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А Б В Г Д Е Ж З И Й К Л М Н О П Р С Т У Ф Х Ц Ч Ш Щ Э Ю Я
0-9 A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
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1. Eugene Onegin. A Novel in Verse by Aleksandr Pushkin. Fragments of Onegin's journey
Входимость: 2. Размер: 26кб.
2. Память, говори (глава 2)
Входимость: 1. Размер: 32кб.
3. Eugene Onegin. A Novel in Verse by Aleksandr Pushkin. Chapter four
Входимость: 1. Размер: 54кб.
4. Lolita. Part Two. Chapters 9 - 16
Входимость: 1. Размер: 59кб.
5. Камера обскура. Глава XXXIV
Входимость: 1. Размер: 1кб.
6. The Song of Igor's Campaign, Igor son of Svyatoslav and grandson of Oleg (перевод Набокова)
Входимость: 1. Размер: 34кб.
7. Eugene Onegin. A Novel in Verse by Aleksandr Pushkin. Chapter five
Входимость: 1. Размер: 54кб.
8. Eugene Onegin. A Novel in Verse by Aleksandr Pushkin. Chapter one
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9. Eugene Onegin. A Novel in Verse by Aleksandr Pushkin. Chapter three
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10. Anniversary notes
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11. Eugene Onegin. A Novel in Verse by Aleksandr Pushkin. Chapter six
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1. Eugene Onegin. A Novel in Verse by Aleksandr Pushkin. Fragments of Onegin's journey
Входимость: 2. Размер: 26кб.
Часть текста: Aleksandr Pushkin Fragments of Onegin's journey FRAGMENTS OF ONEGIN'S JOURNEY The last [Eighth] Chapter of Eugene Onegin was published [1832] separately with the following foreword: “The dropped stanzas gave rise more than once to reprehension and gibes (no doubt most just and witty). The author candidly confesses that he omitted from his novel a whole chapter in which Onegin's journey across Russia was described. It depended upon him to designate this omitted chapter by means of dots or a numeral; but to avoid ambiguity he decided it would be better to mark as number eight, instead of nine, the last chapter of Eugene Onegin, and to sacrifice one of its closing stanzas [Eight: XLVIIIa]:    'Tis time: the pen for peace is asking   nine cantos I have written;   my boat upon the joyful shore   4  by the ninth billow is brought out.   Praise be to you, O nine Camenae, etc. “P[avel] A[leksandrovich] Katenin (whom a fine poetic talent does not prevent from being also a subtle critic) observed to us that this exclusion, though perhaps advantageous to readers, is, however, detrimental to the plan of the entire work since, through this, the transition from Tatiana the provincial miss to Tatiana the grande dame becomes too unexpected and unexplained: an observation...
2. Память, говори (глава 2)
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Часть текста: подслушивать чужой вздор. Перед самым отходом ко сну я часто слышу, как в смежном отделении мозга идет какая-то односторонняя беседа, никак не относящаяся к действительному течению моей мысли. Равнодушный, посторонний, безличный голос произносит слова, совершенно мне не интересные, – английские или русские фразы, даже не ко мне обращенные и содержания столь плоского, что не решаюсь привести пример, дабы не заострить в передаче смыслом их тупость. Дурацкое это явление представляется звуковым эквивалентом некоторых предсонных видений, также хорошо мне знакомых. Я имею в виду не яркий мысленный образ (любимое лицо умершего родителя, например), вызываемый в воображении мощно ударившей крылами волей – одним из самых героических усилий, на какие способен человеческий дух. Не говорю я и о так называемых muscae volitantes– тенях, отбрасываемых на палочки сетчатки микроскопическими пылинками в стеклянистой жидкости глаза, проплывающими по зрительному полю прозрачными паутинками. Ближе к ним, к этим гипнотическим миражам, о которых идет речь, красочная рана продленного впечатления, которую наносит, прежде чем пасть, свет только что отсеченной лампы. Особого толчка, однако, не нужно для появления этих призраков, медленно и ровно развивающихся перед моими закрытыми глазами. Их движение и смена происходят без всякого участия наблюдателя, и в сущности отличаются от сновидений только тем, что он все еще вполне владеет своими чувствами. Они подчас уродливы: привяжется, бывало, жуликоватый профиль, какой-нибудь красномордый карл с раздутым ухом или ноздрей. Иногда, впрочем, фотизмы мои принимают скорее успокоительный, flou тон, – серые фигуры ходят между ульев, понемногу исчезают среди горных снегов маленькие черные попугаи, тает за плывущими...
3. Eugene Onegin. A Novel in Verse by Aleksandr Pushkin. Chapter four
Входимость: 1. Размер: 54кб.
Часть текста: vaunted times; 12  the fame of Lovelaces has faded   with the fame of red heels   and of majestic periwigs. VIII   Who does not find it tedious to dissemble;   diversely to repeat the same;   try gravely to convince one   4  of what all have been long convinced;   to hear the same objections,   annihilate the prejudices   which never had and hasn't   8  a little girl of thirteen years!   Who will not grow weary of threats,   entreaties, vows, feigned fear,   notes running to six pages, 12  betrayals, gossiping, rings, tears,   surveillances of aunts, of mothers,   and the onerous friendship of husbands! IX   Exactly thus my Eugene thought.   In his first youth   he had been victim of tempestuous errings   4  and of unbridled passions.   Spoiled by a habitude of life,   with one thing for a while   enchanted, disenchanted with another,   8  irked slowly by desire,   irked, too, by volatile success,   hearkening in the hubbub and the hush   to the eternal mutter of his soul, 12  smothering yawns with laughter:   this was the way he killed eight years,   having lost life's best bloom. X   With belles no longer did he fall in love,   but dangled after them just anyhow;   when they refused, he solaced in a twinkle;   4  when they betrayed, was glad to rest.   He sought them without rapture,   while he left them without regret,   hardly remembering their love and spite.   8  Exactly thus does an indifferent guest   drive up for evening whist:   sits down; then, when the game is over,   he drives off from the place, 12  at home falls peacefully asleep,   and in the morning does not know...
4. Lolita. Part Two. Chapters 9 - 16
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Часть текста: meet, proved on the whole disappointing. There was Opal Something, and Linda Hall, and Avis Chapman, and Eva Rosen, and Mona Dahl (save one, all these names are approximations, of course). Opal was a bashful, formless, bespectacled, bepimpled creature who doted on Dolly who bullied her. With Linda Hall the school tennis champion, Dolly played singles at least twice a week: I suspect Linda was a true nymphet, but for some unknown reason she did not comewas perhaps not allowed to cometo our house; so I recall her only as a flash of natural sunshine on an indoor court. Of the rest, none had any claims to nymphetry except Eva Rosen. Avis ws a plump lateral child with hairy legs, while Mona, though handsome in a coarse sensual way and only a year older than my aging mistress, had obviously long ceased to be a nymphet, if she ever had been one. Eva Rosen, a displaced little person from France, was on the other hand a good example of a not strikingly beautiful child revealing to the perspicacious amateur some of the basic elements of nymphet charm, such as a perfect pubescent figure and lingering eyes and high cheekbones. Her glossy copper hair had Lolita’s silkiness, and the features of her delicate milky-white face with pink lips and silverfish eyelashes were less foxy than those of her likesthe great clan of intra-racial redheads; nor did she sport their green uniform but wore, as I remember her, a lot of black or cherry darka very smart black pullover, for instance, and high-heeled black shoes, and garnet-red fingernail polish. I spoke French to her (much...
5. Камера обскура. Глава XXXIV
Входимость: 1. Размер: 1кб.
6. The Song of Igor's Campaign, Igor son of Svyatoslav and grandson of Oleg (перевод Набокова)
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Часть текста: by Vladimir Nabokov Exordium Might it not become us, brothers, to begin in the diction of yore the stern tale of the campaign of Igor, Igor son of Svyatoslav? Let us, however, begin this song in keeping with the happenings of these times and not with the contriving of Boyan. For he, vatic Boyan if he wished to make a laud for one, ranged in thought [like the nightingale] over the tree; like the gray wolf across land; like the smoky eagle up to the clouds. For as he recalled, said he, the feuds of initial times, "He set ten falcons upon a flock of swans, and the one first overtaken, sang a song first"- to Yaroslav of yore, and to brave Mstislav who slew Rededya before the Kasog troops, and to fair Roman son of Svyatoslav. To be sure, brothers, Boyan did not [really] set ten falcons upon a flock of swans: his own vatic fingers he laid on the live strings,   which then twanged out by themselves a paean to princes. So let us begin, brothers, this tale- from Vladimir of yore to nowadays Igor. who girded his mind with fortitude, and sharpened his heart with manliness; [thus] imbued with the spirit of arms, he led his brave troops against the Kuman land in the name of the Russian ...
7. Eugene Onegin. A Novel in Verse by Aleksandr Pushkin. Chapter five
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Часть текста: the driver sits upon his box   8  in sheepskin coat, red-sashed.   Here runs about a household lad,   upon a hand sled having seated “blackie,”   having transformed himself into the steed; 12  the scamp already has frozen a finger.   He finds it both painful and funny — while   his mother, from the window, threatens him... III   But, maybe, pictures of this kind   will not attract you;   all this is lowly nature;   4  there is not much refinement here.   Warmed by the god of inspiration,   another poet in luxurious language   for us has painted the first snow   8  and all the shades of winter's delectations. 27   He'll captivate you, I am sure of it,   when he depicts in flaming verses   secret promenades in sleigh; 12  but I have no intention of contending   either with him at present or with you,   singer of the young Finnish Maid! 28 IV   Tatiana (being Russian   at heart, herself not knowing why)   loved, in all its cold beauty,   4  a Russian winter:   rime in the sun upon a frosty day,   and sleighs, and, at late dawn,   the radiance of the rosy snows,   8  and gloam of Twelfthtide eves.   Those evenings in the ancient fashion   were celebrated in their house:   the servant girls from the whole stead 12  told their young ladies' fortunes   and every year made prophecies to them   of military husbands and the march. V   Tatiana credited the lore   of plain-folk ancientry,   dreams, cartomancy,   4  prognostications by the moon.   Portents disturbed her:   mysteriously all objects   foretold her something,...
8. Eugene Onegin. A Novel in Verse by Aleksandr Pushkin. Chapter one
Входимость: 1. Размер: 72кб.
Часть текста: of you —   be worthier of a fine soul   full of a holy dream,   of live and limpid poetry,   8  of high thoughts and simplicity.   But so be it. With partial hand   take this collection of pied chapters:   half droll, half sad, 12  plain-folk, ideal,   the careless fruit of my amusements,   insomnias, light inspirations,   unripe and withered years, 16  the intellect's cold observations,   and the heart's sorrowful remarks. CHAPTER ONE To live it hurries and to feel it hastes. Prince Vyazemski I   “My uncle has most honest principles:   when he was taken gravely ill,   he forced one to respect him   4  and nothing better could invent.   To others his example is a lesson;   but, good God, what a bore to sit   by a sick person day and night, not stirring   8  a step away!   What base perfidiousness   to entertain one half-alive,   adjust for him his pillows, 12  sadly serve him his medicine,   sigh — and think inwardly   when will the devil take you?” II   Thus a young scapegrace thought   as with post horses in the dust he flew,   by the most lofty will of Zeus   4  the heir of all his kin.   Friends of Lyudmila and Ruslan!   The hero of my novel,   without preambles, forthwith,   8  I'd like to have you meet:   Onegin, a good pal of mine,   was born upon the...
9. Eugene Onegin. A Novel in Verse by Aleksandr Pushkin. Chapter three
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Часть текста: II   “So far I do not see what's bad about it.”   “Ah, but the boredom — that is bad, my friend.”   “Your fashionable world I hate;   4  dearer to me is the domestic circle   in which I can…” “Again an eclogue!   Ah, that will do, old boy, for goodness' sake.   Well, so you're off; I'm very sorry.   8  Oh, Lenski, listen — is there any way   for me to see this Phyllis,   subject of thoughts, and pen,   and tears, and rhymes, et cetera? 12  Present me.” “You are joking.” “No.”   “I'd gladly.” “When?” “Now, if you like.   They will be eager to receive us.” III   “Let's go.” And off the two friends drove;   they have arrived; on them are lavished   the sometimes onerous attentions   4  of hospitable ancientry.   The ritual of the treat is known:   in little dishes jams are brought,   on an oilcloth'd small table there is set   8  a jug of lingonberry water.   . . . . . . . . . . . . . . . . . . . .   . . . . . . . . . . . . . . . . . . . .   . . . . . . . . . . . . . . . . . . . . 12  . . . . . . . . . . . . . . . . . . . .   . . . . . . . . . . . . . . . . ...
10. Anniversary notes
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Часть текста: errors of which such a marvelous gift must be free; for I knew what pains the editors, Charles Newman and Alfred Appel, had taken to prepare it and remembered how firmly the guest co-editor, when collecting the ingredients of this great feast, refused to show me any plum or crumb before publication.  BUTTERFLIES Butterflies are among the most thoughtful and touching contributions to this volume. The old-fashioned engraving of a Catagramma- like insect is delightfully reproduced twelve times so as to suggest a double series or "block" of specimens in a cabinet case; and there is a beautiful photograph of a Red Admirable (but "Nymphalidae" is the family to which it belongs, not its genus, which is Vanessa-- my first bit of carping).  ALFRED APPEL, JR. Mr. Appel, guest co-editor, writes about my two main works of fiction. His essay "Backgrounds of Lolita" is a superb example of the rare case where art and erudition meet in a shining ridge of specific information (the highest and to me most acceptable function of literary criticism). I would have liked to say more about his findings but modesty (a virtue that the average reviewer especially appreciates in authors) denies me that pleasure. His other piece in this precious collection is "Ada Described." I planted three blunders, meant to ridicule mistranslations of Russian classics, in the first paragraph of my Ada: the opening sentence of Anna Karenin (no additional "a," printer, she was not a ballerina) is turned inside out; Anna Arkadievna's patronymic is given a grotesque masculine ending; and the title of Tolstoy's family chronicle has been botched by the invented Stoner or Lower (I must have received at least a dozen letters with clarifications and corrections from indignant or puzzled readers, some of them of Russian origin, who never read Ada beyond the first page). Furthermore, in the same important paragraph, "Mount ...