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Cлово "COMMON"


А Б В Г Д Е Ж З И Й К Л М Н О П Р С Т У Ф Х Ц Ч Ш Щ Э Ю Я
0-9 A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
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1. Butterfly collecting in Wyoming, 1952
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2. Articles about butterflies
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3. Интервью Набокова на английском языке. Wisconsin Studies, 1967 г.
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4. Lolita. Part Two. Chapters 22 - 26
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5. Интервью Набокова на английском языке. Playboy, 1964 г.
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6. Интервью Набокова на английском языке. TV-13 NY, 1965 г.
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7. Lolita. Part Two. Chapters 1 - 2
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8. Интервью Набокова на английском языке. BBC-2, 1969 г.
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9. Набоков Дмитрий: Отцовские бабочки. Интервью данное Брайеном Бойдом журналу BOMB Magazine
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10. Lolita. Part One. Chapters 9 - 11
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11. Долинин Александр: Комментарий к роману Владимира Набокова «Дар». Глава вторая
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12. Утгоф Г.М.: «Audiatur et altera pars» - к проблеме «Набоков и Лоуэлл»
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13. Джонсон Дональд Бартон: Птичий вольер в "Аде" Набокова
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14. Интервью Набокова на английском языке. BBC-2, 1968 г.
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15. Бабиков А. А.: Прочтение Набокова. Изыскания и материалы. Окольные мемуары Набокова, или Discours sur les ombres
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16. The wings of desire
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17. Интервью Набокова на английском языке. The Paris Review, 1967 г.
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18. Lolita. Part Two. Chapters 9 - 16
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19. Lolita. Part Two. Chapters 32 - 36
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20. Здесь говорят по-русски (перевод С. Сакуна)
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21. Чарльз Кинбот: Серебристый свет. Подлинная жизнь Владимира Набокова. Chapter Seven. King, Queen, Knave
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22. Набоков Дмитрий: Отцовские бабочки. Отцовские бабочки. Father's Butterflies (английский язык)
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23. Eugene Onegin. A Novel in Verse by Aleksandr Pushkin. Chapter seven
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24. Eugene Onegin. A Novel in Verse by Aleksandr Pushkin. Chapter five
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25. Комментарий к роману "Евгений Онегин". Глава третья. Эпиграф, пункты I - VIII
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26. A Guide to Nabokov's Butterflies and Moths 2001 by Dieter E. Zimmer
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27. Anniversary notes
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28. Интервью Набокова на английском языке. Novel, 1970 г.
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29. Eugene Onegin. A Novel in Verse by Aleksandr Pushkin. Notes to Eugene Onegin
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30. Интервью Набокова на английском языке. The New York Times Book Review, 1968 г.
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31. Интервью Набокова на английском языке. Time, 1969 г.
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32. Rowe's symbols
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33. Интервью Набокова на английском языке. Vogue, 1969 г.
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34. Lolita. Part Two. Chapters 17 - 21
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35. Чарльз Кинбот: Серебристый свет. Подлинная жизнь Владимира Набокова. Chapter One. On Visiting Nabokov's Tomb
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36. Lolita. Part One. Chapters 23 - 27
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37. Тамми Пекка: Заметки о полигенетичности в прозе Набокова
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38. Lolita. Part One. Chapters 28 - 33
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39. Интервью Набокова на английском языке. Anonymous, 1972 г.
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40. Грейсон Джейн: Метаморфозы "Дара"
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1. Butterfly collecting in Wyoming, 1952
Входимость: 8. Размер: 14кб.
Часть текста: the following places: Southeastern Wyoming: eastern Medicine Bow National Forest, in the Snowy Range, up to approximately 10,500 ft. alt. (using paved road 130 between Laramie and Saratoga); sagebrush country, approximately 7,000 ft. alt., between Saratoga and Encampment, east of paved highway 230; marshes at about the same elevation between eastern Medicine Bow National Forest and Northgate, northern Colorado, within 15 miles from the Wyoming State Line, mainly south of the unpaved road 127; and W. Medicine Bow National Forest, in the Sierra Madre, using the abominable local road from Encampment to the Continental Divide (approximately 9,500 ft. alt.). Western Wyoming: sagebrush, approximately 6,500 ft. alt. immediately east of Dubois along the (well-named) Wind River; western Shoshone and Teton National Forests, following admirable paved road 26, from Dubois towards Moran over Togwotee Pass (9,500 ft. alt.); near Moran, on Buffalo River, approximately 7,000 ft. alt.; traveling through the construction hell of the city of Jackson, and bearing southeast along paved 187 to The Rim (7,900 ft. alt.); and, finally, spending most of August in collecting around the altogether enchanting little town of Afton (on paved 89, along the Idaho border), approximately 7,000 ft. alt., mainly in canyons east of the town, and in various spots of Bridger National Forest, Southwestern part, along trails up to 9,000 ft. alt. Most of the material collected has gone to the Cornell University Museum; the rest to the American Museum of Natural History and the Museum of Comparative Zoology. The best hunting grounds proved to be: the Sierra Madre at...
2. Articles about butterflies
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Часть текста: search for the unknown female of what I had described as Lycaeides argyrognomon sublivens in 1949 (Bull. Mus. Comp. Zool., vol. 101: p. 513) on the strength of nine males in the Museum of Comparative Zoology, Harvard, which had been taken in the vicinity of Telluride half a century ago. L. sublivens is an isolated southern representative (the only known one south of northwestern Wyoming, southeast of Idaho, and east of California) of the species (the holarctic argyrognomon Berg str.=idas auct.) to which anna Edw., scudderi Edw., aster Edw., and six other nearctic subspecies belong. I bungled my family's vacation but got what I wanted. Owing to rains and floods, especially noticeable in Kansas, most of the drive from New York State to Colorado was entomologically uneventful. When reached at last, Telluride turned out to be a damp, unfrequented, but very spectacular cul-de-sac (which a prodigious rainbow straddied every evening) at the end of two converging roads, one from Placerville, the other from Dolores, both atrocious. There is one motel, the optimistic and excellent Valley View Court where my wife and I stayed, at 9,000 feet altitude, from the 3rd to the 29th of July, walking up daily to at least 12,000 feet along various more or less steep trails in search of sublivens. Once or twice Mr. Homer Reid of Telluride took us up in his jeep. Every morning the sky would be of an impeccable blue at 6 a. m. when I set out. The first innocent cloudlet would scud across at 7: 30 a. m. Bigger fellows with darker bellies would start tampering with the sun around 9 a. m., just as we emerged from the...
3. Интервью Набокова на английском языке. Wisconsin Studies, 1967 г.
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Часть текста: were later recast as formal questions-and-answers. The interviewer was Nabokov's student at Cornell University in 1954, and the references are to Literature 311-312 (MWF, 12), a course on the Masterpieces of European Fiction (Jane Austen, Gogol, Dickens, Flaubert, Tolstoy, Stevenson, Kafka, Joyce, and Proust). Its enrollment had reached four hundred by the time of Nabokov's resignation in 1959. The footnotes to the interview, except where indicated, are provided by the interviewer, Alfred Appel, Jr. For years bibliographers and literary journalists didn't know whether to group you under "Russian" or "American. "Now that you're living in Switzerland there seems to be complete agreement that you're American. Do you find this kind of distinction at all important regarding your identity as a writer? I have always maintained, even as a schoolboy in Russia, that the nationality of a worthwhile writer is of secondary importance. The more distinctive an insect's aspect, the less apt the taxonomist is to glance first of all at the locality label under the pinned specimen in order to decide which of several vaguely described races it should be assigned to. The writer's art is his real passport. His identity should be immediately recognized by a special pattern or unique coloration. His habitat may confirm the correctness of the determination but should not lead to it. Locality labels are known to have been faked by unscrupulous insect dealers. Apart from these considerations I think of myself today as an American writer who has once been a Russian o! ne. The Russian writers you have translated and written about all precede the so-called "age of realism, " which is more celebrated by English and American readers than is the earlier period. Would you say something about your temperamental or artistic affinities with the great writers of the 1830-40 era of masterpieces? Do you see your...
4. Lolita. Part Two. Chapters 22 - 26
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Часть текста: But if I could dismiss Trapp, as I had dismissed my convulsions on the lawn at Champion, I could do nothing with the anguish of knowing Lolita to be so tantalizingly, so miserably unattainable and beloved on the very even of a new era, when my alembics told me she should stop being a nymphet, stop torturing me. An additional, abominable, and perfectly gratuitous worry was lovingly prepared for me in Elphinstone. Lo had been dull and silent during the last laptwo hundred mountainous miles uncontaminated by smoke-gray sleuths or zigzagging zanies. She hardly glanced at the famous, oddly shaped, splendidly flushed rock which jutted above the mountains and had been the take-off for nirvana on the part of a temperamental show girl. The town was newly built, or rebuilt, on the flat floor of a seven-thousand-foot-high valley; it would soon bore Lo, I hoped, and we would spin on to California, to the Mexican border, to mythical bays, saguaro desserts, fatamorganas. Jos Lizzarrabengoa, as you remember, planned to take his Carmen to the Etats Unis.   I conjured up a Central American tennis competition in which Dolores Haze and various Californian schoolgirl champions would dazzlingly participate. Good-will tours on that smiling level eliminate the distinction between passport and sport. Why did I hope we would be happy abroad? A ...
5. Интервью Набокова на английском языке. Playboy, 1964 г.
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Часть текста: meticulously to the answers, every word of which I had written in longhand before having them typed for submission to Toffler when he came to Montreux in mid-March, 1963. The present text takes into account the order of my interviewer's questions as well as the fact that a couple of consecutive pages of my typescript were apparently lost in transit. Egreto perambis doribus! With the American publication of Lolita in 1958, your fame and fortune mushroomed almost overnight from high repute among the literary cognoscenti-- which you bad enjoyed for more than 30 years-- to both acclaim and abuse as the world-renowned author of a sensational bestseller. In the aftermath of this cause celebre, do you ever regret having written Lolita? On the contrary, I shudder retrospectively when I recall that there was a moment, in 1950, and again in 1951, when I was on the point of burning Humbert Humbert's little black diary. No, I shall never regret Lolita. She was like the composition of a beautiful puzzle-- its composition and its solution at the same time, since one is a mirror view of the other, depending on the way you look. Of course she completely eclipsed my other works-- at least those I wrote in English: The Real Life of Sebastian Knight, Bend Sinister, my short stories, my book of recollections; but I cannot grudge her this. There is a queer, tender charm about that mythical nymphet. Though many readers and reviewers would disagree that her charm is tender, few would deny that it is queer-- so much so that when director Stanley Kubrick proposed his plan to make a movie of Lolita, you were quoted as saying, "Of course they'll have to change the plot. Perhaps they will make Lolita a dwarfess. Or they will make her 16 and Humbert 26. " Though you finally...
6. Интервью Набокова на английском языке. TV-13 NY, 1965 г.
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Часть текста: Program in New York. At our initial meetings I read from prepared cards, and this part of the interview is given below. The rest, represented by some fifty pages typed from the tape, is too colloquial and rambling to suit the scheme of the present book. As with Gogol and even James Agйe, there is occasionally confusion about the pronunciation of your last name. How does one pronounce it correctly? It is indeed a tricky name. It is often misspelt, because the eye tends to regard the "a" of the first syllable as a misprint and then tries to restore the symmetrical sequence by triplicating the "o"-- filling up the row of circles, so to speak, as in a game of crosses and naughts. No-bow-cough. How ugly, how wrong. Every author whose name is fairly often mentioned in periodicals develops a bird-watcher's or caterpillar-picker's knack when scanning an article. But in my case I always get caught by the word "nobody" when capitalized at the beginning of a sentence. As to pronunciation, Frenchmen of course say Nabokoff, with the accent on the last syllable. Englishmen say Nabokov, accent on the first, and Italians say Nabokov, accent in the middle, as Russians also do. Na- bo -kov. A heavy open "o" as in "Knickerbocker". My New England ear is not offended by the long elegant middle "o" of Nabokov as delivered in American academies. The awful "Na-bah-kov" is a despicable gutterism. Well, you can make your choice now. Incidentallv, the first name is pronounced Vladeemer--...
7. Lolita. Part Two. Chapters 1 - 2
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Часть текста: down to create a morning illusion of Venice and sunshine when actually it was Pennsylvania and rain. We came to know nous connmes,   to use a Flaubertian intonationthe stone cottages under enormous Chateaubriandesque trees, the brick unit, the adobe unit, the stucco court, on what the Tour Book of the Automobile Association describes as “shaded” or “spacious” or “landscaped” grounds. The log kind, finished in knotty pine, reminded Lo, by its golden-brown glaze, of friend-chicken bones. We held in contempt the plain whitewashed clapboard Kabins, with their faint sewerish smell or some other gloomy self-conscious stench and nothing to boast of (except “good beds”), and an unsmiling landlady always prepared to have her gift (“…well, I could give you…”) turned down. Nous connmes   (this is royal fun) the would-be enticements of their repetitious namesall those Sunset Motels, U-Beam Cottages, Hillcrest Courts, Pine View Courts, Mountain View Courts, Skyline Courts, Park Plaza Courts, Green Acres, Mac’s Courts. There was sometimes a special line in the write-up, such as “Children...
8. Интервью Набокова на английском языке. BBC-2, 1969 г.
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Часть текста: (October 4) some 40 were answered and recorded by me from written cards in Montreux. The Listener published the thing in an incomplete form on October 23 of that year. Printed here from my final typescript. You have said that you explored time's prison and have found no way out. Are you still exploring, and is it inevitably a solitary excursion, from which one returns to the solace of others? I'm a very poor speaker. I hope our audience won't mind my using notes. My exploration of time's prison as described in the first chapter of Speak, Memory was only a stylistic device meant to introduce my subject. Memory often presents a life broken into episodes, more or less perfectly recalled. Do you see any themes working through from one episode to another? Everyone can sort out convenient patterns of related themes in the past development of his life. Here again I had to provide pegs and echoes when furnishing my reception halls. Is the strongest tie between men this common captivity in time? Let us not generalize. The common captivity in time is felt differently by different people, and some people may not feel it at all. Generalizations are full of loopholes and...
9. Набоков Дмитрий: Отцовские бабочки. Интервью данное Брайеном Бойдом журналу BOMB Magazine
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Часть текста: his wife Vera. Image from Vera's Butterflies (NY: Glenn Horowitz Bookseller, 1999). Courtesy the Estate of Vladimir Nabokov. A commentator from a distant southern land that begins with Z composes an outlandish elucidation of another man's masterpiece. His startling, perhaps outrageous claims upset certain entrenched academic specialists, and he must flee (a world tour, a centenary), and undergo the ordeals of exile before coming to rest, in some almost successful disguise—as a professor of English at the University of Auckland, New Zealand. An unlikely plot, but the real story is no less exceptional: Brian Boyd, author of the prize-winning two-volume biography, Vladimir Nabokov: The Russian Years and Vladimir Nabokov: The American Years, and of Nabokov's Ada: The Place of Consciousness and the just-released Nabokov's Pale Fire: The Magic of Artistic Discovery, is a scholar who changed his mind. Writing in The New York Observer on Boyd's 'remarkable, obsessive, delirious, devotional study, Nabokov's Pale Fire,' Ron Rosenbaum called him 'an ornament of the accidents and possibilities of Nabokov scholarship' and praised him 'for having the courage and humility to retract an earlier conjecture and the imaginative daring' to (as Boyd himself might put it) re-re-reread Pale Fire. Nabokov's 1962 novel takes the form of an introduction by a scholar named Charles Kinbote; a lucid 999-line poem by an American poet named John Shade; and a commentary and index by Kinbote, whose attention veers continually from the poem to his own unsatisfactory...
10. Lolita. Part One. Chapters 9 - 11
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Часть текста: desires and insomnias of which enough has been said. Knowing me by now, the reader can easily imagine how dusty and hot I got, trying to catch a glimpse of nymphets (alas, always remote) playing in Central Park, and how repulsed I was by the glitter of deodorized career girls that a gay dog in one of the offices kept unloading upon me. Let us skip all that. A dreadful breakdown sent me to a sanatorium for more than a year; I went back to my workonly to be hospitalized again. Robust outdoor life seemed to promise me some relief. One of my favorite doctors, a charming cynical chap with a little brown beard, had a brother, and this brother was about to lead an expedition into arctic Canada. I was attached to it as a “recorder of psychic reactions.” With two young botanists and an old carpenter I shared now and then (never very successfully) the favors of one of our nutritionists, a Dr. Anita Johnsonwho was soon flown back, I am glad to say. I had little notion of what object the expedition was pursuing. Judging by the number of meteorologists upon it, we may have been tracking to its lair (somewhere on...