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А Б В Г Д Е Ж З И Й К Л М Н О П Р С Т У Ф Х Ц Ч Ш Щ Э Ю Я
0-9 A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
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1. Эссе о драматургии ("Playwriting", на английском языке)
Входимость: 3. Размер: 59кб.
2. Интервью Набокова на английском языке. Playboy, 1964 г.
Входимость: 3. Размер: 53кб.
3. Eugene Onegin. A Novel in Verse by Aleksandr Pushkin. Notes to Eugene Onegin
Входимость: 2. Размер: 16кб.
4. Набоков Дмитрий: Отцовские бабочки. Отцовские бабочки. Father's Butterflies (английский язык)
Входимость: 2. Размер: 36кб.
5. Интервью Набокова на английском языке. Wisconsin Studies, 1967 г.
Входимость: 2. Размер: 63кб.
6. Lolita. Part One. Chapters 23 - 27
Входимость: 1. Размер: 59кб.
7. Вне Лолиты: Вновь открывая Набокова. (Проект CNN, 1999 г.). The Writer
Входимость: 1. Размер: 8кб.
8. Nabokov's Butterflies: Unpublished and Uncollected Writings
Входимость: 1. Размер: 8кб.
9. Интервью Набокова на английском языке. Time, 1969 г.
Входимость: 1. Размер: 21кб.
10. Articles about butterflies
Входимость: 1. Размер: 35кб.
11. Блюмбаум Аркадий: Антиисторицизм как эстетическая позиция (К проблеме: Набоков и Бергсон)
Входимость: 1. Размер: 123кб.
12. Anniversary notes
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13. Nabokov: from lepidopterology to "Lolita"
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14. Чарльз Кинбот: Серебристый свет. Подлинная жизнь Владимира Набокова. Chapter Six. This Hovering Honeyed Mist
Входимость: 1. Размер: 10кб.
15. Чарльз Кинбот: Серебристый свет. Подлинная жизнь Владимира Набокова. Chapter Ten. America
Входимость: 1. Размер: 10кб.
16. Долинин Александр: Комментарий к роману Владимира Набокова «Дар». Глава пятая
Входимость: 1. Размер: 145кб.
17. The wings of desire
Входимость: 1. Размер: 8кб.
18. Долинин Александр: Комментарий к роману Владимира Набокова «Дар». Литературный фон
Входимость: 1. Размер: 51кб.
19. Интервью Набокова на английском языке. TV-13 NY, 1965 г.
Входимость: 1. Размер: 20кб.
20. Интервью Набокова на английском языке. Vogue, 1969 г.
Входимость: 1. Размер: 11кб.
21. Интервью Набокова на английском языке. The Sunday Times, 1969 г.
Входимость: 1. Размер: 11кб.
22. Интервью Набокова на английском языке. Vogue, 1972 г.
Входимость: 1. Размер: 17кб.
23. Набоков Дмитрий: Отцовские бабочки. Интервью данное Брайеном Бойдом журналу BOMB Magazine
Входимость: 1. Размер: 24кб.
24. Комментарий к роману "Евгений Онегин". Глава первая. Пункты XVII - XXIV
Входимость: 1. Размер: 66кб.
25. Rowe's symbols
Входимость: 1. Размер: 7кб.
26. Шифф Стейси: Вера (Миссис Владимир Набоков). 1. Петербург, 38–48
Входимость: 1. Размер: 125кб.
27. The female of lycaeides sublivens nab
Входимость: 1. Размер: 6кб.

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1. Эссе о драматургии ("Playwriting", на английском языке)
Входимость: 3. Размер: 59кб.
Часть текста: of some American plays, a survey of Soviet theatre, and an analysis of commentary on drama by several American critics. The two lectures presented here have been selected to accompany Nabokov's plays because they embody, in concentrated form, many of his principal guidelines for writing, reading, and performing plays. The reader is urged to bear in mind, however, that, later in life, Father might have expressed certain thoughts differently. The lectures were partly in typescript and partly in manuscript, replete with Nabokov's corrections, additions, deletions, occasional slips of the pen, and references to previous and subsequent installments of the course. I have limited myself to what editing seemed necessary for the presentation of the lectures in essay form. If Nabokov had been alive, he might perhaps have performed more radical surgery. He might also have added that the gruesome throes of realistic suicide he finds unacceptable onstage (in "The Tragedy of Tragedy") are now everyday fare on kiddies' TV, while "adult" entertainment has long since outdone all the goriness of the Grand Guignol. He might have observed that the aberrations of theatrical method wherein the illusion of a barrier between stage and audience is shattered - a phenomenon he considered "freakish" - are now commonplace: actors wander and mix; the audience is invited to participate; it is then applauded by the players in a curious reversal of roles made chic by Soviet performers ordered to emulate the mise-en-sce´ne of party congresses; and the term "happening" has already managed to grow obsolescent. He might have commented that the quest for originality for its own sake has led to ludicrous excesses and things have taken their helter-skelter course in...
2. Интервью Набокова на английском языке. Playboy, 1964 г.
Входимость: 3. Размер: 53кб.
Часть текста: 1963. The present text takes into account the order of my interviewer's questions as well as the fact that a couple of consecutive pages of my typescript were apparently lost in transit. Egreto perambis doribus! With the American publication of Lolita in 1958, your fame and fortune mushroomed almost overnight from high repute among the literary cognoscenti-- which you bad enjoyed for more than 30 years-- to both acclaim and abuse as the world-renowned author of a sensational bestseller. In the aftermath of this cause celebre, do you ever regret having written Lolita? On the contrary, I shudder retrospectively when I recall that there was a moment, in 1950, and again in 1951, when I was on the point of burning Humbert Humbert's little black diary. No, I shall never regret Lolita. She was like the composition of a beautiful puzzle-- its composition and its solution at the same time, since one is a mirror view of the other, depending on the way you look. Of course she completely eclipsed my other works-- at least those I...
3. Eugene Onegin. A Novel in Verse by Aleksandr Pushkin. Notes to Eugene Onegin
Входимость: 2. Размер: 16кб.
Часть текста: mettoit du blanc, et moi qui n'en croyois rien je commençai de le croire, non seulement par l'embellissement de son teint, et pour avoir trouvé des tasses de blanc sur sa toilette, mais sur ce qu'entrant un matin dans sa chambre, je le trouvai brossant ses ongles avec une petite vergette faite exprès, ouvrage qu'il continua fi+èrement devant moi. Je jugeai qu'un homme qui passe deux heures tous les matins à brosser ses ongles peut bien passer quelques instans à remplir de blanc les creux de sa peau.” (Les Confessions de Jean-Jacques Rousseau.) Grimm was ahead of his age: nowadays people all over enlightened Europe clean their nails with a special brush.  >> 7. The whole of this ironical stanza is nothing but a subtle compliment to our fair compatriots. Thus Boileau, under the guise of disapprobation, eulogizes Louis XIV. Our ladies combine enlightenment with amiability, and strict purity of morals with the Oriental charm that so captivated Mme de Staël ( Dix ans d'exil).   >> 8. Readers remember the charming description of a Petersburg night in Gnedich's idyl:   Here's night; but the golden stripes of the clouds do not darken.   Though starless and moonless, the whole horizon lights up.   Far out in the [Baltic] gulf one can see the silvery sails   4  Of hardly discernible ships that seem in the blue sky to float.   With a gloomless radiance the night sky is radiant,   And the crimson of...
4. Набоков Дмитрий: Отцовские бабочки. Отцовские бабочки. Father's Butterflies (английский язык)
Входимость: 2. Размер: 36кб.
Часть текста: volume of a monthly journal, the sheer number of these journals and volumes (in my father's library there were more than a thousand of the latter alone, representing a good hundred journals) - all this had to be overcome in order to hunt down the necessary reference, if it existed at all. Nonetheless, even in my exceptionally propitious situation things were not easy: Russia, particularly in the north, dwelt in a mist, while the local lists, scattered through the journals, totally haphazard, scanty, and cruelly inaccurate in nomenclature, only maddened me when at last I ferreted them out. My father was the preeminent entomologist of his time, and very well off to boot, but the ordinary amateur, unable to dispatch his scouts throughout Russia, and denied the opportunity - or not knowing how - to gain access to specialized collections and libraries (and an accidental boon, the hasty inspection of collections at a lepidopterological society or in the cellar of some museum, does not satisfy the true enthusiast, who needs to have the boon always at hand), had no choice but to hope for a miracle. And that miracle dawned in 1912 with the appearance of my father's four-volume work The Butterflies and Moths of the Russian Empire. Although in a hall adjoining the library dark-red cabinets contained my father's supremely rich collections, consisting of specimens complete with thoroughly accurate names, dates, and places of capture, I personally belonged to the category of curieux who, in order to acquaint themselves properly with a...
5. Интервью Набокова на английском языке. Wisconsin Studies, 1967 г.
Входимость: 2. Размер: 63кб.
Часть текста: 25, 27, 28, 29, 1966, at Montreux, Switzerland. Mr. Nabokov and his wife have for the last six years lived in an opulent hotel built in 1835, which still retains its nineteenth-century atmosphere. Their suite of rooms is on the sixth floor, overlooking Lake Geneva, and the sounds of the lake are audible through the open doors of their small balcony. Since Mr. Nabokov does not like to talk off the cuff (or "Off the Nabocuff," as he said) no tape recorder was used. Mr. Nabokov ei! ther wrote out his answers to the questions or dictated them to the interviewer; in some instances, notes from the conversation were later recast as formal questions-and-answers. The interviewer was Nabokov's student at Cornell University in 1954, and the references are to Literature 311-312 (MWF, 12), a course on the Masterpieces of European Fiction (Jane Austen, Gogol, Dickens, Flaubert, Tolstoy, Stevenson, Kafka, Joyce, and Proust). Its enrollment had reached four hundred by the time of Nabokov's resignation in 1959. The footnotes to the interview, except where indicated, are provided by the interviewer, Alfred Appel, Jr. For years bibliographers and literary journalists didn't know whether to group you under "Russian" or "American. "Now that you're living in Switzerland there seems to be complete agreement that you're American. Do you find this kind of distinction at all important regarding your identity as a writer? I have always maintained, even as a schoolboy in Russia, that the nationality of a worthwhile writer is of secondary importance. The more distinctive an insect's aspect, the less apt the taxonomist is to glance first of all at the locality label under the pinned specimen in order to decide which of several vaguely described races it should be assigned to. The...
6. Lolita. Part One. Chapters 23 - 27
Входимость: 1. Размер: 59кб.
Часть текста: I have to put the impact of an instantaneous vision into a sequence of words; their physical accumulation in the page impairs the actual flash, the sharp unity of impression: Rug-heap, car, old man-doll, Miss O.’s nurse running with a rustle, a half-empty tumbler in her hand, back to the screened porchwhere the propped-up, imprisoned, decrepit lady herself may be imagined screeching, but not loud enough to drown the rhythmical yaps of the Junk setter walking from group to groupfrom a bunch of neighbors already collected on the sidewalk, near the bit of checked stuff, and back to the car which he had finally run to earth, and then to another group on the lawn, consisting of Leslie, two policemen and a sturdy man with tortoise shell glasses. At this point, I should explain that the prompt appearance of the patrolmen, hardly more than a minute after the accident, was due to their having been ticketing the illegally parked cars in a cross lane two blocks down the grade; that the fellow with the glasses was Frederick Beale, Jr., driver of the Packard; that his 79-year-old father, whom the nurse had just watered on the green bank where he laya banked banker so to speakwas not in a dead faint, but was comfortably and methodically recovering from a mild heart attack or its possibility; and, finally, that the laprobe on the sidewalk (where she had so often pointed out to me with disapproval the crooked green cracks) concealed the mangled remains of Charlotte Humbert who had been knocked down and dragged several feet by the Beale car as she was hurrying across the street to drop three letters in the mailbox, at the corner of Miss Opposite’s lawn. These were picked up and handed to me by a pretty child in a dirty pink frock, and I got rid of them by clawing them to fragments in my trouser...
7. Вне Лолиты: Вновь открывая Набокова. (Проект CNN, 1999 г.). The Writer
Входимость: 1. Размер: 8кб.
Часть текста: of himself. (CNN) - Vladimir Nabokov's relationship with words began at a young age - he wrote his first poem at the age of 15. Before leaving the Tenishev school, he had privately published two books of poetry. By the time of his death in 1977, he had published 18 novels, eight books of short stories, along with seven books of poetry and nine plays. In his spare time (when he wasn't collecting, studying and writing about butterflies), Nabokov invented crosswords, translated texts as encompassing as "Alice in Wonderland," wrote academic papers and lectures, critical reviews, and nonfiction works. He also wrote a screenplay for the 1962 movie version of "Lolita," directed by Stanley Kubrick. In short, he was obsessed with words and was not intimidated by genre. He spent his working life trying to capture the perfect style and structure on the page, in the same way he netted a butterfly that fluttered in his path. Nabokov, known as VN, first gained acclaim in Berlin, writing in his native Russian language and developing a following with fellow émigrés. In 1923, shortly after his graduation from Cambridge, Nabokov was busy with work - he published four plays (including "Death" and "The Grandfather") and two books of poetry ("The Empyrean Path" and "The Cluster"). His first book,...
8. Nabokov's Butterflies: Unpublished and Uncollected Writings
Входимость: 1. Размер: 8кб.
Часть текста: Crimean Lepidoptera"; selected parts of the later scientific and technical work; numerous poems with butterfly-related lines, some in English, some translated from Russian; Nabokov's last short story, "The Admirable Anglewing"; excerpts from letters and interviews; notes for the New Yorker ("Incidentally, pinching the thorax is a much simpler way of dispatching a butterfly") and segments of Nabokov's lecture notes; and lepidopteran passages from the novels and stories. Among the previously unpublished works, one standout is the 36-page essay (originally in Russian) that Nabokov meant to use as the afterword to The Gift. Also present are the surviving fragments of Nabokov's never-completed descriptive catalogue, Butterflies of Europe. Boyd and Pyle contribute separate, informative and sometimes parallel introductions. Not even a Nabokov-obsessed taxonomist would want to read this collection from start to finish: it is, though, a volume devotees will delight to browse in and scholars will want to own. 30 color and 30 b&w illus. Agent, Georges Borchardt. (Apr.) FYI: For more information on Nabokov's Butterflies, see Book News, Feb. 28. Copyright 2000 Reed Business Information, Inc. From ...
9. Интервью Набокова на английском языке. Time, 1969 г.
Входимость: 1. Размер: 21кб.
Часть текста: telex. The answers, neatly typed out, were awaiting them when they arrived, whereupon they added a dozen more, of which I answered seven. Some of the lot were quoted in the May 23, 1969, issue-- the one with my face on the cover. There seem to be similarities in the rhythm and tone of Speak, Memory and Ada, and in the way you and Van retrieve the past in images. Do you both work along similar lines? The more gifted and talkative one's characters are, the greater the chances of their resembling the author in tone or tint of mind. It is a familiar embarrassment that I face with very faint qualms, particularly since I am not really aware of any special similarities-- just as one is not aware of sharing mannerisms with a detestable kinsman. I loathe Van Veen. The following two quotations seem closely related: "I confess I do not believe in time. I like to fold my magic carpet, after use, in such a way as to superimpose one part of the pattern upon another. " (Speak, Memory) and "pure time, perceptual time, tangible time, time free of content, context and running...
10. Articles about butterflies
Входимость: 1. Размер: 35кб.
Часть текста: in order to search for the unknown female of what I had described as Lycaeides argyrognomon sublivens in 1949 (Bull. Mus. Comp. Zool., vol. 101: p. 513) on the strength of nine males in the Museum of Comparative Zoology, Harvard, which had been taken in the vicinity of Telluride half a century ago. L. sublivens is an isolated southern representative (the only known one south of northwestern Wyoming, southeast of Idaho, and east of California) of the species (the holarctic argyrognomon Berg str.=idas auct.) to which anna Edw., scudderi Edw., aster Edw., and six other nearctic subspecies belong. I bungled my family's vacation but got what I wanted. Owing to rains and floods, especially noticeable in Kansas, most of the drive from New York State to Colorado was entomologically uneventful. When reached at last, Telluride turned out to be a damp, unfrequented, but very spectacular cul-de-sac (which a prodigious rainbow straddied every evening) at the end of two converging roads, one from Placerville, the other from Dolores, both atrocious. There is one motel, the optimistic and excellent Valley View Court where my wife and I stayed, at 9,000 feet altitude, from the 3rd to the 29th of July, walking up daily to at least 12,000 feet along various more or less steep trails in search of sublivens. Once or twice Mr. Homer Reid of Telluride took us up in his jeep. Every morning the sky would be of an impeccable blue at 6 a. m. when I set out. The first innocent cloudlet would scud across at 7: 30 a. m. Bigger fellows with darker bellies would...