (перевод С. В. Сакуна)
Входимость: 1. Размер: 39кб.
35. Интервью Набокова на английском языке. BBC-2, 1968 г.
Входимость: 1. Размер: 9кб.
36. Погребная Я.В.: «Плоть поэзии и призрак прозрачной прозы...» - лирика В.В. Набокова. 2. Первое произведение как семиологический факт
Входимость: 1. Размер: 118кб.
37. Классик без ретуши. Бледный огонь
Входимость: 1. Размер: 27кб.
38. Брайан Бойд. Владимир Набоков: американские годы. Глава 14. "Лолита" искрится: Корнель, 1955–1957
Входимость: 1. Размер: 95кб.
39. Долинин А: Искусство палача - заметки к теме смертной казни у Набокова
Входимость: 1. Размер: 40кб.
40. The wings of desire
Входимость: 1. Размер: 8кб.
41. Бартон Д.Д.: Миры и антимиры Владимира Набокова. Часть II. Набоков — анаграммист
Входимость: 1. Размер: 115кб.
42. Утгоф Г.М.: «Audiatur et altera pars» - к проблеме «Набоков и Лоуэлл»
Входимость: 1. Размер: 53кб.
43. Интервью Набокова на английском языке. The Sunday Times, 1969 г.
Входимость: 1. Размер: 11кб.
44. Lolita. Foreword
Входимость: 1. Размер: 7кб.
45. The Man of To-morrow’s Lament (Жалобная песнь Супермена)
Входимость: 1. Размер: 22кб.
46. Борис Кац: "Exegi monumentum" Владимира Набокова - к прочтению стихотворения "Какое сделал я дурное дело... "
Входимость: 1. Размер: 28кб.
47. Александров В. Е.: Набоков и потусторонность. Литература
Входимость: 1. Размер: 27кб.
48. Ада, или Радости страсти. Семейная хроника. (Примечания)
Входимость: 1. Размер: 39кб.
49. Здесь говорят по-русски (перевод С. Сакуна)
Входимость: 1. Размер: 43кб.
50. Бабиков А. А.: Прочтение Набокова. Изыскания и материалы. Сочетание стали и патоки. Владимир Набоков о советской литературе
Входимость: 1. Размер: 205кб.

Примерный текст на первых найденных страницах

1. Lolita. Part Two. Chapters 9 - 16
Входимость: 8. Размер: 59кб.
Часть текста: Rosen, and Mona Dahl (save one, all these names are approximations, of course). Opal was a bashful, formless, bespectacled, bepimpled creature who doted on Dolly who bullied her. With Linda Hall the school tennis champion, Dolly played singles at least twice a week: I suspect Linda was a true nymphet, but for some unknown reason she did not comewas perhaps not allowed to cometo our house; so I recall her only as a flash of natural sunshine on an indoor court. Of the rest, none had any claims to nymphetry except Eva Rosen. Avis ws a plump lateral child with hairy legs, while Mona, though handsome in a coarse sensual way and only a year older than my aging mistress, had obviously long ceased to be a nymphet, if she ever had been one. Eva Rosen, a displaced little person from France, was on the other hand a good example of a not strikingly beautiful child revealing to the perspicacious amateur some of the basic elements of nymphet charm, such as a perfect pubescent figure and lingering eyes and high cheekbones. Her glossy copper hair had Lolita’s silkiness, and the features of her delicate milky-white face with pink lips and...
2. Lolita. Part Two. Chapters 27 - 31
Входимость: 7. Размер: 46кб.
Часть текста: Whenever that happenedwhenever her lovely, childish scrawl was horribly transformed into the dull hand of one of my few correspondentsI used to recollect, with anguished amusement, the times in my trustful, pre-dolorian past when I would be misled by a jewel-bright window opposite wherein my lurking eye, the ever alert periscope of my shameful vice, would make out from afar a half-naked nymphet stilled in the act of combing her Alice-in-Wonderland hair. There was in the fiery phantasm a perfection which made my wild delight also perfect, just because the vision was out of reach, with no possibility of attainment to spoil it by the awareness of an appended taboo; indeed, it may well be that the very attraction immaturity has for me lies not so much in the limpidity of pure young forbidden fairy child beauty as in the security of a situation where infinite perfections fill the gap between the little given and the great promisedthe great rosegray never-to-be-had. Mes fentres!   Hanging above blotched sunset and welling night, grinding my teeth, I would crowd all the demons of my desire against the railing of a throbbing balcony: it would be ready to take off in the apricot and black humid evening; did take offwhereupon the lighted image would move and Even would revert to a rib, and there would be nothing in the window but an obese partly clad man reading the paper. Since I sometimes won the race between my fancy and nature’s reality, the deception was bearable. Unbearable pain began when chance entered the fray and deprived me of the smile meant for me. “ Savez-vous qu’ dix ans ma petite tait folle de voius?”   said a woman I talked to at a tea in Paris, and the petite   had just married, miles away, and I could not even remember if I had ever noticed her in that garden, next to those tennis courts, a dozen years before. And now likewise, the radiant foreglimpse, the promise of reality, a...
3. Интервью Набокова на английском языке. Wisconsin Studies, 1967 г.
Входимость: 6. Размер: 63кб.
Часть текста: for the last six years lived in an opulent hotel built in 1835, which still retains its nineteenth-century atmosphere. Their suite of rooms is on the sixth floor, overlooking Lake Geneva, and the sounds of the lake are audible through the open doors of their small balcony. Since Mr. Nabokov does not like to talk off the cuff (or "Off the Nabocuff," as he said) no tape recorder was used. Mr. Nabokov ei! ther wrote out his answers to the questions or dictated them to the interviewer; in some instances, notes from the conversation were later recast as formal questions-and-answers. The interviewer was Nabokov's student at Cornell University in 1954, and the references are to Literature 311-312 (MWF, 12), a course on the Masterpieces of European Fiction (Jane Austen, Gogol, Dickens, Flaubert, Tolstoy, Stevenson, Kafka, Joyce, and Proust). Its enrollment had reached four hundred by the time of Nabokov's resignation in 1959. The footnotes to the interview, except where indicated, are provided by the interviewer, Alfred Appel, Jr. For years bibliographers and literary journalists didn't know whether to group you under "Russian" or "American. "Now that you're living in Switzerland there seems to be complete agreement that you're American. Do you find this kind of distinction at all important regarding your identity as a writer? I have always maintained, even as a schoolboy in Russia, that the nationality of a worthwhile writer is of secondary importance. The more distinctive an insect's aspect, the less apt the taxonomist is to glance first of all at the locality label under the pinned specimen in order to decide which of several vaguely described races it should be assigned to. The writer's art is his real passport. His identity...
4. Lolita. Part Two. Chapters 17 - 21
Входимость: 6. Размер: 52кб.
Часть текста: was broken, he sent me next morning, with a little lad of his, a copper case: it had an elaborate Oriental design over the lid and could be securely locked. Once glance sufficed to assure me that it was one of those cheap money boxes called for some reason “luizettas” that you buy in Algiers and elsewhere, and wonder what to do with afterwards. It turned out to be much too flat for holding my bulky chessmen, but I kept itusing it for a totally different purpose. In order to break some pattern of fate in which I obscurely felt myself being enmeshed, I had decideddespite Lo’s visible annoyanceto spend another night at Chestnut Court; definitely waking up at four in the morning, I ascertained that Lo was still sound asleep (mouth open, in a kind of dull amazement at the curiously inane life we all had rigged up for her) and satisfied myself that the precious contents of the “luizetta” were safe. There, snugly wrapped in a white woolen scarf, lay a pocket automatic: caliber. 32, capacity of magazine 8 cartridges, length a little ...
5. Интервью Набокова на английском языке. Playboy, 1964 г.
Входимость: 5. Размер: 53кб.
Часть текста: fame and fortune mushroomed almost overnight from high repute among the literary cognoscenti-- which you bad enjoyed for more than 30 years-- to both acclaim and abuse as the world-renowned author of a sensational bestseller. In the aftermath of this cause celebre, do you ever regret having written Lolita? On the contrary, I shudder retrospectively when I recall that there was a moment, in 1950, and again in 1951, when I was on the point of burning Humbert Humbert's little black diary. No, I shall never regret Lolita. She was like the composition of a beautiful puzzle-- its composition and its solution at the same time, since one is a mirror view of the other, depending on the way you look. Of course she completely eclipsed my other works-- at least those I wrote in English: The Real Life of Sebastian Knight, Bend Sinister, my short stories, my book of recollections; but I cannot grudge her this. There is a queer, tender charm about that mythical nymphet. Though many readers and reviewers would disagree that her charm is tender, few would deny that it is queer-- so much so that when director Stanley Kubrick proposed his plan to make a movie of Lolita, you were quoted as saying, "Of course they'll have to change the plot. Perhaps they will make Lolita a dwarfess. Or they will make her 16 and Humbert 26. " Though you finally wrote the screenplay yourself, several reviewers took the film to task for watering down the central relationship. Were you satisfied with the final product? I thought the movie was absolutely first-rate. The four main actors deserve the very highest praise. Sue Lyon bringing that breakfast tray or childishly pulling on her sweater in the car-- these are moments of unforgettable acting and directing. The killing of Quilty is a masterpiece, and so is the death of Mrs. Haze. I must point out, though, that I had nothing to do with the actual production. If I had, I might have insisted on stressing...
6. Интервью Набокова на английском языке. Anonymous, 1962 г.
Входимость: 4. Размер: 10кб.
Часть текста: if any, refers to that group. The questions and answers were typed from my notes immediately after the interview. Interviewers do not find you a particularly stimulating person. Why is that so? I pride myself on being a person with no public appeal. I have never been drunk in my life. I never use schoolboy words of four letters. I have never worked in an office or in a coal mine. I have never belonged to any club or group. No creed or school has had any influence on me whatsoever. Nothing bores me more than political novels and the literature of social intent. Still there must be things that move you-- likes and dislikes. My loathings are simple: stupidity, oppression, crime, cruelty, soft music. My pleasures are the most intense known to man: writing and butterfly hunting. You write everything in longhand, don't you? Yes. I cannot type. Would you agree to show us a sample of your rough drafts? I'm afraid I must refuse. Only ambitious nonentities and hearty mediocrities exhibit their rough drafts. It is like passing around samples of one's sputum. Do you read many new novels? Why do you laugh? I laugh because well-meaning publishers keep sending me-- with "hope-you-will-like-it-as-much-as-we-do" letters - only one kind of fiction: novels truffled with obscenities, fancy words, and would-be weird incidents. They seem to be all by one and the same writer-- who is not even the shadow of my shadow. What is your opinion of the so-called "anti-novel" in France? I am not interested in groups, movements, schools of writing and so forth. I am interested only in the individual artist. This "anti-novel" does not really exist; but there does exist...
7. Lolita. Part Two. Chapters 3 - 8
Входимость: 4. Размер: 54кб.
Часть текста: happy. Readeer must understand that in the possession and thralldom of a nymphet the enchanted traveler stands, as it were, beyond happiness.   For there is no other bliss on earth comparable to that of fondling a nymphet. It is hors   concours  , that bliss, it belongs to another class, another plane of sensitivity. Despite our tiffs, despite her nastiness, despite all the fuss and faces she made, and the vulgarity, and the danger, and the horrible hopelessness of it all, I still dwelled deep in my elected paradisea paradise whose skies were the color of hell-flamesbut still a paradise. The able psychiatrist who studies my caseand whom by now Dr. Humbert has plunged, I trust, into a state of leporine fascinationis no doubt anxious to have me take Lolita to the seaside and have me find there, at last, the “gratification” of a lifetime urge, and release from the “subconscious” obsession of an incomplete childhood romance with the initial little Miss Lee. Well, comrade, let me tell you that I did   look for a beach, though I also have to confess that by the time we...
8. Anniversary notes
Входимость: 4. Размер: 33кб.
Часть текста: how firmly the guest co-editor, when collecting the ingredients of this great feast, refused to show me any plum or crumb before publication.  BUTTERFLIES Butterflies are among the most thoughtful and touching contributions to this volume. The old-fashioned engraving of a Catagramma- like insect is delightfully reproduced twelve times so as to suggest a double series or "block" of specimens in a cabinet case; and there is a beautiful photograph of a Red Admirable (but "Nymphalidae" is the family to which it belongs, not its genus, which is Vanessa-- my first bit of carping).  ALFRED APPEL, JR. Mr. Appel, guest co-editor, writes about my two main works of fiction. His essay "Backgrounds of Lolita" is a superb example of the rare case where art and erudition meet in a shining ridge of specific information (the highest and to me most acceptable function of literary criticism). I would have liked to say more about his findings but modesty (a virtue that the average reviewer especially appreciates in authors) denies me that pleasure. His other piece in this precious collection...
9. Чарльз Кинбот: Серебристый свет. Подлинная жизнь Владимира Набокова. Chapter Nine. Zashchita Luzhina
Входимость: 4. Размер: 23кб.
Часть текста: 1 Zashchita Luzhina [literally, Luzhin's Defense] was written in 1929 while the Master and his wife were vacationing and hunting butterflies in the Pyren?es Orientales and published serially, first in Rul' (one chapter), then in Sovremennye zapiski , nos. 40-42, and finally in book form later that same year by Slovo in Berlin. An English version, translated by the author in collaboration with Michael Scammell, was published in 1964 by Putnam as The Defenestration . This edition is true to the original with the exception of two references to Zembla that the author, or the translator, or an unnamed editor, or an inattentive typesetter, chose to remove, or happened to remove inadvertantly, from Chapters Two and Five. Zashchita Luzhina is a book about chess, "a game of skill played by two persons, each having sixteen pieces to move in different ways, on a board divided into 64 squares, alternately light and dark." (I owe this pithy definition to Webster.) If the reader does not know, or has forgotten, the rules to the game, he or she is invited to consult one of the many pamphlets devoted to chess that must surely exist in every language written and read in the civilized world. The word chess derives from...
10. Эссе о драматургии ("Playwriting", на английском языке)
Входимость: 4. Размер: 59кб.
Часть текста: of commentary on drama by several American critics. The two lectures presented here have been selected to accompany Nabokov's plays because they embody, in concentrated form, many of his principal guidelines for writing, reading, and performing plays. The reader is urged to bear in mind, however, that, later in life, Father might have expressed certain thoughts differently. The lectures were partly in typescript and partly in manuscript, replete with Nabokov's corrections, additions, deletions, occasional slips of the pen, and references to previous and subsequent installments of the course. I have limited myself to what editing seemed necessary for the presentation of the lectures in essay form. If Nabokov had been alive, he might perhaps have performed more radical surgery. He might also have added that the gruesome throes of realistic suicide he finds unacceptable onstage (in "The Tragedy of Tragedy") are now everyday fare on kiddies' TV, while "adult" entertainment has long since outdone all the goriness of the Grand Guignol. He might have observed that the aberrations of theatrical method wherein the illusion of a barrier between stage and audience is shattered - a phenomenon he considered "freakish" - are now commonplace: actors wander and mix; the audience is invited to participate; it is then applauded by the players in a curious reversal of roles made chic by Soviet performers ordered to emulate the mise-en-sce´ne of party congresses; and the term "happening" has already managed to grow obsolescent. He might have commented that the quest for originality for its own sake has led to ludicrous excesses and things have taken their helter-skelter course in random theatre as they have in random music and in ...