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А Б В Г Д Е Ж З И Й К Л М Н О П Р С Т У Ф Х Ц Ч Ш Щ Э Ю Я
0-9 A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
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1. Эссе о драматургии ("Playwriting", на английском языке)
Входимость: 5. Размер: 59кб.
2. Набоков Дмитрий: Отцовские бабочки. Интервью данное Брайеном Бойдом журналу BOMB Magazine
Входимость: 4. Размер: 24кб.
3. Интервью Набокова на английском языке. Playboy, 1964 г.
Входимость: 4. Размер: 53кб.
4. Набоков Дмитрий: Отцовские бабочки. Отцовские бабочки. Father's Butterflies (английский язык)
Входимость: 4. Размер: 36кб.
5. Lolita. Part Two. Chapters 27 - 31
Входимость: 4. Размер: 46кб.
6. Интервью Набокова на английском языке. The Paris Review, 1967 г.
Входимость: 3. Размер: 29кб.
7. Lolita. Part One. Chapters 9 - 11
Входимость: 3. Размер: 53кб.
8. Интервью Набокова на английском языке. Life, 1964 г.
Входимость: 2. Размер: 10кб.
9. Lolita. Part One. Chapters 18 - 22
Входимость: 2. Размер: 53кб.
10. Интервью Набокова на английском языке. Vogue, 1972 г.
Входимость: 2. Размер: 17кб.
11. Интервью Набокова на английском языке. BBC-2, 1968 г.
Входимость: 2. Размер: 9кб.
12. Интервью Набокова на английском языке. Novel, 1970 г.
Входимость: 2. Размер: 30кб.
13. Долинин А: Искусство палача - заметки к теме смертной казни у Набокова
Входимость: 2. Размер: 40кб.
14. Lolita. Part Two. Chapters 17 - 21
Входимость: 2. Размер: 52кб.
15. Интервью Набокова на английском языке. Wisconsin Studies, 1967 г.
Входимость: 1. Размер: 63кб.
16. Интервью Набокова на английском языке. Vogue, 1969 г.
Входимость: 1. Размер: 11кб.
17. Lolita. Part Two. Chapters 3 - 8
Входимость: 1. Размер: 54кб.
18. Интервью Набокова на английском языке. Swiss Broadcast, 1972 ? г.
Входимость: 1. Размер: 4кб.
19. Интервью Набокова на английском языке. TV-13 NY, 1965 г.
Входимость: 1. Размер: 20кб.
20. Nabokov's butterflies, dispersed
Входимость: 1. Размер: 7кб.
21. Интервью Набокова на английском языке. Bayerischer Rundfunk, 1971-72 г.
Входимость: 1. Размер: 17кб.
22. Lolita. Part One. Chapters 1 - 8
Входимость: 1. Размер: 53кб.
23. Inspiration
Входимость: 1. Размер: 14кб.
24. Комментарий к роману "Евгений Онегин". Отрывки из "Путешествия Онегина"
Входимость: 1. Размер: 151кб.
25. Интервью Набокова на английском языке. BBC Television, 1962 г.
Входимость: 1. Размер: 20кб.
26. Набоков Дмитрий: Отцовские бабочки. Отцовские бабочки (русский язык)
Входимость: 1. Размер: 91кб.
27. Чарльз Кинбот: Серебристый свет. Подлинная жизнь Владимира Набокова. Chapter Eight. Dying Is No Fun
Входимость: 1. Размер: 11кб.
28. Маликова М.: "Первое стихотворение" В. Набокова. Перевод и комментарий
Входимость: 1. Размер: 81кб.
29. Интервью Набокова на английском языке. The New York Times Book Review, 1972 г.
Входимость: 1. Размер: 4кб.
30. Савельева В.В.: Художественная гипнология и онейропоэтика русских писателей. Приложение
Входимость: 1. Размер: 39кб.
31. Lolita. Part Two. Chapters 22 - 26
Входимость: 1. Размер: 57кб.
32. Lolita. Part One. Chapters 23 - 27
Входимость: 1. Размер: 59кб.
33. Долинин Александр: Комментарий к роману Владимира Набокова «Дар». Глава вторая
Входимость: 1. Размер: 169кб.
34. Долинин Александр: Комментарий к роману Владимира Набокова «Дар». Глава третья
Входимость: 1. Размер: 183кб.
35. Review by Brian Boyd, Robert Michael Pyle
Входимость: 1. Размер: 13кб.
36. Forget Lolita - let's hear it for lepidoptery...
Входимость: 1. Размер: 6кб.
37. Интервью Набокова на английском языке. Time, 1969 г.
Входимость: 1. Размер: 21кб.

Примерный текст на первых найденных страницах

1. Эссе о драматургии ("Playwriting", на английском языке)
Входимость: 5. Размер: 59кб.
Часть текста: at an American university. The Stanford course also included a discussion of some American plays, a survey of Soviet theatre, and an analysis of commentary on drama by several American critics. The two lectures presented here have been selected to accompany Nabokov's plays because they embody, in concentrated form, many of his principal guidelines for writing, reading, and performing plays. The reader is urged to bear in mind, however, that, later in life, Father might have expressed certain thoughts differently. The lectures were partly in typescript and partly in manuscript, replete with Nabokov's corrections, additions, deletions, occasional slips of the pen, and references to previous and subsequent installments of the course. I have limited myself to what editing seemed necessary for the presentation of the lectures in essay form. If Nabokov had been alive, he might perhaps have performed more radical surgery. He might also have added that the gruesome throes of realistic suicide he finds unacceptable onstage (in "The Tragedy of Tragedy") are now everyday fare on kiddies' TV, while "adult" entertainment has long since outdone all the goriness of the Grand Guignol. He might have observed that the aberrations of theatrical method wherein the illusion of a barrier between stage and audience is shattered - a phenomenon he considered "freakish" - are now commonplace: actors wander and mix; the audience is invited to participate; it is then applauded by the players in a curious reversal of roles made chic by Soviet performers ordered to emulate the mise-en-sce´ne of party congresses; and the term "happening" has already managed to grow obsolescent. He might have commented that the quest for originality for its own sake has led to ludicrous excesses and things have taken their helter-skelter course in random theatre as they have in...
2. Набоков Дмитрий: Отцовские бабочки. Интервью данное Брайеном Бойдом журналу BOMB Magazine
Входимость: 4. Размер: 24кб.
Часть текста: of English at the University of Auckland, New Zealand. An unlikely plot, but the real story is no less exceptional: Brian Boyd, author of the prize-winning two-volume biography, Vladimir Nabokov: The Russian Years and Vladimir Nabokov: The American Years, and of Nabokov's Ada: The Place of Consciousness and the just-released Nabokov's Pale Fire: The Magic of Artistic Discovery, is a scholar who changed his mind. Writing in The New York Observer on Boyd's 'remarkable, obsessive, delirious, devotional study, Nabokov's Pale Fire,' Ron Rosenbaum called him 'an ornament of the accidents and possibilities of Nabokov scholarship' and praised him 'for having the courage and humility to retract an earlier conjecture and the imaginative daring' to (as Boyd himself might put it) re-re-reread Pale Fire. Nabokov's 1962 novel takes the form of an introduction by a scholar named Charles Kinbote; a lucid 999-line poem by an American poet named John Shade; and a commentary and index by Kinbote, whose attention veers continually from the poem to his own unsatisfactory life, from John Shade's homely metaphysics and painful autobiography to what must be his own entirely irrelevant fantasy—unless he really is Charles the Beloved, the deposed King of Zembla; and that unless unlocks only the first in a series of secret passages. From the dedication copy of Pale Fire, inscribed by Nabokov for his wife Vera. Image from Vera's Butterflies (NY: Glenn Horowitz Bookseller, 1999). Courtesy the Estate of Vladimir Nabokov. Has Boyd's book-length study, written in response to an online discussion, produced a robust thesis or the shadow of a madman's fancy? All I can say now is that reading Nabokov's Pale Fire and then Nabokov's Pale Fire is like being immersed in a medium that clarifies, but not without some shifting and spill of glare,...
3. Интервью Набокова на английском языке. Playboy, 1964 г.
Входимость: 4. Размер: 53кб.
Часть текста: 1964 г. Playboy [1964] This exchange with Alvin Toffler appeared in Playboy for January, 1964. Great trouble was taken on both sides to achieve the illusion of a spontaneous conversation. Actually, my contribution as printed conforms meticulously to the answers, every word of which I had written in longhand before having them typed for submission to Toffler when he came to Montreux in mid-March, 1963. The present text takes into account the order of my interviewer's questions as well as the fact that a couple of consecutive pages of my typescript were apparently lost in transit. Egreto perambis doribus! With the American publication of Lolita in 1958, your fame and fortune mushroomed almost overnight from high repute among the literary cognoscenti-- which you bad enjoyed for more than 30 years-- to both acclaim and abuse as the world-renowned author of a sensational bestseller. In the aftermath of this cause celebre, do you ever regret having written Lolita? On the contrary, I shudder retrospectively when I recall that there was a moment, in 1950, and again in 1951, when I was on the point of burning Humbert Humbert's little black...
4. Набоков Дмитрий: Отцовские бабочки. Отцовские бабочки. Father's Butterflies (английский язык)
Входимость: 4. Размер: 36кб.
Часть текста: as the poets said in grove-rich England, the "fly doctor," as they wisecracked in advanced Russian circles) who wished to acquire from books a general notion of the fauna of Europe, including Russia, was compelled to scrabble for his crumbs of information in entomological journals in six languages and in multivolume, hard-to-find editions such as the Oberthьr books or those of Grand Duke Nikolai Mikhailovich. The absence or utter inadequacy of "references" in the atlases ad usum Delphini, the tedious perusal of the index of names enclosed with an annual volume of a monthly journal, the sheer number of these journals and volumes (in my father's library there were more than a thousand of the latter alone, representing a good hundred journals) - all this had to be overcome in order to hunt down the necessary reference, if it existed at all. Nonetheless, even in my exceptionally propitious situation things were not easy: Russia, particularly in the north, dwelt in a mist, while the local lists, scattered through the journals, totally haphazard, scanty, and cruelly inaccurate in nomenclature, only maddened me when at last I ferreted them out. My father was the preeminent entomologist of his time, and very well off to boot, but the ordinary amateur, unable to dispatch his scouts throughout Russia, and denied the opportunity - or not knowing how - to gain access to specialized collections and libraries (and an accidental boon, the hasty inspection of collections at a lepidopterological society or in the cellar of some museum, does not satisfy the true enthusiast, who needs to have the boon always at hand), had no choice but to hope for a miracle. And that miracle dawned in 1912 with the appearance of my father's four-volume work The Butterflies and Moths of the Russian Empire. Although in a hall adjoining the library dark-red cabinets contained my father's supremely rich collections, consisting of specimens complete...
5. Lolita. Part Two. Chapters 27 - 31
Входимость: 4. Размер: 46кб.
Часть текста: phantasm a perfection which made my wild delight also perfect, just because the vision was out of reach, with no possibility of attainment to spoil it by the awareness of an appended taboo; indeed, it may well be that the very attraction immaturity has for me lies not so much in the limpidity of pure young forbidden fairy child beauty as in the security of a situation where infinite perfections fill the gap between the little given and the great promisedthe great rosegray never-to-be-had. Mes fentres!   Hanging above blotched sunset and welling night, grinding my teeth, I would crowd all the demons of my desire against the railing of a throbbing balcony: it would be ready to take off in the apricot and black humid evening; did take offwhereupon the lighted image would move and Even would revert to a rib, and there would be nothing in the window but an obese partly clad man reading the paper. Since I sometimes won the race between my fancy and nature’s reality, the deception was bearable. Unbearable pain began when chance entered the fray and deprived me of the smile meant for me. “ Savez-vous qu’ dix ans ma petite tait folle de voius?”   said a woman I talked to at a tea in Paris, and the petite   had just married, miles away, and I could not even remember if I had ever noticed her in that garden, next to those tennis courts, a dozen years before. And now...
6. Интервью Набокова на английском языке. The Paris Review, 1967 г.
Входимость: 3. Размер: 29кб.
Часть текста: 1967. Good morning. Let me ask forty-odd questions. Good morning. I am ready. Your sense of the immorality of the relationship between Humbert Humbert and Lolita is very strong. In Hollywood and New York, however, relationships are frequent between men of forty and girls very little older than Lolita. They marry-- to no particular public outrage; rather, public cooing. No, it is not my sense of the immorality of the Humbert Humbert-Lolita relationship that is strong; it is Humbert's sense. He cares, I do not. I do not give a damn for public morals, in America or elsewhere. And, anyway, cases of men in their forties marrying girls in their teens or early twenties have no bearing on Lolita whatever. Humbert was fond of "little girls"-- not simply "young girls." Nymphets are girl-children, not starlets and "sex kittens." Lolita was twelve, not eighteen, when Humbert met her. You may remember that by the time she is fourteen, he refers to her as his "aging mistress." One critic has said about you that "his feelings are like no one else's. " Does this make sense to you? Or does it mean that you know your feelings better than others know theirs? Or that you have discovered yourself at other levels? Or simply that your history is unique? I do not recall that article; but if a critic makes such a statement, it must surely mean that he has explored the feelings of literally millions of people, in at least three countries, before reaching his conclusion. If so, lama rare fowl indeed. If, on the other hand, he has merely limited himself to quizzing members of his family or club, his statement cannot be discussed seriously. Another critic has written that your "worlds are static. They may become tense with obsession, but they do not break apart like the worlds of everyday reality. " Do you agree? Is there a static quality in your view of things? Whose "reality"?...
7. Lolita. Part One. Chapters 9 - 11
Входимость: 3. Размер: 53кб.
Часть текста: York to complete my comparative history of French literature for English-speaking students. The first volume took me a couple of years during which I put in seldom less than fifteen hours of work daily. As I look back on those days, I see them divided tidily into ample light and narrow shade: the light pertaining to the solace of research in palatial libraries, the shade to my excruciating desires and insomnias of which enough has been said. Knowing me by now, the reader can easily imagine how dusty and hot I got, trying to catch a glimpse of nymphets (alas, always remote) playing in Central Park, and how repulsed I was by the glitter of deodorized career girls that a gay dog in one of the offices kept unloading upon me. Let us skip all that. A dreadful breakdown sent me to a sanatorium for more than a year; I went back to my workonly to be hospitalized again. Robust outdoor life seemed to promise me some relief. One of my favorite doctors, a charming cynical chap with a little brown beard, had a brother, and this brother was about to lead an expedition into arctic Canada. I was attached to it as a “recorder of psychic reactions.” With two young botanists and an old carpenter I shared now and then (never very successfully) the favors of one of our nutritionists, a Dr. Anita Johnsonwho was soon flown back, I am glad to say. I had little notion of what object the expedition was pursuing. Judging by the number of meteorologists upon it, we may have been tracking to its lair (somewhere on Prince of Wales’ Island, I understand) the wandering and wobbly north magnetic pole. One group, jointly with the Canadians, established a weather station on Pierre Point in Melville Sound. Another group, equally misguided, collected...
8. Интервью Набокова на английском языке. Life, 1964 г.
Входимость: 2. Размер: 10кб.
Часть текста: I owe many metaphors and sensuous associations to the North Russian landscape of my boyhood, and I am also aware that my father was responsible for my appreciating very early in life the thrill of a great poem. Have you ever seriously contemplated a career other than in letters? Frankly, I never thought of letters as a career. Writing has always been for me a blend of dejection and high spirits, a torture and a pastime-- but I never expected it to be a source of income. On the other hand, I have often dreamt of a long and exciting career as an obscure curator of lepidoptera in a great museum. Which of your writings has pleased you most? I would say that of all my books Lolita has left me with the most pleasurable afterglow-- perhaps because it is the purest of all, the most abstract and carefully contrived. I am probably responsible for the odd fact that people don't seem to name their daughters Lolita any more. I have heard of young female poodles being given that name since 1956, but of no human beings. Well-wishers have tried to translate Lolita into Russian, but with such execrable results that I'm now doing a translation myself. The word "jeans," for example, is translated in Russian dictionaries as "wide, short trousers"-- a totally...
9. Lolita. Part One. Chapters 18 - 22
Входимость: 2. Размер: 53кб.
Часть текста: not control her heart or her cries, she was a woman of principle. Immediately after she had become more or less my mistress (despite the stimulants, her “nervous, eager chri  a heroic chri   !  had some initial trouble, for which, however, he amply compensated her by a fantastic display of old-world endearments), good Charlotte interviewed me about my relations with God. I could have answered that on that score my mind was open; I said, insteadpaying my tribute to a pious platitudethat I believed in a cosmic spirit. Looking down at her fingernails, she also asked me had I not in my family a certain strange strain. I countered by inquiring whether she would still want to marry me if my father’s maternal grandfather had been, say, a Turk. She said it did not matter a bit; but that, if she ever found out I did not believe in Our Christian God, she would commit suicide. She said it so solemnly that it gave me the creeps. It was then I knew she was a woman of principle. Oh, she...
10. Интервью Набокова на английском языке. Vogue, 1972 г.
Входимость: 2. Размер: 17кб.
Часть текста: ago (you can still see that initial inn and our future windows in old prints of 1840 or so). Our quarters consist of several tiny rooms with two and a half bathrooms, the result of two apartments having been recently fused. The sequence is: kitchen, living-dining room, my wife's room, my room, a former kitchenette now full of my papers, and our son's former room, now converted into a study. The apartment is! cluttered with books, folders, and files. What might be termed rather grandly a library is a back room housing my published works, and there are additional shelves in the attic whose skylight is much frequented by pigeons and Alpine choughs. I am giving this meticulous description to refute a distortion in an interview published recently in another New York magazine-- a long piece with embarrassing misquotations, wrong intonations, and false exchanges in the course of which I am made to dismiss the scholarship of a dear friend as "pedantry" and to poke ambiguous fun at a manly writer's tragic fate. Is there any truth in the rumor that you are thinking of leaving Montreux forever? Well, there is a rumor that sooner or later everybody living now in Montreux will leave it forever. Lolita is ...