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А Б В Г Д Е Ж З И Й К Л М Н О П Р С Т У Ф Х Ц Ч Ш Щ Э Ю Я
0-9 A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
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1. Lolita. Part One. Chapters 1 - 8
Входимость: 5. Размер: 53кб.
2. Lolita. Part Two. Chapters 17 - 21
Входимость: 3. Размер: 52кб.
3. Lolita. Part Two. Chapters 27 - 31
Входимость: 2. Размер: 46кб.
4. Eugene Onegin. A Novel in Verse by Aleksandr Pushkin. Chapter seven
Входимость: 2. Размер: 67кб.
5. Lolita. Part Two. Chapters 32 - 36
Входимость: 2. Размер: 58кб.
6. The Song of Igor's Campaign, Igor son of Svyatoslav and grandson of Oleg (перевод Набокова)
Входимость: 2. Размер: 34кб.
7. Савельева В.В.: Художественная гипнология и онейропоэтика русских писателей. Приложение
Входимость: 2. Размер: 39кб.
8. Eugene Onegin. A Novel in Verse by Aleksandr Pushkin. Chapter six
Входимость: 2. Размер: 55кб.
9. Lolita. Part One. Chapters 23 - 27
Входимость: 2. Размер: 59кб.
10. Чарльз Кинбот: Серебристый свет. Подлинная жизнь Владимира Набокова. Chapter Six. This Hovering Honeyed Mist
Входимость: 1. Размер: 10кб.
11. Eugene Onegin. A Novel in Verse by Aleksandr Pushkin. Chapter five
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12. Eugene Onegin. A Novel in Verse by Aleksandr Pushkin. Chapter three
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13. Найман Эрик: Извращения в «Пнине» (Набоков наоборот). Глава 1
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14. Eugene Onegin. A Novel in Verse by Aleksandr Pushkin. Chapter eight
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15. Lolita. Part Two. Chapters 9 - 16
Входимость: 1. Размер: 59кб.
16. Эссе о драматургии ("Playwriting", на английском языке)
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17. Боги (перевод С. В. Сакуна)
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18. Anniversary notes
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19. Маликова М.: "Первое стихотворение" В. Набокова. Перевод и комментарий
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20. Найман Эрик: Извращения в «Пнине» (Набоков наоборот). Глава 3
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21. Lolita. Part One. Chapters 28 - 33
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22. Комментарий к роману "Евгений Онегин". Глава восьмая. Эпиграф, пункты I - IV
Входимость: 1. Размер: 67кб.
23. Lolita. Part One. Chapters 12 - 17
Входимость: 1. Размер: 43кб.

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1. Lolita. Part One. Chapters 1 - 8
Входимость: 5. Размер: 53кб.
Часть текста: Did she have a precursor? She did, indeed she did. In point of fact, there might have been no Lolita at all had I not loved, one summer, a certain initial girl-child. In a princedom by the sea. Oh when? About as many years before Lolita was born as my age was that summer. You can always count on a murderer for a fancy prose style. Ladies and gentlemen of the jury, exhibit number one is what the seraphs, the misinformed, simple, noble-winged seraphs, envied. Look at this tangle of thorns. 2 I was born in 1910, in Paris. My father was a gentle, easy-going person, a salad of racial genes: a Swiss citizen, of mixed French and Austrian descent, with a dash of the Danube in his veins. I am going to pass around in a minute some lovely, glossy-blue picture-postcards. He owned a luxurious hotel on the Riviera. His father and two grandfathers had sold wine, jewels and silk, respectively. At thirty he married an English girl, daughter of Jerome Dunn, the alpinist, and granddaughter of two Dorset parsons, experts in obscure subjectspaleopedology and Aeolian harps, respectively. My very photogenic mother died in a freak accident (picnic, lightning) when I was three, and, save for a pocket of warmth in the darkest past, nothing of her subsists within the hollows and dells of memory, over which, if you can still stand my style (I am writing under observation), the sun of my infancy had set: surely,...
2. Lolita. Part Two. Chapters 17 - 21
Входимость: 3. Размер: 52кб.
Часть текста: in Algiers and elsewhere, and wonder what to do with afterwards. It turned out to be much too flat for holding my bulky chessmen, but I kept itusing it for a totally different purpose. In order to break some pattern of fate in which I obscurely felt myself being enmeshed, I had decideddespite Lo’s visible annoyanceto spend another night at Chestnut Court; definitely waking up at four in the morning, I ascertained that Lo was still sound asleep (mouth open, in a kind of dull amazement at the curiously inane life we all had rigged up for her) and satisfied myself that the precious contents of the “luizetta” were safe. There, snugly wrapped in a white woolen scarf, lay a pocket automatic: caliber. 32, capacity of magazine 8 cartridges, length a little under one ninth of Lolita’s length, stock checked walnut, finish full blued. I had inherited it from the late Harold Haze, with a 1938 catalog which cheerily said in part: “Particularly well adapted for use in the home and car as well as on the person.” There it lay, ready for instant service on the person or persons, loaded and fully cocked with the slide lock in safety position, thus precluding any accidental discharge. We must remember that a pistol is the Freudian symbol of the Ur-father’s central forelimb. I was now glad I had it with meand even more glad that I had learned to use it two years before, in the pine forest around my and Charlotte’s...
3. Lolita. Part Two. Chapters 27 - 31
Входимость: 2. Размер: 46кб.
Часть текста: with anguished amusement, the times in my trustful, pre-dolorian past when I would be misled by a jewel-bright window opposite wherein my lurking eye, the ever alert periscope of my shameful vice, would make out from afar a half-naked nymphet stilled in the act of combing her Alice-in-Wonderland hair. There was in the fiery phantasm a perfection which made my wild delight also perfect, just because the vision was out of reach, with no possibility of attainment to spoil it by the awareness of an appended taboo; indeed, it may well be that the very attraction immaturity has for me lies not so much in the limpidity of pure young forbidden fairy child beauty as in the security of a situation where infinite perfections fill the gap between the little given and the great promisedthe great rosegray never-to-be-had. Mes fentres!   Hanging above blotched sunset and welling night, grinding my teeth, I would crowd all the demons of my desire against the railing of a throbbing balcony: it would be ready to take off in the apricot and black humid evening; did take offwhereupon the lighted image would move and Even would revert to a rib, and there would be nothing in the window but an obese partly clad man reading the paper. Since I sometimes won the race between my fancy and nature’s reality, the deception was bearable. Unbearable pain began when chance entered the fray and deprived me of the smile meant for me. “ Savez-vous qu’ dix ans ma petite tait folle de voius?”   said a woman I talked to at a tea in Paris, and the petite   had just married, miles away, and I could not even remember if I had ever noticed her in that garden, next to those tennis courts, a dozen years before....
4. Eugene Onegin. A Novel in Verse by Aleksandr Pushkin. Chapter seven
Входимость: 2. Размер: 67кб.
Часть текста: Moscow? Baratïnski “Reviling Moscow! This is what comes from seeing the world! Where is it better, then?” “Where we are not.” Griboedov I   Chased by the vernal beams,   down the surrounding hills the snows already   have run in turbid streams   4  onto the inundated fields.   With a serene smile, nature   greets through her sleep the morning of the year.   Bluing, the heavens shine.   8  The yet transparent woods   as if with down are greening.   The bee flies from her waxen cell   after the tribute of the field. 12  The dales grow dry and varicolored.   The herds are noisy, and the nightingale   has sung already in the hush of nights. II   How sad your apparition is to me,   spring, spring, season of love!   What a dark stir there is   4  in my soul, in my blood!   With what oppressive tenderness   I revel in the whiff   of spring fanning my face   8  in the lap of the rural stillness!   Or is enjoyment strange to me,   and all that gladdens, animates,   all that exults and gleams, 12  casts spleen and languishment   upon a soul long dead   and all looks dark to it? III   Or gladdened not by the return   of leaves that perished in the autumn,   a bitter loss we recollect,   4  harking to the new murmur of the woods;   or with reanimated nature we   compare in troubled thought   the withering of our years,   8  for which there is no renovation?   Perhaps...
5. Lolita. Part Two. Chapters 32 - 36
Входимость: 2. Размер: 58кб.
Часть текста: ajar, a look on her face… that look I cannot exactly describe… an expression of helplessness so perfect that it seemed to grade into one of rather comfortable inanity just because this was the very limit of injustice and frustrationand every limit presupposes something beyond ithence the neutral illumination. And when you bear in mind that these were the raised eyebrows and parted lips of a child, you may better appreciate what depths of calculated carnality, what reflected despair, restrained me from falling at her dear feet and dissolving in human tears, and sacrificing my jealousy to whatever pleasure Lolita might hope to derive from mixing with dirty and dangerous children in an outside world that was real to her. And I have still other smothered memories, now unfolding themselves into limbless monsters of pain. Once, in a sunset-ending street of Beardsley, she turned to little Eva Rosen (I was taking both nymphets to a concert and walking behind them so close as almost to touch them with my person), she turned to Eva, and so very serenely and seriously, in answer to something the other had said about its being better to die than hear Milton Pinski, some local schoolboy she knew, talk about music, my Lolita remarked: “You know, what’s so dreadful about dying is that you are completely on your own”; and it struck me, as my automaton knees went up and down, that I simply did not know a thing about my darling’s mind and that quite possibly, behind the awful juvenile clichs, there was in her a garden and a twilight, and a palace gatedim and adorable regions which happened to be lucidly and absolutely forbidden to me, in my polluted rags and miserable convulsions; for I often noticed that living as we did, she and I, in a world of total evil, we would become strangely embarrassed whenever I tried to discuss something she and an older friend, she and a parent, she and a real healthy sweetheart, I and Annabel, Lolita and a...
6. The Song of Igor's Campaign, Igor son of Svyatoslav and grandson of Oleg (перевод Набокова)
Входимость: 2. Размер: 34кб.
Часть текста: overtaken, sang a song first"- to Yaroslav of yore, and to brave Mstislav who slew Rededya before the Kasog troops, and to fair Roman son of Svyatoslav. To be sure, brothers, Boyan did not [really] set ten falcons upon a flock of swans: his own vatic fingers he laid on the live strings,   which then twanged out by themselves a paean to princes. So let us begin, brothers, this tale- from Vladimir of yore to nowadays Igor. who girded his mind with fortitude, and sharpened his heart with manliness; [thus] imbued with the spirit of arms, he led his brave troops against the Kuman land in the name of the Russian land. Boyan apostrophized O Boyan, nigh tingale of the times of old! If you were to trill [your praise of]   these troops,   while hopping, nightingale, over the tre e of thought; [if you were] flying in mind up to the clouds; [if] weaving paeans around these times, [you were] roving the Troyan Trail, across fields onto hills; then the song to be sung of Igor, that grandson of Oleg [, would be]: "No storm has swept falcons across wide fields;   flocks of daws flee toward the Great Don";   or you might intone thus, vatic Boyan, grandson of Veles: "Steeds neigh beyond the Sula; glory rings in Kiev; trumpets blare in Novgorod[-Seversk]; banners are raised in Putivl."   Vsievolod's speech Igor waits for his dear brother Vsevolod. And Wild Bull Vsevolod [arrives and] says to him: "My one brother, one bright brightness, you Igor! We both are Svyatoslav's sons. Saddle, brother, your swift steeds. As to mine, they are ready, saddled ahead, near Kursk; as to my Kurskers, they are famous knights- swaddled under war-horns, nursed under helmets, fed from the point of the lance; to them the trails are familiar, to them the ravines are known, the bows they have are strung tight, the quivers, unclosed, the sabers, sharpened; ...
7. Савельева В.В.: Художественная гипнология и онейропоэтика русских писателей. Приложение
Входимость: 2. Размер: 39кб.
Часть текста: of different academic fields, such as physiology, medicine, philosophy, psychology, literary and cultural studies, and semiotics. V.M.Kovalzon, The Doctor of Biology and a member of the International Association for the Study of Dreams, defines the process of sleeping as “...особое генетически детерминированное состояние организма человека и других теплокровных животных (т.е. млекопитающих и птиц), характеризующееся закономерной последовательной сменой определенных полиграфических картин в виде циклов, фаз и стадий» (“.a special, genetically determined state of the human body and the body of other warm-blooded animals (mammals and birds), which is characterized by the logical succession of certain multi-graphic pictures in the form of cycles, phases and stages” ) [6, с.311]. The process of sleeping is inevitably accompanied by the phases of dreams, which some scholars describe as the period of paradoxical sleeping. According to J.M. Lotman, a dream is «семиотическое зеркало, и каждый видит в нем отражение своего языка» (“.a semiotic mirror, and everyone beholds in it the reflection of his or her own language”) [9, с.124]. V. N. Toporov, while chronologically cataloguing literary dreams from the texts of I. S. Turgenev, proposed to classify them according to their themes and to distinguish their repeating motifs and archetypes [21]. But the recurrence of similar images and situations of literary dreams might be found in the literary texts not only of the same, but of different authors. This fact cannot be explained in a singular way, and, probably, is connected to the phenomena of inter-textual genesis and the formation of...
8. Eugene Onegin. A Novel in Verse by Aleksandr Pushkin. Chapter six
Входимость: 2. Размер: 55кб.
Часть текста:   by all is needed. My Onegin   alone has driven home to sleep. II   All has grown quiet. In the drawing room   the heavy Pustyakov   snores with his heavy better half.   4  Gvozdin, Buyanov, Petushkov,   and Flyanov (who is not quite well)   have bedded in the dining room on chairs,   with, on the floor, Monsieur Triquet   8  in underwaistcoat and old nightcap.   All the young ladies, in Tatiana's   and Olga's rooms, are wrapped in sleep.   Alone, sadly by Dian's beam 12  illumined at the window, poor Tatiana   is not asleep   and gazes out on the dark field. III   With his unlooked-for apparition,   the momentary softness of his eyes,   and odd conduct with Olga,   4  to the depth of her soul   she's penetrated. She is quite unable   to understand him. Jealous   anguish perturbs her,   8  as if a cold hand pressed   her heart; as if beneath her an abyss   yawned black and dinned....  ...
9. Lolita. Part One. Chapters 23 - 27
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Часть текста: flash, the sharp unity of impression: Rug-heap, car, old man-doll, Miss O.’s nurse running with a rustle, a half-empty tumbler in her hand, back to the screened porchwhere the propped-up, imprisoned, decrepit lady herself may be imagined screeching, but not loud enough to drown the rhythmical yaps of the Junk setter walking from group to groupfrom a bunch of neighbors already collected on the sidewalk, near the bit of checked stuff, and back to the car which he had finally run to earth, and then to another group on the lawn, consisting of Leslie, two policemen and a sturdy man with tortoise shell glasses. At this point, I should explain that the prompt appearance of the patrolmen, hardly more than a minute after the accident, was due to their having been ticketing the illegally parked cars in a cross lane two blocks down the grade; that the fellow with the glasses was Frederick Beale, Jr., driver of the Packard; that his 79-year-old father, whom the nurse had just watered on the green bank where he laya banked banker so to speakwas not in a dead faint, but was comfortably and methodically recovering from a mild heart attack or its possibility; and, finally, that the laprobe on the sidewalk (where she had so often pointed out to me with disapproval the crooked green cracks) concealed the mangled remains of Charlotte Humbert who had been knocked down and dragged several feet by the Beale car as she was hurrying across the street to drop three letters in the mailbox, at the corner of Miss Opposite’s lawn. These were...
10. Чарльз Кинбот: Серебристый свет. Подлинная жизнь Владимира Набокова. Chapter Six. This Hovering Honeyed Mist
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Часть текста: Серебристый свет. Подлинная жизнь Владимира Набокова Chapter Six. This Hovering Honeyed Mist Chapter Six This Hovering Honeyed Mist I trust the reader has enjoyed our little digression. Now we must return to Madame Fat, with whom I was put in contact by the same colleague who had so inconsiderately run off in the middle of his story. The next day I told him that my aunt had recently died, that we had never been close, that there was residual ill will between us over a trifling incident involving her adolescent grandson, my nephew, many years ago, and that I sorely wished to contact her. He looked at me strangely, suspecting, I think, a joke, but surrendered the name of his friend in Omaha without asking any questions. Discretion is a rare thing indeed. I called the professor of French, who confirmed the red scarf story and enthusiatically provided Madame Fat’s address. She had moved to Lincoln, whither I betook myself the following morning by car. (For those readers keen on fatidic dates, I note that this was the 2nd of July.) Nowadays I drive a powerful white Volvo station wagon, and the trip from Cedarn to Lincoln, pleasantly free from state troopers and jack-knifed semis, was effected beneath cloudless skies in under five hours. In keeping with her name, and contrary to the description I had received of her as frailly skeletal, Madame Fat was fat. When she answered her door, this fact created a burst of cognitive dissonance that momentarily struck me dumb: I would have had no problem referring to a bony Asian lady as Madame Fat to her face, but calling a fat woman Fat strayed well beyond the bounds of my personal...