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А Б В Г Д Е Ж З И Й К Л М Н О П Р С Т У Ф Х Ц Ч Ш Щ Э Ю Я
0-9 A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
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1. Эссе о драматургии ("Playwriting", на английском языке)
Входимость: 6. Размер: 59кб.
2. Lolita. Part Two. Chapters 3 - 8
Входимость: 2. Размер: 54кб.
3. Eugene Onegin. A Novel in Verse by Aleksandr Pushkin. Chapter eight
Входимость: 2. Размер: 71кб.
4. Lolita. Part Two. Chapters 27 - 31
Входимость: 2. Размер: 46кб.
5. Интервью Набокова на английском языке. Bayerischer Rundfunk, 1971-72 г.
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6. The wings of desire
Входимость: 2. Размер: 8кб.
7. Lolita. Part Two. Chapters 9 - 16
Входимость: 2. Размер: 59кб.
8. Петраков И. А.: Владимир Набоков. Лолита
Входимость: 1. Размер: 36кб.
9. Приглашение на казнь. Глава XII
Входимость: 1. Размер: 17кб.
10. Интервью Набокова на английском языке. Wisconsin Studies, 1967 г.
Входимость: 1. Размер: 63кб.
11. Левинтон Г. А.: The Importance of Being Russian или Les allusions perdues
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12. Anniversary notes
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13. Eugene Onegin. A Novel in Verse by Aleksandr Pushkin. Chapter one
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14. Под знаком незаконнорожденных. Глава 6
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15. Маликова М.: "Первое стихотворение" В. Набокова. Перевод и комментарий
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16. Проффер Карл: Ключи к "Лолите". Приложение Б. Хронология "Лолиты"
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17. Чарльз Кинбот: Серебристый свет. Подлинная жизнь Владимира Набокова. Chapter Nine. Zashchita Luzhina
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18. Бартон Д.Д.: Миры и антимиры Владимира Набокова. Часть II. Набоков — анаграммист
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19. Lolita. Part Two. Chapters 32 - 36
Входимость: 1. Размер: 58кб.
20. Lolita. Part One. Chapters 18 - 22
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21. Комментарий к роману "Евгений Онегин". Глава четвертая. Эпиграф, пункты I - XXIII
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22. Интервью Набокова на английском языке. Vogue, 1969 г.
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23. Lolita. Part One. Chapters 9 - 11
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24. Интервью Набокова на английском языке. Swiss Broadcast, 1972 ? г.
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25. Интервью Набокова на английском языке. Anonymous, 1972 г.
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1. Эссе о драматургии ("Playwriting", на английском языке)
Входимость: 6. Размер: 59кб.
Часть текста: were composed for a course on drama that Nabokov gave at Stanford during the summer of 1941. We had arrived in America in May of 1940; except for some brief guest appearances, this was Father's first lecturing engagement at an American university. The Stanford course also included a discussion of some American plays, a survey of Soviet theatre, and an analysis of commentary on drama by several American critics. The two lectures presented here have been selected to accompany Nabokov's plays because they embody, in concentrated form, many of his principal guidelines for writing, reading, and performing plays. The reader is urged to bear in mind, however, that, later in life, Father might have expressed certain thoughts differently. The lectures were partly in typescript and partly in manuscript, replete with Nabokov's corrections, additions, deletions, occasional slips of the pen, and references to previous and subsequent installments of the course. I have limited myself to what editing seemed necessary for the presentation of the lectures in essay form. If Nabokov had been alive, he might perhaps have performed more radical surgery. He might also have added that the gruesome throes of realistic suicide he finds unacceptable onstage (in "The Tragedy of Tragedy") are now everyday fare on kiddies' TV, while "adult"...
2. Lolita. Part Two. Chapters 3 - 8
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Часть текста: think you are doing?” was all I got for my pains. To the wonderland I had to offer, my fool preferred the corniest movies, the most cloying fudge. To think that between a Hamburger and a Humburger, she wouldinvariably, with icy precisionplump for the former. There is nothing more atrociously cruel than an adored child. Did I mention the name of that milk bar I visited a moment ago? It was, of all things, The Frigid Queen. Smiling a little sadly, I dubbed her My Frigid Princess. She did not see the wistful joke. Oh, d not scowl at me, reader, I do not intend to convey the impressin that I did not manage to be happy. Readeer must understand that in the possession and thralldom of a nymphet the enchanted traveler stands, as it were, beyond happiness.   For there is no other bliss on earth comparable to that of fondling a nymphet. It is hors   concours  , that bliss, it belongs to another class, another plane of sensitivity. Despite our tiffs, despite her nastiness, despite all the fuss and faces she made, and the vulgarity, and the danger, and the horrible hopelessness of it all, I still dwelled deep in my elected paradisea paradise whose skies were the color of hell-flamesbut still a paradise. The able psychiatrist who studies my caseand whom by now Dr. Humbert has plunged, I trust, into a state of leporine fascinationis no...
3. Eugene Onegin. A Novel in Verse by Aleksandr Pushkin. Chapter eight
Входимость: 2. Размер: 71кб.
Часть текста: . . . . . . . . . . . .   . . . . . . . . . . . . . . . . . . . .   . . . . . . . . . . . . . . . . . . . .   8  . . . . . . . . . . . . . . . . . . . .   . . . . . . . . . . . . . . . . . . . .   . . . . . . . . . . . . . . . . . . . .   . . . . . . . . . . . . . . . . . . . . 12  . . . . . . . . . . . . . . . . . . . .   . . . . . . . . . . . . . . . . . . . .   . . . . . . . . . . . . . . . . . . . . III   And I, setting myself for law   only the arbitrary will of passions,   sharing emotions with the crowd,   4  I led my frisky Muse into the hubbub   of feasts and turbulent discussions —   the terror of midnight patrols;   and to them, in mad feasts,   8  she brought her gifts,   and like a little bacchante frisked,   over the bowl sang for the guests;   and the young people of past days 12  would turbulently dangle after her;   and I was proud 'mong friends   of my volatile mistress. IV   But I dropped out of their alliance —   and fled afar... she followed me.   How often the caressive Muse   4  for me would sweeten the mute way   with the bewitchment of a secret tale!   How often on Caucasia's crags,   Lenorelike, by the moon,   8  with me she'd gallop on a steed!   How often on the shores of Tauris   she in the gloom of night   led me to listen the sound of the sea, 12  Nereid's unceasing murmur,   the deep eternal chorus of the billows,   the praiseful hymn to the sire of the worlds. V   And the far capital's glitter and noisy feasts   having forgotten in the wilds   of sad...
4. Lolita. Part Two. Chapters 27 - 31
Входимость: 2. Размер: 46кб.
Часть текста: in the act of combing her Alice-in-Wonderland hair. There was in the fiery phantasm a perfection which made my wild delight also perfect, just because the vision was out of reach, with no possibility of attainment to spoil it by the awareness of an appended taboo; indeed, it may well be that the very attraction immaturity has for me lies not so much in the limpidity of pure young forbidden fairy child beauty as in the security of a situation where infinite perfections fill the gap between the little given and the great promisedthe great rosegray never-to-be-had. Mes fentres!   Hanging above blotched sunset and welling night, grinding my teeth, I would crowd all the demons of my desire against the railing of a throbbing balcony: it would be ready to take off in the apricot and black humid evening; did take offwhereupon the lighted image would move and Even would revert to a rib, and there would be nothing in the window but an obese partly clad man reading the paper. Since I sometimes won the race between my fancy and nature’s reality, the deception was bearable. Unbearable pain began when chance entered the fray and deprived me of the smile meant for me. “ Savez-vous qu’ dix ans ma petite tait folle de voius?”   said a woman I talked to at a tea in Paris, and the petite   had just married, miles away, and I could not even remember if I had ever noticed her in that garden, next to those tennis courts, a dozen years before. And now likewise, the radiant foreglimpse, the promise of reality, a promise not only to...
5. Интервью Набокова на английском языке. Bayerischer Rundfunk, 1971-72 г.
Входимость: 2. Размер: 17кб.
Часть текста: ancestors comes from a carefully executed and beautifully bound Ahnentafel, given me on my seventieth birthday by my German publisher Heinrich Maria Ledig-RowohIt. ON TIME AND ITS TEXTURE We can imagine all kinds of time, such as for example "applied time"-- time applied to events, which we measure by means of clocks and calendars; but those types of time are inevitably tainted by our notion of space, spatial succession, stretches and sections of space. When we speak of the "passage of time," we visualize an abstract river flowing through a generalized landscape. Applied time, measurable illusions of time, are useful for the purposes of historians or physicists, they do not interest me, and they did not interest my creature Van Veen in Part Four of my Ada. He and I in that book attempt to examine the essence of Time, not its lapse. Van mentions the possibility of being "an amateur of Time, an epicure of duration," of being able to delight sensually in the texture of time, "in its stuff and spread, in the fall of its folds, in the very impalpability of its grayish gauze, in the coolness of its continuum." He also is aware that "Time is a fluid medium for the culture of metaphors." Time, though akin to rhythm, is not simply rhythm, which would imply motion-- and Time does not move. Van's greatest discovery is his perception of Time as the dim hollow between two rhythmic beats, the narrow and bottomless silence between the beats, not the beats themselves, which only embar Time. In this sense human life is not a pulsating heart but the missed heartbeat. PERSONAL PAST Pure Time, Perceptual Time, Tangible Time, Time free of content and context, this, then, ...
6. The wings of desire
Входимость: 2. Размер: 8кб.
Часть текста: of the morning was for the sun, my first thought was for the butterflies it would engender." It was an unusual way to view the world, and one that not many readers - even those who adore Nabokov - may have fully appreciated. In fact, the ferocity of Nabokov's obsession with butterflies has only just been made clear to general readers with the publication of Nabokov's Butterflies, a fascinating volume of unpublished and uncorrected writings on the subject, edited by the Russian author's tireless biographer and critic Brian Boyd, with Robert Michael Pyle, an expert in butterflies. All translations are, as usual, by Nabokov's son Dmitri, who has lavished time and unusual talent on his father's work over several decades. More than 700 densely printed pages on this subject may strike even the most sympathetic reader as overkill. Does anybody really want to read page after page of Nabokov's highly technical descriptions of various butterflies? Are these writings "important" to anyone, even...
7. Lolita. Part Two. Chapters 9 - 16
Входимость: 2. Размер: 59кб.
Часть текста: names are approximations, of course). Opal was a bashful, formless, bespectacled, bepimpled creature who doted on Dolly who bullied her. With Linda Hall the school tennis champion, Dolly played singles at least twice a week: I suspect Linda was a true nymphet, but for some unknown reason she did not comewas perhaps not allowed to cometo our house; so I recall her only as a flash of natural sunshine on an indoor court. Of the rest, none had any claims to nymphetry except Eva Rosen. Avis ws a plump lateral child with hairy legs, while Mona, though handsome in a coarse sensual way and only a year older than my aging mistress, had obviously long ceased to be a nymphet, if she ever had been one. Eva Rosen, a displaced little person from France, was on the other hand a good example of a not strikingly beautiful child revealing to the perspicacious amateur some of the basic elements of nymphet charm, such as a perfect pubescent figure and lingering eyes and high cheekbones. Her glossy copper hair had Lolita’s silkiness, and the features of her delicate milky-white face...
8. Петраков И. А.: Владимир Набоков. Лолита
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Часть текста: не вызывает сомнения. С его утверждения и обращения к героине начинается роман. Как в "Соглядатае" или "Отчаянии" настоящее "Лолиты" есть все, оживленное памятью. Как герой "Приглашения на казнь" Гумберт Гумберт находится у черты общественного приговора. Как повествователь "Других берегов", возвращается к летам детства и юности - "когда я был ребенком и она ребенком была". Итак, "и Лолиты бы ни оказалось никакой, если б я не полюбил в одно далекое лето одну изначальную девочку В некоем княжестве у моря". "Княжество у моря" - это, разумеется, "королевство у края земли" Эдгара По, "экспонат первый представлял собой то, чему так завидовали Эдгаровы серафимы". Первая встреча с тезкой Эннабел Ли происходит в 1922 или в 1923 году, и обстоятельства, которые в том, что на героиню Эдгара По "из-за тучи безжалостный ветер подул", отзываются в романе упоминаниями Эола ( так же, кстати, как в стихотворении "Лилит" ). Первая встреча с героиней иллюстрирована упоминанием об андерсоновской сказке "Русалочка", Гумберт потом подарит эту сказку Лолите. В сущности, мотивы Эдема, "королевства у края земли", можно обнаружить и в ряде стихотворений Набокова, написанных еще в двадцатые - тридцатые годы прошлого века: "В стране стихов",...
9. Приглашение на казнь. Глава XII
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Часть текста: слушал и уже со смыслом разбирался в некоторых признаках: слабый настой темноты в камере... темное осело на дно... За решеткой окна - серый полусвет: значит - три, половина четвертого... Замерзшие сторожа спят... Звуки идут откуда-то снизу, - нет, пожалуй, сверху, нет, все-таки снизу, - точно за спиной, на уровне пола, скребется железными когтями большая мышь. Особенно волновала Цинцинната сосредоточенная уверенность звуков, настойчивая серьезность, с которой они преследовали в тишине крепостной ночи - быть может, еще далекую, - но несомненно достижимую цель. Сдерживая дыхание, он, с призрачной легкостью, как лист папиросной бумаги, соскользнул... и на цыпочках, по липкому, цепкому... к тому углу, откуда, как будто... как будто... но, подойдя, понял, что ошибся, - стук был правее и выше; он двинулся - и опять спутался, попавшись на том слуховом обмане, когда звук, проходя голову наискось, второпях обслуживался не тем ухом. Неловко переступив, Цинциннат задел поднос, стоявший у стены на полу: "Цинциннат!" - сказал поднос укоризненно, - и тогда стук приостановился с резкой внезапностью, в которой была для слушателя отраднейшая разумность - и, неподвижно стоя у стены, большим пальцем ноги придавливая ложечку на подносе и склонив отверстую, полую голову, Цинциннат чувствовал, что неизвестный копальщик тоже стынет и слушает, как и он....
10. Интервью Набокова на английском языке. Wisconsin Studies, 1967 г.
Входимость: 1. Размер: 63кб.
Часть текста: the sixth floor, overlooking Lake Geneva, and the sounds of the lake are audible through the open doors of their small balcony. Since Mr. Nabokov does not like to talk off the cuff (or "Off the Nabocuff," as he said) no tape recorder was used. Mr. Nabokov ei! ther wrote out his answers to the questions or dictated them to the interviewer; in some instances, notes from the conversation were later recast as formal questions-and-answers. The interviewer was Nabokov's student at Cornell University in 1954, and the references are to Literature 311-312 (MWF, 12), a course on the Masterpieces of European Fiction (Jane Austen, Gogol, Dickens, Flaubert, Tolstoy, Stevenson, Kafka, Joyce, and Proust). Its enrollment had reached four hundred by the time of Nabokov's resignation in 1959. The footnotes to the interview, except where indicated, are provided by the interviewer, Alfred Appel, Jr. For years bibliographers and literary journalists didn't know whether to group you under "Russian" or "American. "Now that you're living in Switzerland there seems to be complete agreement that you're American. Do you find this kind of distinction at all...