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А Б В Г Д Е Ж З И Й К Л М Н О П Р С Т У Ф Х Ц Ч Ш Щ Э Ю Я
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1. Lolita. Part Two. Chapters 22 - 26
Входимость: 1. Размер: 57кб.
2. Eugene Onegin. A Novel in Verse by Aleksandr Pushkin. Chapter one
Входимость: 1. Размер: 72кб.
3. Eugene Onegin. A Novel in Verse by Aleksandr Pushkin. Chapter six
Входимость: 1. Размер: 55кб.
4. Чарльз Кинбот: Серебристый свет. Подлинная жизнь Владимира Набокова. Chapter Four. Night Roams the Fields
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5. Интервью Набокова на английском языке. Wisconsin Studies, 1967 г.
Входимость: 1. Размер: 63кб.
6. Eugene Onegin. A Novel in Verse by Aleksandr Pushkin. Chapter five
Входимость: 1. Размер: 54кб.
7. Lolita. Part One. Chapters 1 - 8
Входимость: 1. Размер: 53кб.

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1. Lolita. Part Two. Chapters 22 - 26
Входимость: 1. Размер: 57кб.
Часть текста: riotous advantage of my strange relations with the law. I remember humming my panic away. I remember evolving even an explanation of the “Birdsley” telephone call… But if I could dismiss Trapp, as I had dismissed my convulsions on the lawn at Champion, I could do nothing with the anguish of knowing Lolita to be so tantalizingly, so miserably unattainable and beloved on the very even of a new era, when my alembics told me she should stop being a nymphet, stop torturing me. An additional, abominable, and perfectly gratuitous worry was lovingly prepared for me in Elphinstone. Lo had been dull and silent during the last laptwo hundred mountainous miles uncontaminated by smoke-gray sleuths or zigzagging zanies. She hardly glanced at the famous, oddly shaped, splendidly flushed rock which jutted above the mountains and had been the take-off for nirvana on the part of a temperamental show girl. The town was newly built, or rebuilt, on the flat floor of a seven-thousand-foot-high valley; it would soon bore Lo, I hoped, and we would spin on to California, to the Mexican border, to mythical bays, saguaro desserts, fatamorganas. Jos Lizzarrabengoa, as you remember, planned to take his Carmen to the Etats Unis.   I conjured up a Central American...
2. Eugene Onegin. A Novel in Verse by Aleksandr Pushkin. Chapter one
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Часть текста: A Novel in Verse by Aleksandr Pushkin Chapter one EUGENE ONEGIN A Novel in Verse by Aleksandr Pushkin Pétri de vanité il avait encore plus de cette espèce d'orgueil qui fait avouer avec la même indifférence les bonnes comme les mauvaises actions, suite d'un sentiment de supériorité, peut-être imaginaire. Tiré d'une lettre particulière   Not thinking to amuse the haughty world,   having grown fond of friendship's heed,   I wish I could present you with a gage   4  that would be worthier of you —   be worthier of a fine soul   full of a holy dream,   of live and limpid poetry,   8  of high thoughts and simplicity.   But so be it. With partial hand   take this collection of pied chapters:   half droll, half sad, 12  plain-folk, ideal,   the careless fruit of my amusements,   insomnias, light inspirations,   unripe and withered years, 16  the intellect's cold observations,   and the heart's...
3. Eugene Onegin. A Novel in Verse by Aleksandr Pushkin. Chapter six
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Часть текста: After him Ólinka yawned too,   sought Lenski with her eyes,   and the endless cotillion   8  irked her like an oppressive dream.   But it has ended. They go in to supper.   The beds are made. Guests are assigned   night lodgings — from the entrance hall 12  even to the maids' quarters. Restful sleep   by all is needed. My Onegin   alone has driven home to sleep. II   All has grown quiet. In the drawing room   the heavy Pustyakov   snores with his heavy better half.   4  Gvozdin, Buyanov, Petushkov,   and Flyanov (who is not quite well)   have bedded in the dining room on chairs,   with, on the floor, Monsieur Triquet   8  in underwaistcoat and old nightcap.   All the young ladies, in Tatiana's   and Olga's rooms, are wrapped in sleep.   Alone, sadly by Dian's beam 12  illumined at the window, poor Tatiana   is not asleep   and gazes out on the dark field. III   With his unlooked-for apparition,   the momentary softness of his eyes,   and odd conduct with Olga,   4  to the depth...
4. Чарльз Кинбот: Серебристый свет. Подлинная жизнь Владимира Набокова. Chapter Four. Night Roams the Fields
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Часть текста: that there is something more. Whether or not there is Bog with a capital B, the possibility that human existence, with its stomach-sucking abyss of laughter and tears, tea leaves and tree bark, fleeting smiles and fleecy clouds, ineffable bliss and inconsolable despair, ends, once and for all, merely as a consequence of the sudden cessation of a small series of mechanical events (beating heart, expanding lungs) is purely and simply unthinkable--in the literal sense of that term. As a late friend of mine liked to say when confronted by a particularly short-sighted variety of seize-the-day hedonist: Life is not a dress rehearsal, true; but neither is it the final act. Ladies and Gentlemen, I have a confession to make: since beginning this book, I have been haunted. By this I do not mean obsessed by my subject, nor beguiled by a dim whiff of literary fame, nor even the victim of an id?e fixe . I mean haunted, from the Old Zemblan heimte : to bring home, pull, fetch, claim. Someone or...
5. Интервью Набокова на английском языке. Wisconsin Studies, 1967 г.
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Часть текста: recorder was used. Mr. Nabokov ei! ther wrote out his answers to the questions or dictated them to the interviewer; in some instances, notes from the conversation were later recast as formal questions-and-answers. The interviewer was Nabokov's student at Cornell University in 1954, and the references are to Literature 311-312 (MWF, 12), a course on the Masterpieces of European Fiction (Jane Austen, Gogol, Dickens, Flaubert, Tolstoy, Stevenson, Kafka, Joyce, and Proust). Its enrollment had reached four hundred by the time of Nabokov's resignation in 1959. The footnotes to the interview, except where indicated, are provided by the interviewer, Alfred Appel, Jr. For years bibliographers and literary journalists didn't know whether to group you under "Russian" or "American. "Now that you're living in Switzerland there seems to be complete agreement that you're American. Do you find this kind of distinction at all important regarding your identity as a writer? I have always maintained, even as a schoolboy in Russia, that the nationality of a worthwhile writer is of secondary importance. The more distinctive an insect's aspect, the less apt the taxonomist is to glance first of all at the locality label under the pinned specimen in order to decide which of several vaguely described races it should be assigned to. The writer's art is his real passport. His identity should be immediately recognized by a special pattern or unique coloration. His habitat may confirm the correctness of the determination but should not lead to it. Locality labels are known to have been faked by unscrupulous insect dealers. Apart from these considerations I think of myself today as an American writer who has once been a Russian o! ne. The Russian writers you have...
6. Eugene Onegin. A Novel in Verse by Aleksandr Pushkin. Chapter five
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Часть текста: only fell in January,   on the night of the second. Waking early,   Tatiana from the window saw   at morn the whitened yard,   8  flower beds, roofs, and fence;   delicate patterns on the panes;   the trees in winter silver,   gay magpies outside, 12  and the hills softly overspread   with winter's brilliant carpeting.   All's bright, all's white around. II   Winter! The peasant, celebrating,   in a flat sledge inaugurates the track;   his naggy, having sensed the snow,   4  shambles at something like a trot.   Plowing up fluffy furrows,   a bold kibitka flies:   the driver sits upon his box   8  in sheepskin coat, red-sashed.   Here runs about a household lad,   upon a hand sled having seated “blackie,”   having transformed himself into the steed; 12  the scamp already has frozen a finger.   He finds it both painful and funny — while   his mother, from the window, threatens him... III   But, maybe, pictures of this kind   will not attract you;   all this is lowly nature;   4  there is not much refinement here.   Warmed by the god of inspiration,   another poet in luxurious language   for us has painted the first snow   8  and all the shades of winter's delectations. 27   He'll captivate you, I am sure of it,   when he depicts in flaming verses   secret promenades in sleigh; 12  but I have no intention of contending   either with him at present or with you,   singer of the young Finnish Maid! 28 IV   Tatiana (being Russian   at heart, herself not knowing why)   loved, in all its cold beauty,   4  a Russian winter:   rime in the sun upon a frosty day,   and sleighs, and, at late ...
7. Lolita. Part One. Chapters 1 - 8
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Часть текста: simple, noble-winged seraphs, envied. Look at this tangle of thorns. 2 I was born in 1910, in Paris. My father was a gentle, easy-going person, a salad of racial genes: a Swiss citizen, of mixed French and Austrian descent, with a dash of the Danube in his veins. I am going to pass around in a minute some lovely, glossy-blue picture-postcards. He owned a luxurious hotel on the Riviera. His father and two grandfathers had sold wine, jewels and silk, respectively. At thirty he married an English girl, daughter of Jerome Dunn, the alpinist, and granddaughter of two Dorset parsons, experts in obscure subjectspaleopedology and Aeolian harps, respectively. My very photogenic mother died in a freak accident (picnic, lightning) when I was three, and, save for a pocket of warmth in the darkest past, nothing of her subsists within the hollows and dells of memory, over which, if you can still stand my style (I am writing under observation), the sun of my infancy had set: surely, you all know those redolent remnants of day suspended, with the midges, about some hedge in bloom or suddenly entered and traversed by the rambler, at the bottom of a hill, in the summer dusk; a furry warmth, golden midges. My mother’s elder sister, Sybil, whom a cousin of my father’s had married and then neglected, served in my immediate family as a kind of unpaid governess and housekeeper....