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А Б В Г Д Е Ж З И Й К Л М Н О П Р С Т У Ф Х Ц Ч Ш Щ Э Ю Я
0-9 A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
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1. Lolita. Part Two. Chapters 1 - 2
Входимость: 6. Размер: 49кб.
2. Lolita. Part One. Chapters 1 - 8
Входимость: 5. Размер: 53кб.
3. Articles about butterflies
Входимость: 2. Размер: 35кб.
4. Lolita. Part One. Chapters 23 - 27
Входимость: 2. Размер: 59кб.
5. Эссе о драматургии ("Playwriting", на английском языке)
Входимость: 2. Размер: 59кб.
6. Eugene Onegin. A Novel in Verse by Aleksandr Pushkin. Chapter five
Входимость: 2. Размер: 54кб.
7. Lolita. Part Two. Chapters 3 - 8
Входимость: 2. Размер: 54кб.
8. Интервью Набокова на английском языке. Vogue, 1969 г.
Входимость: 2. Размер: 11кб.
9. Чарльз Кинбот: Серебристый свет. Подлинная жизнь Владимира Набокова. Chapter Six. This Hovering Honeyed Mist
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10. Lolita. Part Two. Chapters 27 - 31
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11. Eugene Onegin. A Novel in Verse by Aleksandr Pushkin. Chapter two
Входимость: 1. Размер: 51кб.
12. The Song of Igor's Campaign, Igor son of Svyatoslav and grandson of Oleg (перевод Набокова)
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13. Eugene Onegin. A Novel in Verse by Aleksandr Pushkin. Notes to Eugene Onegin
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14. Левинтон Г. А.: The Importance of Being Russian или Les allusions perdues
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15. Lolita. Part Two. Chapters 17 - 21
Входимость: 1. Размер: 52кб.
16. Lolita. Part Two. Chapters 22 - 26
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17. Eugene Onegin. A Novel in Verse by Aleksandr Pushkin. Chapter one
Входимость: 1. Размер: 72кб.
18. Интервью Набокова на английском языке. Novel, 1970 г.
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19. Мельников Н.: Портрет без сходства (ознакомительный фрагмент). Источники
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20. Интервью Набокова на английском языке. Playboy, 1964 г.
Входимость: 1. Размер: 53кб.
21. Мельников Н. Г.: О Набокове и прочем. «Лолита» – скандальный шедевр владимира Набокова
Входимость: 1. Размер: 38кб.
22. Eugene Onegin. A Novel in Verse by Aleksandr Pushkin. Chapter six
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23. Ответ моим критикам
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24. Eugene Onegin. A Novel in Verse by Aleksandr Pushkin. Chapter three
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25. Брайан Бойд. Владимир Набоков: американские годы. Библиография
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26. Lolita. Part Two. Chapters 9 - 16
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27. Чарльз Кинбот: Серебристый свет. Подлинная жизнь Владимира Набокова. Chapter Eight. Dying Is No Fun
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28. Butterfly collecting in Wyoming, 1952
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29. Комментарий к роману "Евгений Онегин". Глава третья. Пункты IX - XVIII
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30. Lolita. Part One. Chapters 18 - 22
Входимость: 1. Размер: 53кб.
31. Грейсон Джейн: Французский связной - Набоков и Альфред де Мюссе. Идеи и опыты перевода
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32. On some inaccuracies in klots' field guide
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33. Роупер Р: Набоков в Америке. По дороге к «Лолите». Примечания
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34. Rowe's symbols
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35. Паперно И.: Как сделан "Дар" Набокова
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36. Интервью Набокова на английском языке. Life, 1964 г.
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37. Интервью Набокова на английском языке. Swiss Broadcast, 1972 ? г.
Входимость: 1. Размер: 4кб.
38. Интервью Набокова на английском языке. The Paris Review, 1967 г.
Входимость: 1. Размер: 29кб.

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1. Lolita. Part Two. Chapters 1 - 2
Входимость: 6. Размер: 49кб.
Часть текста: sleep, argument, reconciliation, insatiable illicit love. At first, in my dread of arousing suspicion, I would eagerly pay for both sections of one double unit, each containing a double bed. I wondered what type of foursome this arrangement was even intended for, since only a pharisaic parody of privacy could be attained by means of the incomplete partition dividing the cabin or room into two communicating love nests. By and by, the very possibilities that such honest promiscuity suggested (two young couples merrily swapping mates or a child shamming sleep to earwitness primal sonorities) made me bolder, and every now and then I would take a bed-and-cot or twin-bed cabin, a prison cell or paradise, with yellow window shades pulled down to create a morning illusion of Venice and sunshine when actually it was Pennsylvania and rain. We came to know nous connmes,   to use a Flaubertian intonationthe stone cottages under enormous Chateaubriandesque trees, the brick unit, the adobe unit, the stucco court, on what the Tour Book of the Automobile Association describes as “shaded” or “spacious” or “landscaped” grounds. The log kind, finished in knotty pine, reminded Lo, by its golden-brown glaze, of friend-chicken bones. We held in contempt the plain whitewashed clapboard Kabins, with their faint sewerish smell or some other gloomy self-conscious stench and nothing to boast of (except “good beds”), and an unsmiling landlady always prepared to have her gift (“…well, I could give you…”) turned down. Nous connmes   (this is royal fun) the would-be enticements of their repetitious namesall those Sunset Motels, U-Beam Cottages, Hillcrest Courts, Pine View Courts, ...
2. Lolita. Part One. Chapters 1 - 8
Входимость: 5. Размер: 53кб.
Часть текста: of the tongue taking a trip of three steps down the palate to tap, at three, on the teeth. Lo. Lee. Ta. She was Lo, plain Lo, in the morning, standing four feet ten in one sock. She was Lola in slacks. She was Dolly at school. She was Dolores on the dotted line. But in my arms she was always Lolita. Did she have a precursor? She did, indeed she did. In point of fact, there might have been no Lolita at all had I not loved, one summer, a certain initial girl-child. In a princedom by the sea. Oh when? About as many years before Lolita was born as my age was that summer. You can always count on a murderer for a fancy prose style. Ladies and gentlemen of the jury, exhibit number one is what the seraphs, the misinformed, simple, noble-winged seraphs, envied. Look at this tangle of thorns. 2 I was born in 1910, in Paris. My father was a gentle, easy-going person, a salad of racial genes: a Swiss citizen, of mixed French and Austrian descent, with a dash of the Danube in his veins. I am going to pass around in a minute some lovely, glossy-blue picture-postcards. He owned a luxurious hotel on the Riviera. His father and two grandfathers had sold wine, jewels and silk, respectively. At thirty he married an English girl, daughter of Jerome Dunn, the alpinist, and granddaughter of two Dorset parsons, experts in obscure subjectspaleopedology and Aeolian harps, respectively. My very photogenic mother died in a freak accident (picnic, lightning)...
3. Articles about butterflies
Входимость: 2. Размер: 35кб.
Часть текста: at last, Telluride turned out to be a damp, unfrequented, but very spectacular cul-de-sac (which a prodigious rainbow straddied every evening) at the end of two converging roads, one from Placerville, the other from Dolores, both atrocious. There is one motel, the optimistic and excellent Valley View Court where my wife and I stayed, at 9,000 feet altitude, from the 3rd to the 29th of July, walking up daily to at least 12,000 feet along various more or less steep trails in search of sublivens. Once or twice Mr. Homer Reid of Telluride took us up in his jeep. Every morning the sky would be of an impeccable blue at 6 a. m. when I set out. The first innocent cloudlet would scud across at 7: 30 a. m. Bigger fellows with darker bellies would start tampering with the sun around 9 a. m., just as we emerged from the shadow of the cliffs and trees onto good hunting grounds. Everything would be cold and gloomy half an hour later. At around 10 a. m. there would come the daily electric storm, in several installments, accompanied by the most irritatingly close lightning I have ever encountered anywhere in the Rockies, not excepting Longs Peak, which is saying a good deal,...
4. Lolita. Part One. Chapters 23 - 27
Входимость: 2. Размер: 59кб.
Часть текста: rushed out. The far side of our steep little street presented a peculiar sight. A big black glossy Packard had climbed Miss Opposite’s sloping lawn at an angle from the sidewalk (where a tartan laprobe had dropped in a heap), and stood there, shining in the sun, its doors open like wings, its front wheels deep in evergreen shrubbery. To the anatomical right of this car, on the trim turn of the lawn-slope, an old gentleman with a white mustache, well-dresseddouble-breasted gray suit, polka-dotted bow-tielay supine, his long legs together, like a death-size wax figure. I have to put the impact of an instantaneous vision into a sequence of words; their physical accumulation in the page impairs the actual flash, the sharp unity of impression: Rug-heap, car, old man-doll, Miss O.’s nurse running with a rustle, a half-empty tumbler in her hand, back to the screened porchwhere the propped-up, imprisoned, decrepit lady herself may be imagined screeching, but not loud enough to drown the rhythmical yaps of the Junk setter walking from group to groupfrom a bunch of neighbors already collected on the sidewalk, near the bit of checked stuff, and back to the car which he had finally run to earth, and then to another group on the lawn, consisting of Leslie, two policemen and a sturdy man with tortoise shell glasses. At this point, I should explain that the prompt appearance of the patrolmen, hardly more than a minute after the accident, was...
5. Эссе о драматургии ("Playwriting", на английском языке)
Входимость: 2. Размер: 59кб.
Часть текста: America in May of 1940; except for some brief guest appearances, this was Father's first lecturing engagement at an American university. The Stanford course also included a discussion of some American plays, a survey of Soviet theatre, and an analysis of commentary on drama by several American critics. The two lectures presented here have been selected to accompany Nabokov's plays because they embody, in concentrated form, many of his principal guidelines for writing, reading, and performing plays. The reader is urged to bear in mind, however, that, later in life, Father might have expressed certain thoughts differently. The lectures were partly in typescript and partly in manuscript, replete with Nabokov's corrections, additions, deletions, occasional slips of the pen, and references to previous and subsequent installments of the course. I have limited myself to what editing seemed necessary for the presentation of the lectures in essay form. If Nabokov had been alive, he might perhaps have performed more radical surgery. He might also have added that the gruesome throes of realistic suicide he finds unacceptable onstage (in "The Tragedy of Tragedy") are now everyday fare on kiddies' TV, while "adult" entertainment has long since outdone all the goriness of the Grand Guignol. He might have observed that the aberrations of theatrical method wherein the illusion of a barrier between stage and audience is shattered - a phenomenon he considered "freakish" - are now commonplace: actors wander and mix; the audience is invited to participate; it is then applauded by...
6. Eugene Onegin. A Novel in Verse by Aleksandr Pushkin. Chapter five
Входимость: 2. Размер: 54кб.
Часть текста: in a flat sledge inaugurates the track;   his naggy, having sensed the snow,   4  shambles at something like a trot.   Plowing up fluffy furrows,   a bold kibitka flies:   the driver sits upon his box   8  in sheepskin coat, red-sashed.   Here runs about a household lad,   upon a hand sled having seated “blackie,”   having transformed himself into the steed; 12  the scamp already has frozen a finger.   He finds it both painful and funny — while   his mother, from the window, threatens him... III   But, maybe, pictures of this kind   will not attract you;   all this is lowly nature;   4  there is not much refinement here.   Warmed by the god of inspiration,   another poet in luxurious language   for us has painted the first snow   8  and all the shades of winter's delectations. 27   He'll captivate you, I am sure of it,   when he depicts in flaming verses   secret promenades in sleigh; 12  but I have no intention of contending   either with him at present or with you,   singer of the young Finnish Maid! 28 IV   Tatiana (being Russian   at heart, herself not knowing why)   loved, in all its cold beauty,   4  a Russian winter:   rime in the sun upon a frosty day,   and sleighs, and, at late dawn,   the radiance of the rosy snows,   8  and gloam of Twelfthtide eves.   Those evenings in the ancient fashion   were celebrated in their house:   the servant girls from the whole stead 12  told their young ladies' fortunes   and every year made prophecies to them   of military husbands and the march. V...
7. Lolita. Part Two. Chapters 3 - 8
Входимость: 2. Размер: 54кб.
Часть текста: To the wonderland I had to offer, my fool preferred the corniest movies, the most cloying fudge. To think that between a Hamburger and a Humburger, she wouldinvariably, with icy precisionplump for the former. There is nothing more atrociously cruel than an adored child. Did I mention the name of that milk bar I visited a moment ago? It was, of all things, The Frigid Queen. Smiling a little sadly, I dubbed her My Frigid Princess. She did not see the wistful joke. Oh, d not scowl at me, reader, I do not intend to convey the impressin that I did not manage to be happy. Readeer must understand that in the possession and thralldom of a nymphet the enchanted traveler stands, as it were, beyond happiness.   For there is no other bliss on earth comparable to that of fondling a nymphet. It is hors   concours  , that bliss, it belongs to another class, another plane of sensitivity. Despite our tiffs, despite her nastiness, despite all the fuss and faces she made, and the vulgarity, and the danger, and the horrible hopelessness of it all, I still dwelled deep in my elected paradisea paradise whose skies were the color of hell-flamesbut still a paradise. The able psychiatrist who studies my caseand whom by now Dr. Humbert has plunged, I trust, into a state of leporine fascinationis no doubt anxious to have me take Lolita to the seaside and have me find there, at last, the “gratification” of a lifetime urge, and release from the “subconscious” obsession of an incomplete childhood romance with the initial little Miss Lee. Well, comrade, let me tell you that I did   look for a beach, though I also have to confess that...
8. Интервью Набокова на английском языке. Vogue, 1969 г.
Входимость: 2. Размер: 11кб.
Часть текста: quite a role in your fiction. Are they for amusement or do they serve yet another purpose? Deception is practiced even more beautifully by that other V. N., Visible Nature. A useful purpose is assigned by science to animal mimicry, protective patterns and shapes, yet their refinement transcends the crude purpose of mere survival. In art, an individual style is essentially as futile and as organic as a fata morgana. The sleight-of-hand you mention is hardly more than an insect's sleight-of-wing. A wit might say that it protects me from half-wits. A grateful spectator is content to applaud the grace with which the masked performer melts into Nature's background. In your autobiography. Speak, Memory, you describe a series of concurrent, insignificant events around the world "forming an instantaneous and transparent organism of events, " of which the poet (sitting in a lawn chair at lthaca. New York) is the nucleus. How does this open out on your larger belief in the precedence of the imagination over the mind? The simultaneousness of these random events, and indeed the fact of their occurring at all as described by the central percipient, would only then conform to "reality" if he had at his disposal the apparatus to reproduce those events optically within the frame of one screen; but the central figure in the passage you quote is not equipped with any kind of video attached to his lawn chair and must therefore rely on the power of pure imagination. Incidentally, I tend more and more to regard the objective existence of all events as a form of impure imagination-- hence my inverted commas around "reality." Whatever the mind grasps, it does so with the assistance of creative fancy, that drop of...
9. Чарльз Кинбот: Серебристый свет. Подлинная жизнь Владимира Набокова. Chapter Six. This Hovering Honeyed Mist
Входимость: 1. Размер: 10кб.
Часть текста: car. (For those readers keen on fatidic dates, I note that this was the 2nd of July.) Nowadays I drive a powerful white Volvo station wagon, and the trip from Cedarn to Lincoln, pleasantly free from state troopers and jack-knifed semis, was effected beneath cloudless skies in under five hours. In keeping with her name, and contrary to the description I had received of her as frailly skeletal, Madame Fat was fat. When she answered her door, this fact created a burst of cognitive dissonance that momentarily struck me dumb: I would have had no problem referring to a bony Asian lady as Madame Fat to her face, but calling a fat woman Fat strayed well beyond the bounds of my personal sense of decorum. I quickly began considering a series of alternative pronunciations, Faht, Fate, Fuht, when she beamed at me and said: “You Doktah Keenbote! Come een, come een, welcome!” Her speech was a weird blend of lazy American vowels and razor-sharp “e’”s that made the skin of her ample amber-colored face assume a series of bizarre distortions. I guessed that this had to be she and settled, sounding like some inept grandee, for plain “Madame.” She ushered me unceremoniously into her...
10. Lolita. Part Two. Chapters 27 - 31
Входимость: 1. Размер: 46кб.
Часть текста: to glimpse something of its contents through a glassed slit. Several times already, a trick of harlequin light that fell through the glass upon an alien handwriting had twisted it into a semblance of Lolita’s script causing me almost to collapse as I leant against an adjacent urn, almost my own. Whenever that happenedwhenever her lovely, childish scrawl was horribly transformed into the dull hand of one of my few correspondentsI used to recollect, with anguished amusement, the times in my trustful, pre-dolorian past when I would be misled by a jewel-bright window opposite wherein my lurking eye, the ever alert periscope of my shameful vice, would make out from afar a half-naked nymphet stilled in the act of combing her Alice-in-Wonderland hair. There was in the fiery phantasm a perfection which made my wild delight also perfect, just because the vision was out of reach, with no possibility of attainment to spoil it by the awareness of an appended taboo; indeed, it may well be that the very attraction immaturity has for me lies not so much in the limpidity of pure young forbidden fairy child beauty as in the security of a situation where infinite perfections fill the gap between the little given and the great promisedthe great rosegray never-to-be-had. Mes fentres!   Hanging above blotched sunset and welling night, ...