Поиск по творчеству и критике
Cлово "IMMORTAL"


А Б В Г Д Е Ж З И Й К Л М Н О П Р С Т У Ф Х Ц Ч Ш Щ Э Ю Я
0-9 A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
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1. Розенгрант Дж.: Владимир Набоков и этика изображения. Двуязычная практика
Входимость: 6. Размер: 74кб.
2. Lolita. Part Two. Chapters 27 - 31
Входимость: 3. Размер: 46кб.
3. Lolita. Part One. Chapters 28 - 33
Входимость: 2. Размер: 42кб.
4. Lolita. Part One. Chapters 9 - 11
Входимость: 2. Размер: 53кб.
5. Интервью Набокова на английском языке. BBC Television, 1962 г.
Входимость: 1. Размер: 20кб.
6. Джонсон Д. Б.: Владимир Набоков и Руперт Брук
Входимость: 1. Размер: 58кб.

Примерный текст на первых найденных страницах

1. Розенгрант Дж.: Владимир Набоков и этика изображения. Двуязычная практика
Входимость: 6. Размер: 74кб.
Часть текста: быть готов объяснить оба варианта, охарактеризовав не только их свойства по отдельности, но и их взаимосвязь. Конечно, из-за величины творческого наследия Набокова на обоих языках, множества произведений художественной и документальной прозы, поэтических произведений, а также автопереводов и переводов произведений других авторов, то есть всего, созданного Набоковым с 1923 года до его смерти в 1977 году, любое исследование его стиля натолкнется на лингвистические, текстологические и эстетические вопросы необычайной сложности. [2] Возможно, единственный выход в условиях ограниченного объема данной статьи — обобщающее сокращение; в данном случае замещение творчества писателя одним репрезентативным текстом, охватывающим два языка, и анализ существенно важного аспекта этого текста на конкретных примерах. Текст, выбранный мною, — автобиографический диптих «Speak, Memory»/ «Другие берега», а стилистический аспект, который я собираюсь рассматривать, — образование звуковых повторов, или инструментовка. [3] Автобиография Набокова представляется произведением репрезентативным и даже парадигматическим по двум главным причинам. Первая причина заключается именно в том, что речь идет об автобиографии, которая как произведение документальной прозы претендует на достоверное, хотя и...
2. Lolita. Part Two. Chapters 27 - 31
Входимость: 3. Размер: 46кб.
Часть текста: almost my own. Whenever that happenedwhenever her lovely, childish scrawl was horribly transformed into the dull hand of one of my few correspondentsI used to recollect, with anguished amusement, the times in my trustful, pre-dolorian past when I would be misled by a jewel-bright window opposite wherein my lurking eye, the ever alert periscope of my shameful vice, would make out from afar a half-naked nymphet stilled in the act of combing her Alice-in-Wonderland hair. There was in the fiery phantasm a perfection which made my wild delight also perfect, just because the vision was out of reach, with no possibility of attainment to spoil it by the awareness of an appended taboo; indeed, it may well be that the very attraction immaturity has for me lies not so much in the limpidity of pure young forbidden fairy child beauty as in the security of a situation where infinite perfections fill the gap between the little given and the great promisedthe great rosegray never-to-be-had. Mes fentres!   Hanging above blotched sunset and welling night, grinding my teeth, I would crowd all the demons of my desire against the railing of a throbbing balcony: it would be ready to take off in the apricot and black humid evening; did take offwhereupon the lighted image would move and Even would revert to a rib, and there would be nothing in the window but an obese partly clad man reading the paper. Since I sometimes won the race between my fancy and nature’s reality, the deception was bearable. Unbearable pain began when chance entered the fray and deprived me of the smile meant for me. “ Savez-vous qu’ dix ans ma petite tait folle de voius?”   said a woman I talked to at a tea in Paris, and the petite   had just married, miles away, and I could not even remember if I had ever noticed her in that garden, next to those tennis courts, a dozen years before. And now likewise, the radiant foreglimpse, the promise of reality, a promise ...
3. Lolita. Part One. Chapters 28 - 33
Входимость: 2. Размер: 42кб.
Часть текста: legshow. This, then, was the hermetic vision of her which I had locked inafter satisfying myself that the door carried no inside bolt. The key, with its numbered dangler of carved wood, became forthwith the weighty sesame to a rapturous and formidable future. It was mine, it was part of my hot hairy fist. In a few minutessay, twenty, say half-an-hour, sicher its sicher   as my uncle Gustave used to sayI would let myself into that “342” and find my nymphet, my beauty and bride, imprisoned in her crystal sleep. Jurors! If my happiness could have talked, it would have filled that genteel hotel with a deafening roar. And my only regret today is that I did not quietly deposit key “342” at the office, and leave the town, the country, the continent, the hemisphere,indeed, the globethat very same night. Let me explain. I was not unduly disturbed by her self-accusatory innuendoes. I was still firmly resolved to pursue my policy of sparing her purity by operating only in the stealth of night, only upon a completely anesthetized little nude. Restraint and reverence were still my motto-even if that “purity” (incidentally, thoroughly debunked by modern science) had been slightly damaged through some juvenile erotic experience, no doubt homosexual, at that accursed camp of hers. Of course, in my old-fashioned, old-world way, I, Jean-Jacques Humbert, had taken for granted, when I first met her, that she was as unravished as the stereotypical notion of “normal child” had been since the lamented end of the Ancient World B. C. and its fascinating practices. We are not surrounded in our enlighted era by little slave flowers that can be casually plucked between business and bath as they used to be in the days of the Romans; and we do not, as dignified ...
4. Lolita. Part One. Chapters 9 - 11
Входимость: 2. Размер: 53кб.
Часть текста: the soft job fate offered me: it consisted mainly of thinking up and editing perfume ads. I welcomed its desultory character and pseudoliterary aspects, attending to it whenever I had nothing better to do. On the other hand, I was urged by a war-time university in New York to complete my comparative history of French literature for English-speaking students. The first volume took me a couple of years during which I put in seldom less than fifteen hours of work daily. As I look back on those days, I see them divided tidily into ample light and narrow shade: the light pertaining to the solace of research in palatial libraries, the shade to my excruciating desires and insomnias of which enough has been said. Knowing me by now, the reader can easily imagine how dusty and hot I got, trying to catch a glimpse of nymphets (alas, always remote) playing in Central Park, and how repulsed I was by the glitter of deodorized career girls that a gay dog in one of the offices kept unloading upon me. Let us skip all that. A dreadful breakdown sent me to a sanatorium for more than a year; I went back to my workonly to be hospitalized again. Robust outdoor life seemed to promise me some relief. One of my favorite doctors, a charming cynical chap with a little brown beard, had a brother, and this brother was about to lead an expedition into arctic Canada. I was attached to it as a “recorder of psychic reactions.” With two young botanists and an old carpenter I shared now and then (never very successfully) the favors of one of our nutritionists, a Dr. Anita Johnsonwho was soon flown back, I am glad to say. I had little notion of what object the expedition was pursuing. Judging by the number of meteorologists upon it, we may have been tracking to its lair (somewhere on Prince of Wales’ Island, I understand) the wandering and wobbly north magnetic pole. One group, jointly with the Canadians, established a...
5. Интервью Набокова на английском языке. BBC Television, 1962 г.
Входимость: 1. Размер: 20кб.
Часть текста: on brookside mud at various spots of the mountain trail. Pictures were taken of the swarms that arose at my passage, and other hours of the day were devoted to the reproduction of the interview proper. It eventually appeared on the Bookstand program and was published in The Listener (November 22, 1962). I have mislaid the cards on which I had written my answers. I suspect that the published text was taken straight from the tape for it teems with inaccuracies. These I have tried to weed out ten years later but was forced to strike out a few sentences here and there when memory refused to restore the sense flawed by defective or improperly mended speech. The poem I quote (with metrical accents added) will be found translated into English in Chapter Two of The Gift, G. P. Putnam's Sons, New York, 1963. Would you ever go back to Russia? I will never go back, for the simple reason that all the Russia I need is always with me: literature, language, and my own Russian childhood. I will never return. I will never surrender. And anyway, the grotesque shadow of a police state will not be dispelled in my lifetime. I don't think they know my works there-- oh, perhaps a number of...
6. Джонсон Д. Б.: Владимир Набоков и Руперт Брук
Входимость: 1. Размер: 58кб.
Часть текста: детей переселились в Берлин летом следующего года, а Владимир и Сергей остались в Кембридже и окончили университет в 1922 году. Набоков впервые рассказывает о годах, проведенных в Кембридже, в главе автобиографии «Квартирка в Тринити-Лейн». Все три версии мемуаров Набокова и оба его биографа описывают молодого человека, занятого воссозданием потерянной России и относительно равнодушного к английскому окружению. [1] Большинство его друзей в Кембридже были русскими эмигрантами. Молодой Набоков считал себя русским поэтом, и поэзии суждено было стать его основным занятием во время пребывания в Кембридже. Уже являясь автором двух сборников, опубликованных в России, [2] он написал много новых стихотворений во время 16-месячного изгнания в Крыму. Ностальгическое воссоздание «своей» России является самой распространенной темой его стихотворений 1918–1922 годов. Набокова настолько поглотило творчество, что для Англии и Кембриджа оставалось мало эмоциональной энергии. Первый биограф Набокова, Эндрю Филд, приводит его слова, в которых он описывает свои годы в Кембридже как «длинную череду неловкостей, ошибок и всякого рода неудач и глупостей, включая романтические». [3] В «Память, говори» автор ...