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А Б В Г Д Е Ж З И Й К Л М Н О П Р С Т У Ф Х Ц Ч Ш Щ Э Ю Я
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1. Lolita. Part One. Chapters 9 - 11
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2. The Song of Igor's Campaign, Igor son of Svyatoslav and grandson of Oleg (перевод Набокова)
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3. Eugene Onegin. A Novel in Verse by Aleksandr Pushkin. Chapter three
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4. Lolita. Part Two. Chapters 9 - 16
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5. Интервью Набокова на английском языке. BBC-2, 1969 г.
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6. Lolita. Part One. Chapters 28 - 33
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7. Lolita. Part Two. Chapters 3 - 8
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8. Lolita. Part Two. Chapters 17 - 21
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9. Интервью Набокова на английском языке. Wisconsin Studies, 1967 г.
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10. Lolita. Part Two. Chapters 1 - 2
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11. Lolita. Part One. Chapters 23 - 27
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12. Lolita. Part Two. Chapters 32 - 36
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13. Боги (перевод С. В. Сакуна)
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14. Чарльз Кинбот: Серебристый свет. Подлинная жизнь Владимира Набокова. Chapter Six. This Hovering Honeyed Mist
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15. Lolita. Part One. Chapters 12 - 17
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16. Савельева В.В.: Художественная гипнология и онейропоэтика русских писателей. Приложение
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17. Lolita. Part Two. Chapters 22 - 26
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18. Inspiration
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19. Anniversary notes
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20. Ада, или Радости страсти. Семейная хроника. (Часть 2, глава 8)
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21. Чарльз Кинбот: Серебристый свет. Подлинная жизнь Владимира Набокова. Chapter Two. An Insipid Incipit
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22. Зензинов В. М. - Набоковым, 27 марта 1946 г.
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23. Eugene Onegin. A Novel in Verse by Aleksandr Pushkin. Chapter seven
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24. Интервью Набокова на английском языке. Life, 1964 г.
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25. Чарльз Кинбот: Серебристый свет. Подлинная жизнь Владимира Набокова. Chapter One. On Visiting Nabokov's Tomb
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26. Букс Нора: Эшафот в хрустальном дворце. О русских романах Владимира Набокова. Глава IV. Волшебный фонарь, или «Камера обскура»
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27. Федотов О.И.: Между Моцартом и Сальери (о поэтическом даре Набокова). 1.9. Америка. Попытка обрести новую родину
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28. The Man of To-morrow’s Lament (Жалобная песнь Супермена)
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29. Комментарий к роману "Евгений Онегин". Глава шестая. Эпиграф, пункты I - XX
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30. Брайан Бойд. Владимир Набоков: американские годы. Глава 2. Заезжий лектор: Уэлсли и Кембридж, 1941–1942
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31. Мельников Н. Г.: О Набокове и прочем. Владимир Набоков и взбесившиеся лошади просвещения
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32. Eugene Onegin. A Novel in Verse by Aleksandr Pushkin. Chapter one
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33. Ада, или Эротиада (перевод О. М. Кириченко). Часть третья. Глава 7
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34. Eugene Onegin. A Novel in Verse by Aleksandr Pushkin. Notes to Eugene Onegin
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35. Чарльз Кинбот: Серебристый свет. Подлинная жизнь Владимира Набокова. Chapter Ten. America
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36. Здесь говорят по-русски (перевод С. Сакуна)
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37. Eugene Onegin. A Novel in Verse by Aleksandr Pushkin. Chapter eight
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38. Долинин Александр: Комментарий к роману Владимира Набокова «Дар». Глава третья
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39. Набоков Дмитрий: Отцовские бабочки. Интервью данное Брайеном Бойдом журналу BOMB Magazine
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40. Lolita. Part Two. Chapters 27 - 31
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1. Lolita. Part One. Chapters 9 - 11
Входимость: 4. Размер: 53кб.
Часть текста: I put in seldom less than fifteen hours of work daily. As I look back on those days, I see them divided tidily into ample light and narrow shade: the light pertaining to the solace of research in palatial libraries, the shade to my excruciating desires and insomnias of which enough has been said. Knowing me by now, the reader can easily imagine how dusty and hot I got, trying to catch a glimpse of nymphets (alas, always remote) playing in Central Park, and how repulsed I was by the glitter of deodorized career girls that a gay dog in one of the offices kept unloading upon me. Let us skip all that. A dreadful breakdown sent me to a sanatorium for more than a year; I went back to my workonly to be hospitalized again. Robust outdoor life seemed to promise me some relief. One of my favorite doctors, a charming cynical chap with a little brown beard, had a brother, and this brother was about to lead an expedition into arctic Canada. I was attached to it as a “recorder of psychic reactions.” With two young botanists and an old carpenter I shared now and...
2. The Song of Igor's Campaign, Igor son of Svyatoslav and grandson of Oleg (перевод Набокова)
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Часть текста: sang a song first"- to Yaroslav of yore, and to brave Mstislav who slew Rededya before the Kasog troops, and to fair Roman son of Svyatoslav. To be sure, brothers, Boyan did not [really] set ten falcons upon a flock of swans: his own vatic fingers he laid on the live strings,   which then twanged out by themselves a paean to princes. So let us begin, brothers, this tale- from Vladimir of yore to nowadays Igor. who girded his mind with fortitude, and sharpened his heart with manliness; [thus] imbued with the spirit of arms, he led his brave troops against the Kuman land in the name of the Russian land. Boyan apostrophized O Boyan, nigh tingale of the times of old! If you were to trill [your praise of]   these troops,   while hopping, nightingale, over the tre e of thought; [if you were] flying in mind up to the clouds; [if] weaving paeans around these times, [you were] roving the Troyan Trail, across fields onto hills; then the song to be sung of Igor, that grandson of Oleg [, would be]: "No storm has swept falcons ...
3. Eugene Onegin. A Novel in Verse by Aleksandr Pushkin. Chapter three
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Часть текста: fashionable world I hate;   4  dearer to me is the domestic circle   in which I can…” “Again an eclogue!   Ah, that will do, old boy, for goodness' sake.   Well, so you're off; I'm very sorry.   8  Oh, Lenski, listen — is there any way   for me to see this Phyllis,   subject of thoughts, and pen,   and tears, and rhymes, et cetera? 12  Present me.” “You are joking.” “No.”   “I'd gladly.” “When?” “Now, if you like.   They will be eager to receive us.” III   “Let's go.” And off the two friends drove;   they have arrived; on them are lavished   the sometimes onerous attentions   4  of hospitable ancientry.   The ritual of the treat is known:   in little dishes jams are brought,   on an oilcloth'd small table there is set   8  a jug of lingonberry water.   . . . . . . . . . . . . . . . . . . . .   . . . . . . . . . . . . . . . . . . . .   . . . . . . . . . . . . . . . . . . . . 12  . . . . . . . . . . . . . . . . . . . .   . . . . . . . . . . . . . . . . . . . .   . . . . . . . . . . . . . . . . . . . ....
4. Lolita. Part Two. Chapters 9 - 16
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Часть текста: cometo our house; so I recall her only as a flash of natural sunshine on an indoor court. Of the rest, none had any claims to nymphetry except Eva Rosen. Avis ws a plump lateral child with hairy legs, while Mona, though handsome in a coarse sensual way and only a year older than my aging mistress, had obviously long ceased to be a nymphet, if she ever had been one. Eva Rosen, a displaced little person from France, was on the other hand a good example of a not strikingly beautiful child revealing to the perspicacious amateur some of the basic elements of nymphet charm, such as a perfect pubescent figure and lingering eyes and high cheekbones. Her glossy copper hair had Lolita’s silkiness, and the features of her delicate milky-white face with pink lips and silverfish eyelashes were less foxy than those of her likesthe great clan of intra-racial redheads; nor did she sport their green uniform but wore, as I remember her, a lot of black or cherry darka very smart black pullover, for instance, and high-heeled black shoes, and garnet-red fingernail polish. I spoke French to her (much to Lo’s disgust). The child’s tonalities were still admirably pure, but for school words and play words she resorted to current American and then a slight Brooklyn accent would crop up in her speech, which was amusing in a little...
5. Интервью Набокова на английском языке. BBC-2, 1969 г.
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Часть текста: My exploration of time's prison as described in the first chapter of Speak, Memory was only a stylistic device meant to introduce my subject. Memory often presents a life broken into episodes, more or less perfectly recalled. Do you see any themes working through from one episode to another? Everyone can sort out convenient patterns of related themes in the past development of his life. Here again I had to provide pegs and echoes when furnishing my reception halls. Is the strongest tie between men this common captivity in time? Let us not generalize. The common captivity in time is felt differently by different people, and some people may not feel it at all. Generalizations are full of loopholes and traps. I know elderly men for whom "time" only means "timepiece." What distinguishes us from animals? Being aware of being aware of being. In other words, if I not only know that I am but also know that I know it, then I belong to the human species. All the rest follows-- the glory of thought, poetry, a vision of the universe. In that respect, the gap between ape and man is immeasurably greater than the one between amoeba and ape. The difference between an ape's memory and human memory is the difference between an ampersand and the British Museum library....
6. Lolita. Part One. Chapters 28 - 33
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Часть текста: of your precious time. So this was le grand moment.   I had left my Lolita still sitting on the edge of the abysmal bed, drowsily raising her foot, fumbling at the shoelaces and showing as she did so the nether side of her thigh up to the crotch of her pantiesshe had always been singularly absentminded, or shameless, or both, in matters of legshow. This, then, was the hermetic vision of her which I had locked inafter satisfying myself that the door carried no inside bolt. The key, with its numbered dangler of carved wood, became forthwith the weighty sesame to a rapturous and formidable future. It was mine, it was part of my hot hairy fist. In a few minutessay, twenty, say half-an-hour, sicher its sicher   as my uncle Gustave used to sayI would let myself into that “342” and find my nymphet, my beauty and bride, imprisoned in her crystal sleep. Jurors! If my happiness could have talked, it would have filled that genteel hotel with a deafening roar. And my only regret today is that I did not quietly deposit key “342” at the office, and leave the town, the country, the continent, the hemisphere,indeed, the globethat very same night. Let me explain. I was not unduly disturbed by her self-accusatory innuendoes. I was still firmly resolved to pursue my policy of sparing her purity by operating only in the stealth of night, only upon a completely anesthetized little nude. Restraint and reverence were still my motto-even if that “purity” (incidentally, thoroughly debunked by modern science) had been slightly damaged through some juvenile erotic experience, no doubt homosexual, at that accursed camp of hers. Of course, in my old-fashioned, old-world way, I,...
7. Lolita. Part Two. Chapters 3 - 8
Входимость: 2. Размер: 54кб.
Часть текста: atrociously cruel than an adored child. Did I mention the name of that milk bar I visited a moment ago? It was, of all things, The Frigid Queen. Smiling a little sadly, I dubbed her My Frigid Princess. She did not see the wistful joke. Oh, d not scowl at me, reader, I do not intend to convey the impressin that I did not manage to be happy. Readeer must understand that in the possession and thralldom of a nymphet the enchanted traveler stands, as it were, beyond happiness.   For there is no other bliss on earth comparable to that of fondling a nymphet. It is hors   concours  , that bliss, it belongs to another class, another plane of sensitivity. Despite our tiffs, despite her nastiness, despite all the fuss and faces she made, and the vulgarity, and the danger, and the horrible hopelessness of it all, I still dwelled deep in my elected paradisea paradise whose skies were the color of hell-flamesbut still a paradise. The able psychiatrist who studies my caseand whom by now Dr. Humbert has plunged, I trust, into a state of leporine fascinationis no doubt anxious to have me take Lolita to the seaside and have me find there, at last, the “gratification” of a lifetime urge, and release ...
8. Lolita. Part Two. Chapters 17 - 21
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Часть текста: be securely locked. Once glance sufficed to assure me that it was one of those cheap money boxes called for some reason “luizettas” that you buy in Algiers and elsewhere, and wonder what to do with afterwards. It turned out to be much too flat for holding my bulky chessmen, but I kept itusing it for a totally different purpose. In order to break some pattern of fate in which I obscurely felt myself being enmeshed, I had decideddespite Lo’s visible annoyanceto spend another night at Chestnut Court; definitely waking up at four in the morning, I ascertained that Lo was still sound asleep (mouth open, in a kind of dull amazement at the curiously inane life we all had rigged up for her) and satisfied myself that the precious contents of the “luizetta” were safe. There, snugly wrapped in a white woolen scarf, lay a pocket automatic: caliber. 32, capacity of magazine 8 cartridges, length a little under one ninth of Lolita’s length, stock checked walnut, finish full blued. I had inherited it from the late Harold Haze, with a 1938 catalog which cheerily said in part: “Particularly well adapted for use in the home and car as well as on the person.” There it lay, ready for instant service on the person or persons, loaded and fully cocked with the slide lock in safety position, thus precluding any accidental discharge. We must remember that a pistol is the Freudian symbol of the Ur-father’s central forelimb. I was now glad I had it with meand even more glad that I had learned to use it two years before, in the pine...
9. Интервью Набокова на английском языке. Wisconsin Studies, 1967 г.
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Часть текста: (or "Off the Nabocuff," as he said) no tape recorder was used. Mr. Nabokov ei! ther wrote out his answers to the questions or dictated them to the interviewer; in some instances, notes from the conversation were later recast as formal questions-and-answers. The interviewer was Nabokov's student at Cornell University in 1954, and the references are to Literature 311-312 (MWF, 12), a course on the Masterpieces of European Fiction (Jane Austen, Gogol, Dickens, Flaubert, Tolstoy, Stevenson, Kafka, Joyce, and Proust). Its enrollment had reached four hundred by the time of Nabokov's resignation in 1959. The footnotes to the interview, except where indicated, are provided by the interviewer, Alfred Appel, Jr. For years bibliographers and literary journalists didn't know whether to group you under "Russian" or "American. "Now that you're living in Switzerland there seems to be complete agreement that you're American. Do you find this kind of distinction at all important regarding your identity as a writer? I have always maintained, even as a schoolboy in Russia, that the nationality of a worthwhile writer is of secondary importance. The more distinctive an insect's aspect, the less apt the taxonomist is to glance first of all at the locality label under the pinned specimen in order to decide which of several vaguely described races it should be assigned to. The writer's art is his real passport. His identity should...
10. Lolita. Part Two. Chapters 1 - 2
Входимость: 2. Размер: 49кб.
Часть текста: both sections of one double unit, each containing a double bed. I wondered what type of foursome this arrangement was even intended for, since only a pharisaic parody of privacy could be attained by means of the incomplete partition dividing the cabin or room into two communicating love nests. By and by, the very possibilities that such honest promiscuity suggested (two young couples merrily swapping mates or a child shamming sleep to earwitness primal sonorities) made me bolder, and every now and then I would take a bed-and-cot or twin-bed cabin, a prison cell or paradise, with yellow window shades pulled down to create a morning illusion of Venice and sunshine when actually it was Pennsylvania and rain. We came to know nous connmes,   to use a Flaubertian intonationthe stone cottages under enormous Chateaubriandesque trees, the brick unit, the adobe unit, the stucco court, on what the Tour Book of the Automobile Association describes as “shaded” or “spacious” or “landscaped” grounds. The log kind, finished in knotty pine, reminded Lo, by its golden-brown glaze, of friend-chicken bones. We held in contempt the plain whitewashed clapboard Kabins, with their faint sewerish smell or some other gloomy self-conscious stench and nothing to boast of (except “good beds”), and an unsmiling...