Владимир Набоков: Поиск по текстам произведений автора и критике. Cлово "INVENT". Классическая русская литература.

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Часть текста: изданиях) образует издание «первое». Полное издание в одной книге («второе») вышло в свет в марте 1833 г., за ним в январе 1837 г. последовало editio optima [32] («третье»), опубликованное менее чем за месяц до роковой дуэли [33] . Можно ли действительно перевести стихи Пушкина или вообще любые стихи, имеющие определенную схему рифм? Чтобы ответить на этот вопрос, сперва следует определить само понятие «перевод». Попытки передать стихи на одном языке средствами другого распадаются на три категории: (1) Парафрастический перевод: создание вольного переложения оригинала с опущениями и прибавлениями, вызванными требованиями формы, присущей адресату перевода языковой спецификой и невежеством самого переводчика. Иные парафразы могут обладать обаянием стилистической манеры и выразительной идеоматичностью, но исследователю не дóлжно поддаваться изяществу слога, а читателю быть им одураченным. (2) Лексический (или структурный) перевод: передача основного смысла слов (и их порядка). Такой перевод сделает и машина под управлением человека образованного, владеющего двумя языками. (3) Буквальный перевод: передача точного контекстуального значения оригинала, столь близко, сколь это позволяют сделать ассоциативные и синтаксические возможности другого языка. Только такой перевод можно считать истинным. Позвольте привести примеры каждого метода. Первое четверостишие, с которого начинается «Евгений Онегин», звучит так: Мой дядя самых...

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Часть текста: ideal, the careless fruit of my amusements, insomnias, light inspirations, unripe and withered years, 16 the intellect's cold observations, and the heart's sorrowful remarks. CHAPTER ONE To live it hurries and to feel it hastes. Prince Vyazemski I “My uncle has most honest principles: when he was taken gravely ill, he forced one to respect him 4 and nothing better could invent. To others his example is a lesson; but, good God, what a bore to sit by a sick person day and night, not stirring 8 a step away! What base perfidiousness to entertain one half-alive, adjust for him his pillows, 12 sadly serve him his medicine, sigh — and think inwardly when will the devil take you?” II Thus a young scapegrace thought as with post horses in the dust he flew, by the most lofty will of Zeus 4 the heir of all his kin. Friends of Lyudmila and Ruslan! The hero of my novel, without preambles, forthwith, 8 I'd like to have you meet: Onegin, a good pal of mine, was born upon the Neva's banks, where maybe you were born, 12 or used to shine, my reader! There formerly I too promenaded — but harmful is the North to me. 1 III Having...

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Часть текста: языке) Эссе о драматургии (на англ. яз.) Introduction The lectures "The Tragedy of Tragedy" and "Playwriting" were composed for a course on drama that Nabokov gave at Stanford during the summer of 1941. We had arrived in America in May of 1940; except for some brief guest appearances, this was Father's first lecturing engagement at an American university. The Stanford course also included a discussion of some American plays, a survey of Soviet theatre, and an analysis of commentary on drama by several American critics. The two lectures presented here have been selected to accompany Nabokov's plays because they embody, in concentrated form, many of his principal guidelines for writing, reading, and performing plays. The reader is urged to bear in mind, however, that, later in life, Father might have expressed certain thoughts differently. The lectures were partly in typescript and partly in manuscript, replete with Nabokov's corrections, additions, deletions, occasional slips of the pen, and references to previous and subsequent installments of the course. I have limited myself to what editing seemed necessary for the presentation of the lectures in essay form. If Nabokov had been alive, he might perhaps have performed more radical surgery. He might also have added that the gruesome throes of realistic suicide he finds unacceptable onstage (in "The Tragedy of Tragedy") are now everyday fare on kiddies' TV, while "adult" entertainment has long since outdone all the goriness of the Grand Guignol. He might have observed that the aberrations of theatrical method wherein the illusion of a barrier between stage and...

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Часть текста: the aftermath of this cause celebre, do you ever regret having written Lolita? On the contrary, I shudder retrospectively when I recall that there was a moment, in 1950, and again in 1951, when I was on the point of burning Humbert Humbert's little black diary. No, I shall never regret Lolita. She was like the composition of a beautiful puzzle-- its composition and its solution at the same time, since one is a mirror view of the other, depending on the way you look. Of course she completely eclipsed my other works-- at least those I wrote in English: The Real Life of Sebastian Knight, Bend Sinister, my short stories, my book of recollections; but I cannot grudge her this. There is a queer, tender charm about that mythical nymphet. Though many readers and reviewers would disagree that her charm is tender, few would deny that it is queer-- so much so that when director Stanley Kubrick proposed his plan to make a movie of Lolita, you were quoted as saying, "Of course they'll have to change the plot. Perhaps they will make Lolita a dwarfess. Or...

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Часть текста: Writer April 9, 1999 Web posted at: 5: 36 p. m. EDT (2136 GMT) Nabokov in Berlin in 1936. This was his favorite picture of himself. (CNN) - Vladimir Nabokov's relationship with words began at a young age - he wrote his first poem at the age of 15. Before leaving the Tenishev school, he had privately published two books of poetry. By the time of his death in 1977, he had published 18 novels, eight books of short stories, along with seven books of poetry and nine plays. In his spare time (when he wasn't collecting, studying and writing about butterflies), Nabokov invented crosswords, translated texts as encompassing as "Alice in Wonderland," wrote academic papers and lectures, critical reviews, and nonfiction works. He also wrote a screenplay for the 1962 movie version of "Lolita," directed by Stanley Kubrick. In short, he was obsessed with words and was not intimidated by genre. He spent his working life trying to capture the perfect style and structure on the page, in the same way he netted a butterfly that fluttered in his path. Nabokov, known as VN, first gained acclaim in Berlin, writing in his native...

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Часть текста: other hours of the day were devoted to the reproduction of the interview proper. It eventually appeared on the Bookstand program and was published in The Listener (November 22, 1962). I have mislaid the cards on which I had written my answers. I suspect that the published text was taken straight from the tape for it teems with inaccuracies. These I have tried to weed out ten years later but was forced to strike out a few sentences here and there when memory refused to restore the sense flawed by defective or improperly mended speech. The poem I quote (with metrical accents added) will be found translated into English in Chapter Two of The Gift, G. P. Putnam's Sons, New York, 1963. Would you ever go back to Russia? I will never go back, for the simple reason that all the Russia I need is always with me: literature, language, and my own Russian childhood. I will never return. I will never surrender. And anyway, the grotesque shadow of a police state will not be dispelled in my lifetime. I don't think they know my works there-- oh, perhaps a number of readers exist there in my special secret service, but let us not forget that Russia has grown tremendously provincial during these forty years, apart from the fact that people there are told what to read, what to think. In America I'm happier than in any other country. It is in America that I found my best readers, minds that are closest to mine. I feel intellectually at home in America. It is a second home in the true sense of the word. You're a professional lepidopterist? Yes, I'm interested in the classification, variation, evolution, structure,...

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Часть текста: Комментарий к роману Владимира Набокова «Дар» Литература Литература Абызов, Исмагулова 1999 – Абызов Ю. И., Исмагулова Т. Д. Пильский Петр Моисеевич // Русские писатели, 1800–1917: Биографический словарь. М., 1999. Т. 4. С. 600–604. Аверкиев 1907 – Аверкиев Д. В. О драме. Критическое рассуждение. 2-е изд. СПб., 1907. Агада 1923 – Агада: Сказания, притчи, изречения Талмуда и Мидрашей. Берлин, 1923. Т. II. Адамович 1930a – Адамович Г. Комментарии // Числа. 1930. Кн. 1. С. 136–143. Адамович 1930b – Адамович Г. Комментарии: продолжение // Числа. 1930. Кн. 2–3. С. 167–176. Адамович 1933 – Адамович Г. Человеческий документ // Последние новости. 1933. № 4369. 9 марта. Адамович 1934a – Адамович Г. Сирин // Последние новости. 1934. № 4670. 4 января. Адамович 1934b – Адамович Г. «Современные записки», кн. 55-я. Часть литературная // Последние новости. 1934. № 4809. 24 мая. Адамович 1934c – Адамович Г. Святые мечты // Последние новости. 1934. № 4907. 30 августа. Адамович 1935 – Адамович Г. Несостоявшаяся прогулка // Современные записки. 1935. Кн. ...

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Часть текста: when the former has lived in Our Great Little Town for hardly two years, and the latter for hardly a month; when Monsieur wants to get the whole damned thing over with as quickly as possible, and Madame gives in with a tolerant smile; then, my reader, the wedding is generally a “quiet” affair. The bride may dispense with a tiara of orange blossoms securing her finger-tip veil, nor does she carry a white orchid in a prayer book. The bride’s little daughter might have added to the ceremonies uniting H. and H. a touch of vivid vermeil; but I knew I would not dare be too tender with cornered Lolita yet, and therefore agreed it was not worth while tearing the child away from her beloved Camp Q. My soi-disant passionate and lonely Charlotte was in everyday life matter-of-fact and gregarious. Moreover, I discovered that although she could not control her heart or her cries, she was a woman of principle. Immediately after she had become more or less my mistress (despite the stimulants, her “nervous, eager chri a heroic chri ! had some initial trouble, for which, however, he amply compensated her by a fantastic display of old-world endearments), good Charlotte interviewed me about my relations with God. I could have answered that on that score my mind was open; I said, insteadpaying my tribute to a pious platitudethat I believed in a cosmic spirit. Looking down at her fingernails, she also asked me had I not in my family a certain strange strain. I countered by inquiring whether she would still want to marry me if my father’s maternal grandfather had been, say, a Turk. She said it did not matter a bit; but that, if she ever found out I did not believe in Our Christian God, she would commit suicide. She said it so solemnly that it gave me the creeps. It was then I knew she was a woman of principle. Oh, she was very ...

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Часть текста: 1979. Adkins, Lynn. “Jesse L. Nusbaum and the Painted Desert in San Diego.” Journal of San Diego History 29, no. 2 (Spring 1983). Agee, James. “The Great American Roadside.” Fortune 10 (September 1934): 53-63, 172, 174, 177. Ahuja, Nitin. “Nabokov’s Case Against Natural Selection.” Tract, 2012. http:// www.hcs.harvard.edu/tract/nabokov. html. Alden, Peter D. “H.M. C. Climbing Camp, 1953.” Harvard Mountaineering, no. 12 (May 1955). Alexander, Victoria N. “Nabokov, Teleology, and Insect Mimicry. ” Nabokov Studies 7 (2002-2003): 177-213. Alexandrov, Vladimir E. “Nabokov and Bely.” In Alexandrov. Garland Companion. Alexandrov, Vladimir E. Nabokov’s Otherworld. Princeton, N. J.: Princeton University Press, 1991. Alexandrov, Vladimir E., ed. The Garland Companion to Vladimir Nabokov. New York: Garland, 1995. Altschuler, Glenn, Kramnick, Isaac. “«Red Cornell»: Cornell in the Cold War, ” part 1. Cornell Alumni Magazine, July 2010. Amis, Martin. “Divine Levity: The Reputation of Vladimir Nabokov Is High and Growing Higher and There Is Much More Work Still to Come.” Times Literary Supplement, December 23 and 30, 2011, 3-5. Amis, Martin. “The Sublime and the Ridiculous: Nabokov’s Black Farces”. In Quennell. Vladimir Nabokov, His Life. Amis, Martin. Visiting Mrs. Nabokov and Other Excursions. New York: Vintage International, 1995. Appel, Alfred, Jr. “The Road to Lolita, or the Americanization of an Emigre.” Journal of Modern Literature 4 (1974): 3-31. Appel, Alfred, Jr. Nabokov’s Dark Cinema . New York: Oxford University Press, 1974. Appel, Alfred, Jr., ed. The Annotated Lolita. New York: McGraw-Hill, 1970. Appel, Alfred, Jr., Newman, Charles, eds. Nabokov: Criticism, Reminiscences, Translations, and Tributes. London:...

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Часть текста: The first volume took me a couple of years during which I put in seldom less than fifteen hours of work daily. As I look back on those days, I see them divided tidily into ample light and narrow shade: the light pertaining to the solace of research in palatial libraries, the shade to my excruciating desires and insomnias of which enough has been said. Knowing me by now, the reader can easily imagine how dusty and hot I got, trying to catch a glimpse of nymphets (alas, always remote) playing in Central Park, and how repulsed I was by the glitter of deodorized career girls that a gay dog in one of the offices kept unloading upon me. Let us skip all that. A dreadful breakdown sent me to a sanatorium for more than a year; I went back to my workonly to be hospitalized again. Robust outdoor life seemed to promise me some relief. One of my favorite doctors, a charming cynical chap with a little brown beard, had a brother, and this brother was about to lead an expedition into arctic Canada. I was attached to it as a “recorder of psychic reactions.” With two young botanists and an old carpenter I shared now and then (never very successfully) the favors of one of our nutritionists, a Dr. Anita Johnsonwho was soon flown back, I am glad to say. I had little notion of what object the expedition was pursuing. Judging by the number of meteorologists upon it, we may have been tracking to its lair (somewhere on Prince of Wales’ Island, I understand) the wandering and wobbly north magnetic pole. One group, jointly with the Canadians, established a weather...

Поиск по творчеству и критикеCлово "INVENT"

Поиск по творчеству и критике
Cлово "INVENT"