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А Б В Г Д Е Ж З И Й К Л М Н О П Р С Т У Ф Х Ц Ч Ш Щ Э Ю Я
0-9 A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
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1. Интервью Набокова на английском языке. Playboy, 1964 г.
Входимость: 12. Размер: 53кб.
2. Интервью Набокова на английском языке. BBC-2, 1969 г.
Входимость: 8. Размер: 22кб.
3. Интервью Набокова на английском языке. Time, 1969 г.
Входимость: 6. Размер: 21кб.
4. Eugene Onegin. A Novel in Verse by Aleksandr Pushkin. Chapter three
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5. The Song of Igor's Campaign, Igor son of Svyatoslav and grandson of Oleg (перевод Набокова)
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6. Эссе о драматургии ("Playwriting", на английском языке)
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7. Lolita. Part One. Chapters 28 - 33
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8. Lolita. Part Two. Chapters 3 - 8
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9. Интервью Набокова на английском языке. Wisconsin Studies, 1967 г.
Входимость: 5. Размер: 63кб.
10. Lolita. Part Two. Chapters 22 - 26
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11. Интервью Набокова на английском языке. Novel, 1970 г.
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12. Lolita. Part One. Chapters 23 - 27
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13. Набоков Дмитрий: Отцовские бабочки. Интервью данное Брайеном Бойдом журналу BOMB Magazine
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14. Eugene Onegin. A Novel in Verse by Aleksandr Pushkin. Chapter eight
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15. Утгоф Г.М.: «Audiatur et altera pars» - к проблеме «Набоков и Лоуэлл»
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16. Eugene Onegin. A Novel in Verse by Aleksandr Pushkin. Fragments of Onegin's journey
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17. Lolita. Part Two. Chapters 27 - 31
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18. Lolita. Part One. Chapters 18 - 22
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19. Интервью Набокова на английском языке. Vogue, 1969 г.
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20. Eugene Onegin. A Novel in Verse by Aleksandr Pushkin. Chapter seven
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21. Боги (перевод С. В. Сакуна)
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22. Интервью Набокова на английском языке. Anonymous, 1962 г.
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23. Eugene Onegin. A Novel in Verse by Aleksandr Pushkin. Chapter six
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24. Lolita. Part Two. Chapters 9 - 16
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25. Интервью Набокова на английском языке. BBC Television, 1962 г.
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26. Anniversary notes
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27. Федотов О.И.: Между Моцартом и Сальери (о поэтическом даре Набокова). 1.7. Пасха. Время гибели и воскресения
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28. Интервью Набокова на английском языке. Life, 1964 г.
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29. Lolita. Part Two. Chapters 17 - 21
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30. Безродный М.: Супруги Комаровы. Заметка на полях "Пнина"
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31. Lolita. Part Two. Chapters 1 - 2
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32. Lolita. Part One. Chapters 9 - 11
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33. Lolita. Part One. Chapters 12 - 17
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34. Чарльз Кинбот: Серебристый свет. Подлинная жизнь Владимира Набокова. Chapter Seven. King, Queen, Knave
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35. Lolita. Part Two. Chapters 32 - 36
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36. Долинин Александр: Комментарий к роману Владимира Набокова «Дар». Литература
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37. The Man of To-morrow’s Lament (Жалобная песнь Супермена)
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38. Eugene Onegin. A Novel in Verse by Aleksandr Pushkin. Chapter five
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39. Eugene Onegin. A Novel in Verse by Aleksandr Pushkin. Chapter one
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40. Набоков Дмитрий: Отцовские бабочки. Отцовские бабочки. Father's Butterflies (английский язык)
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41. Мельников Н. Г.: О Набокове и прочем. Несовершенное творение, или стрельба дуплетом
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42. Роупер Р: Набоков в Америке. По дороге к «Лолите». Глава 13
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43. Бартон Д.Д.: Миры и антимиры Владимира Набокова. Часть I. Набоков — man of letters
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44. Бартон Д.Д.: Миры и антимиры Владимира Набокова. Часть IV. Набоков — создатель лабиринтов
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45. Роупер Р: Набоков в Америке. По дороге к «Лолите». Примечания
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46. Савельева В.В.: Художественная гипнология и онейропоэтика русских писателей. Приложение
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47. Inspiration
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48. Ада, или Эротиада (перевод О. М. Кириченко). Часть третья. Глава 3
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49. Маяцкий М.: Читать “Лолиту” в эпоху Дютру
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50. Рылькова Г.: "О читателе, теле и славе" Владимира Набокова
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Примерный текст на первых найденных страницах

1. Интервью Набокова на английском языке. Playboy, 1964 г.
Входимость: 12. Размер: 53кб.
Часть текста: на английском языке. Playboy, 1964 г. Playboy [1964] This exchange with Alvin Toffler appeared in Playboy for January, 1964. Great trouble was taken on both sides to achieve the illusion of a spontaneous conversation. Actually, my contribution as printed conforms meticulously to the answers, every word of which I had written in longhand before having them typed for submission to Toffler when he came to Montreux in mid-March, 1963. The present text takes into account the order of my interviewer's questions as well as the fact that a couple of consecutive pages of my typescript were apparently lost in transit. Egreto perambis doribus! With the American publication of Lolita in 1958, your fame and fortune mushroomed almost overnight from high repute among the literary cognoscenti-- which you bad enjoyed for more than 30 years-- to both acclaim and abuse as the world-renowned author of a sensational bestseller. In the aftermath of this cause celebre, do you ever regret having written Lolita? On the contrary, I shudder retrospectively when I recall that there was a moment, in 1950, and again in 1951, when ...
2. Интервью Набокова на английском языке. BBC-2, 1969 г.
Входимость: 8. Размер: 22кб.
Часть текста: here from my final typescript. You have said that you explored time's prison and have found no way out. Are you still exploring, and is it inevitably a solitary excursion, from which one returns to the solace of others? I'm a very poor speaker. I hope our audience won't mind my using notes. My exploration of time's prison as described in the first chapter of Speak, Memory was only a stylistic device meant to introduce my subject. Memory often presents a life broken into episodes, more or less perfectly recalled. Do you see any themes working through from one episode to another? Everyone can sort out convenient patterns of related themes in the past development of his life. Here again I had to provide pegs and echoes when furnishing my reception halls. Is the strongest tie between men this common captivity in time? Let us not generalize. The common captivity in time is felt differently by different people, and some people may not feel it at all. Generalizations are full of loopholes and traps. I know elderly men for whom "time" only means "timepiece." What distinguishes us from animals? Being aware of being aware of being. In other words, if I not only know that I am but also know that I know it, then I belong to the human species. All the rest follows-- the glory of thought, poetry, a vision of the universe. In that...
3. Интервью Набокова на английском языке. Time, 1969 г.
Входимость: 6. Размер: 21кб.
Часть текста: The following two quotations seem closely related: "I confess I do not believe in time. I like to fold my magic carpet, after use, in such a way as to superimpose one part of the pattern upon another. " (Speak, Memory) and "pure time, perceptual time, tangible time, time free of content, context and running commentary-- this is my time and theme. All the rest is numerical symbol or some aspect of space. " (Ada). Will you give me a lift on your magic carpet to point out bow time is animated in the story of Van and Ada? In his study of time my creature distinguishes between text and texture, between the contents of time and its almost tangible essence. I ignored that distinction in my Speak, Memory and was mainly concerned with being faithful to the patterns of my past. I suspect that Van Veen, having less control over his imagination than I, novelized in his indulgent old age many images of his youth. You have spoken in the past of your indifference to music, but in Ada you describe time as "rhythm, the tender intervals between Stresses. " Are these rhythms musical, aural, physical, cerebral, what? Those "intervals" which seem to reveal the gray gaps of time between the black bars of space are much more similar to the interspaces between a metronome's monotonous beats than to the varied rhythms of music or verse. If, as you have said, "mediocrity thrives on 'ideas, ' " why does Van, who is no mediocrity, start explaining at length near the end of the book bis ideas about time? Is this the...
4. Eugene Onegin. A Novel in Verse by Aleksandr Pushkin. Chapter three
Входимость: 6. Размер: 61кб.
Часть текста: fille; elle était amoureuse. Malfilâtre I   “Whither? Ah me, those poets!”   “Good-by, Onegin. Time for me to leave.”   “I do not hold you, but where do   4  you spend your evenings?” “At the Larins'.”   “Now, that's a fine thing. Mercy, man —   and you don't find it difficult   thus every evening to kill time?”   8  “Not in the least.” “I cannot understand.   From here I see what it is like:   first — listen, am I right? —   a simple Russian family, 12  a great solicitude for guests,   jam, never-ending talk   of rain, of flax, of cattle yard.” II   “So far I do not see what's bad about it.”   “Ah, but the boredom — that is bad, my friend.”   “Your fashionable world I hate;   4  dearer to me is the domestic circle   in which I can…” “Again an eclogue!   Ah, that will do, old boy, for goodness' sake.   Well, so you're off; I'm very sorry.   8  Oh, Lenski, listen — is there any way   for me to see this Phyllis,   subject of thoughts, and pen,   and...
5. The Song of Igor's Campaign, Igor son of Svyatoslav and grandson of Oleg (перевод Набокова)
Входимость: 6. Размер: 34кб.
Часть текста: grandson of Oleg Translated by Vladimir Nabokov Exordium Might it not become us, brothers, to begin in the diction of yore the stern tale of the campaign of Igor, Igor son of Svyatoslav? Let us, however, begin this song in keeping with the happenings of these times and not with the contriving of Boyan. For he, vatic Boyan if he wished to make a laud for one, ranged in thought [like the nightingale] over the tree; like the gray wolf across land; like the smoky eagle up to the clouds. For as he recalled, said he, the feuds of initial times, "He set ten falcons upon a flock of swans, and the one first overtaken, sang a song first"- to Yaroslav of yore, and to brave Mstislav who slew Rededya before the Kasog troops, and to fair Roman son of Svyatoslav. To be sure, brothers, Boyan did not [really] set ten falcons upon a flock of swans: his own vatic fingers he laid on the live strings,   which then twanged out by themselves a paean to princes. So let us begin, brothers, this tale- from Vladimir of yore to nowadays Igor. who girded his mind...
6. Эссе о драматургии ("Playwriting", на английском языке)
Входимость: 6. Размер: 59кб.
Часть текста: reading, and performing plays. The reader is urged to bear in mind, however, that, later in life, Father might have expressed certain thoughts differently. The lectures were partly in typescript and partly in manuscript, replete with Nabokov's corrections, additions, deletions, occasional slips of the pen, and references to previous and subsequent installments of the course. I have limited myself to what editing seemed necessary for the presentation of the lectures in essay form. If Nabokov had been alive, he might perhaps have performed more radical surgery. He might also have added that the gruesome throes of realistic suicide he finds unacceptable onstage (in "The Tragedy of Tragedy") are now everyday fare on kiddies' TV, while "adult" entertainment has long since outdone all the goriness of the Grand Guignol. He might have observed that the aberrations of theatrical method wherein the illusion of a barrier between stage and audience is shattered - a phenomenon he considered "freakish" - are now commonplace: actors wander and mix; the audience is invited to participate; it is then applauded by the players in a curious reversal of roles made chic by Soviet performers ordered to emulate the mise-en-sce´ne of party congresses; and the term "happening" has already managed to grow obsolescent. He might have commented that the quest for originality for its own sake has led to ludicrous excesses and things have taken their helter-skelter course in random theatre as they have in random music and in random painting. Yet Nabokov's own plays demonstrate that it is possible to respect the rules of drama and still be original, just as one can write original poetry without neglecting the basic requirements of prosody, or play brilliant tennis, to paraphrase T. S. Eliot, without taking down the net. There were those who considered Father's professorial persona odd and vaguely improper. Not...
7. Lolita. Part One. Chapters 28 - 33
Входимость: 5. Размер: 42кб.
Часть текста: “342” and find my nymphet, my beauty and bride, imprisoned in her crystal sleep. Jurors! If my happiness could have talked, it would have filled that genteel hotel with a deafening roar. And my only regret today is that I did not quietly deposit key “342” at the office, and leave the town, the country, the continent, the hemisphere,indeed, the globethat very same night. Let me explain. I was not unduly disturbed by her self-accusatory innuendoes. I was still firmly resolved to pursue my policy of sparing her purity by operating only in the stealth of night, only upon a completely anesthetized little nude. Restraint and reverence were still my motto-even if that “purity” (incidentally, thoroughly debunked by modern science) had been slightly damaged through some juvenile erotic experience, no doubt homosexual, at that accursed camp of hers. Of course, in my old-fashioned, old-world way, I, Jean-Jacques Humbert, had taken for granted, when I first met her, that she was as unravished as the stereotypical notion of “normal child” had been since the lamented end of the Ancient World B. C. and its fascinating practices. We are not surrounded in our enlighted era by little slave flowers that can be casually plucked between business and bath as they used to be in the days of the Romans; and we do not, as dignified Orientals did in still more luxurious times, use tiny entertainers fore and aft between the mutton and the rose sherbet. The whole point is that the old link between the adult world ...
8. Lolita. Part Two. Chapters 3 - 8
Входимость: 5. Размер: 54кб.
Часть текста: Two. Chapters 3 - 8 3 She had entered my world, umber and black Humberland, with rash curiosity; she surveyed it with a shrug of amused distaste; and it seemed to me now that she was ready to turn away from it with something akin to plain repulsion. Never did she vibrate under my touch, and a strident “what d’you think you are doing?” was all I got for my pains. To the wonderland I had to offer, my fool preferred the corniest movies, the most cloying fudge. To think that between a Hamburger and a Humburger, she wouldinvariably, with icy precisionplump for the former. There is nothing more atrociously cruel than an adored child. Did I mention the name of that milk bar I visited a moment ago? It was, of all things, The Frigid Queen. Smiling a little sadly, I dubbed her My Frigid Princess. She did not see the wistful joke. Oh, d not scowl at me, reader, I do not intend to convey the impressin that I did not manage to be happy. Readeer must understand that in the possession and thralldom of a nymphet the enchanted traveler stands, as it were, beyond happiness.   For there is no other bliss on earth comparable to that of fondling a nymphet. It is hors   concours  , that bliss, it belongs to another class, another plane of sensitivity. Despite our tiffs, despite her nastiness, despite all the fuss and faces she made, and the vulgarity, and the danger, and the horrible hopelessness of it all, I still dwelled deep in my elected paradisea paradise whose skies were the color of hell-flamesbut still a paradise. The able psychiatrist who studies my caseand whom by now Dr. Humbert has plunged, I trust, into a state of leporine...
9. Интервью Набокова на английском языке. Wisconsin Studies, 1967 г.
Входимость: 5. Размер: 63кб.
Часть текста: spring 1967) was conducted on September 25, 27, 28, 29, 1966, at Montreux, Switzerland. Mr. Nabokov and his wife have for the last six years lived in an opulent hotel built in 1835, which still retains its nineteenth-century atmosphere. Their suite of rooms is on the sixth floor, overlooking Lake Geneva, and the sounds of the lake are audible through the open doors of their small balcony. Since Mr. Nabokov does not like to talk off the cuff (or "Off the Nabocuff," as he said) no tape recorder was used. Mr. Nabokov ei! ther wrote out his answers to the questions or dictated them to the interviewer; in some instances, notes from the conversation were later recast as formal questions-and-answers. The interviewer was Nabokov's student at Cornell University in 1954, and the references are to Literature 311-312 (MWF, 12), a course on the Masterpieces of European Fiction (Jane Austen, Gogol, Dickens, Flaubert, Tolstoy, Stevenson, Kafka, Joyce, and Proust). Its enrollment had reached four hundred by the time of Nabokov's resignation in 1959. The footnotes to the interview, except where indicated, are provided by the interviewer, Alfred Appel, Jr. For years bibliographers and literary journalists didn't know whether to group you under "Russian" or "American. "Now that you're living in Switzerland there seems to be complete agreement that you're American. Do you find this kind of distinction at all important regarding your identity as a...
10. Lolita. Part Two. Chapters 22 - 26
Входимость: 5. Размер: 57кб.
Часть текста: based on coincidence and chance resemblance. Soyons   logiques  , crowed the cocky Gallic part of my brainand proceeded to rout the notion of a Lolita-maddened salesman or comedy gangster, with stooges, persecuting me, and hoaxing me, and otherwise taking riotous advantage of my strange relations with the law. I remember humming my panic away. I remember evolving even an explanation of the “Birdsley” telephone call… But if I could dismiss Trapp, as I had dismissed my convulsions on the lawn at Champion, I could do nothing with the anguish of knowing Lolita to be so tantalizingly, so miserably unattainable and beloved on the very even of a new era, when my alembics told me she should stop being a nymphet, stop torturing me. An additional, abominable, and perfectly gratuitous worry was lovingly prepared for me in Elphinstone. Lo had been dull and silent during the last laptwo hundred mountainous miles uncontaminated by smoke-gray sleuths or zigzagging zanies. She hardly glanced at the famous, oddly shaped, splendidly flushed rock which jutted above the mountains and had been the...