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А Б В Г Д Е Ж З И Й К Л М Н О П Р С Т У Ф Х Ц Ч Ш Щ Э Ю Я
0-9 A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
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1. Lolita. Part One. Chapters 18 - 22
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2. Lolita. Part Two. Chapters 3 - 8
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3. Lolita. Part Two. Chapters 1 - 2
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4. Eugene Onegin. A Novel in Verse by Aleksandr Pushkin. Chapter seven
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5. Eugene Onegin. A Novel in Verse by Aleksandr Pushkin. Chapter one
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6. Lolita. Part Two. Chapters 17 - 21
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7. Интервью Набокова на английском языке. The Paris Review, 1967 г.
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8. Чарльз Кинбот: Серебристый свет. Подлинная жизнь Владимира Набокова. Chapter One. On Visiting Nabokov's Tomb
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9. Набоков Дмитрий: Отцовские бабочки. Интервью данное Брайеном Бойдом журналу BOMB Magazine
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10. Eugene Onegin. A Novel in Verse by Aleksandr Pushkin. Chapter five
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11. Чарльз Кинбот: Серебристый свет. Подлинная жизнь Владимира Набокова. Chapter Eight. Dying Is No Fun
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12. Lolita. Part Two. Chapters 22 - 26
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13. Anniversary notes
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14. Lolita. Part Two. Chapters 27 - 31
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15. Lolita. Part One. Chapters 9 - 11
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16. Комментарий к роману "Евгений Онегин". Приложение II. Заметки о просодии
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17. Утгоф Г.М.: «Audiatur et altera pars» - к проблеме «Набоков и Лоуэлл»
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18. Интервью Набокова на английском языке. Vogue, 1969 г.
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19. Интервью Набокова на английском языке. Wisconsin Studies, 1967 г.
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20. Интервью Набокова на английском языке. TV-13 NY, 1965 г.
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21. Бартон Д.Д.: Миры и антимиры Владимира Набокова. Часть II. Набоков — анаграммист
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22. Rowe's symbols
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23. Lolita. Part Two. Chapters 32 - 36
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24. Интервью Набокова на английском языке. BBC Television, 1962 г.
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25. Ада, или Эротиада (перевод О. М. Кириченко). Часть первая. Глава 2
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26. Интервью Набокова на английском языке. The New York Times, 1971 г.
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27. Чарльз Кинбот: Серебристый свет. Подлинная жизнь Владимира Набокова. Chapter Three. Mashen'ka
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28. Вне Лолиты: Вновь открывая Набокова. (Проект CNN, 1999 г.). The Writer
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29. Здесь говорят по-русски (перевод С. Сакуна)
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30. Lolita. Part One. Chapters 23 - 27
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31. Lolita. Part One. Chapters 12 - 17
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32. Польская С.: О рассказе Владимира Набокова "Пасхальный дождь"
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33. Eugene Onegin. A Novel in Verse by Aleksandr Pushkin. Chapter six
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34. Eugene Onegin. A Novel in Verse by Aleksandr Pushkin. Fragments of Onegin's journey
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35. Eugene Onegin. A Novel in Verse by Aleksandr Pushkin. Chapter four
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36. Интервью Набокова на английском языке. The New York Times Book Review, 1968 г.
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37. Eugene Onegin. A Novel in Verse by Aleksandr Pushkin. Chapter eight
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38. Nabokov: from lepidopterology to "Lolita"
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39. Набоков Дмитрий: Отцовские бабочки. Отцовские бабочки. Father's Butterflies (английский язык)
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1. Lolita. Part One. Chapters 18 - 22
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Часть текста: of vivid vermeil; but I knew I would not dare be too tender with cornered Lolita yet, and therefore agreed it was not worth while tearing the child away from her beloved Camp Q. My soi-disant   passionate and lonely Charlotte was in everyday life matter-of-fact and gregarious. Moreover, I discovered that although she could not control her heart or her cries, she was a woman of principle. Immediately after she had become more or less my mistress (despite the stimulants, her “nervous, eager chri  a heroic chri   !  had some initial trouble, for which, however, he amply compensated her by a fantastic display of old-world endearments), good Charlotte interviewed me about my relations with God. I could have answered that on that score my mind was open; I said, insteadpaying my tribute to a pious platitudethat I believed in a cosmic spirit. Looking down at her fingernails, she also asked me had I not in my family a certain strange strain. I countered by inquiring whether she would still want to marry me if my father’s maternal grandfather had been, say, a Turk. She said it did not matter a bit; but that, if she ever found out I did not believe in Our Christian God, she would commit suicide. She said it so solemnly that it gave me the creeps. It was then I knew she was a woman of principle. Oh, she was very genteel: she said “excuse me” whenever a slight burp interrupted her flowing speech, called an envelope and ahnvelope, and when talking to her lady-friends referred to me as Mr. Humbert. I thought it would please her if I entered the community trailing some glamour after me. On the day of our wedding a little interview with...
2. Lolita. Part Two. Chapters 3 - 8
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Часть текста: it with a shrug of amused distaste; and it seemed to me now that she was ready to turn away from it with something akin to plain repulsion. Never did she vibrate under my touch, and a strident “what d’you think you are doing?” was all I got for my pains. To the wonderland I had to offer, my fool preferred the corniest movies, the most cloying fudge. To think that between a Hamburger and a Humburger, she wouldinvariably, with icy precisionplump for the former. There is nothing more atrociously cruel than an adored child. Did I mention the name of that milk bar I visited a moment ago? It was, of all things, The Frigid Queen. Smiling a little sadly, I dubbed her My Frigid Princess. She did not see the wistful joke. Oh, d not scowl at me, reader, I do not intend to convey the impressin that I did not manage to be happy. Readeer must understand that in the possession and thralldom of a nymphet the enchanted traveler stands, as it were, beyond happiness.   For there is no other bliss on earth comparable to that of fondling a nymphet. It is hors   concours  , that bliss, it belongs to another class, another plane of sensitivity. Despite our tiffs, despite her nastiness, despite all the fuss and faces she made, and the vulgarity, and the danger, and the horrible hopelessness of it all, I still dwelled deep in my elected paradisea paradise whose skies were the color of hell-flamesbut still a paradise. The able psychiatrist who studies my caseand whom by now Dr. Humbert has plunged, I trust, into a state of leporine...
3. Lolita. Part Two. Chapters 1 - 2
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Часть текста: in my dread of arousing suspicion, I would eagerly pay for both sections of one double unit, each containing a double bed. I wondered what type of foursome this arrangement was even intended for, since only a pharisaic parody of privacy could be attained by means of the incomplete partition dividing the cabin or room into two communicating love nests. By and by, the very possibilities that such honest promiscuity suggested (two young couples merrily swapping mates or a child shamming sleep to earwitness primal sonorities) made me bolder, and every now and then I would take a bed-and-cot or twin-bed cabin, a prison cell or paradise, with yellow window shades pulled down to create a morning illusion of Venice and sunshine when actually it was Pennsylvania and rain. We came to know nous connmes,   to use a Flaubertian intonationthe stone cottages under enormous Chateaubriandesque trees, the brick unit, the adobe unit, the stucco court, on what the Tour Book of the Automobile Association describes as “shaded” or “spacious” or...
4. Eugene Onegin. A Novel in Verse by Aleksandr Pushkin. Chapter seven
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Часть текста: of the field. 12  The dales grow dry and varicolored.   The herds are noisy, and the nightingale   has sung already in the hush of nights. II   How sad your apparition is to me,   spring, spring, season of love!   What a dark stir there is   4  in my soul, in my blood!   With what oppressive tenderness   I revel in the whiff   of spring fanning my face   8  in the lap of the rural stillness!   Or is enjoyment strange to me,   and all that gladdens, animates,   all that exults and gleams, 12  casts spleen and languishment   upon a soul long dead   and all looks dark to it? III   Or gladdened not by the return   of leaves that perished in the autumn,   a bitter loss we recollect,   4  harking to the new murmur of the woods;   or with reanimated nature we   compare in troubled thought   the withering of our years,   8  for which there is no renovation?   Perhaps there comes into our thoughts,   midst a poetical reverie,   some other ancient spring, 12  which sets our heart aquiver   with the dream of a distant clime,   a marvelous night, a moon.... IV   Now is the time: good lazybones,   epicurean sages; you,   equanimous fortunates;   4  you, fledglings of the Lyóvshin 41 school;   you, country Priams;   and sentimental ladies, you;   spring calls you to the country,   8  season of warmth, of flowers, of labors,   of inspired rambles,   and of seductive nights.   Friends! to the fields, quick, quick; 12  in heavy loaden chariots;   with your own...
5. Eugene Onegin. A Novel in Verse by Aleksandr Pushkin. Chapter one
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Часть текста: of a fine soul   full of a holy dream,   of live and limpid poetry,   8  of high thoughts and simplicity.   But so be it. With partial hand   take this collection of pied chapters:   half droll, half sad, 12  plain-folk, ideal,   the careless fruit of my amusements,   insomnias, light inspirations,   unripe and withered years, 16  the intellect's cold observations,   and the heart's sorrowful remarks. CHAPTER ONE To live it hurries and to feel it hastes. Prince Vyazemski I   “My uncle has most honest principles:   when he was taken gravely ill,   he forced one to respect him   4  and nothing better could invent.   To others his example is a lesson;   but, good God, what a bore to sit   by a sick person day and night, not stirring   8  a step away!   What base perfidiousness   to entertain one half-alive,   adjust for him his pillows, 12  sadly serve him his medicine,   sigh — and think inwardly   when will the devil take you?” II   Thus a young scapegrace thought   as with post horses in the dust he flew,   by the most lofty will of Zeus   4  the heir of all his kin.   Friends of Lyudmila and Ruslan!   The hero of my novel,   without preambles, forthwith,   8  I'd like to have you meet:   Onegin, a good pal of mine,   was born upon the Neva's banks,   where maybe you were born, 12  or used to shine, my reader!   There formerly I too promenaded —   but harmful is the North to me. 1 III   Having served excellently,...
6. Lolita. Part Two. Chapters 17 - 21
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Часть текста: over the lid and could be securely locked. Once glance sufficed to assure me that it was one of those cheap money boxes called for some reason “luizettas” that you buy in Algiers and elsewhere, and wonder what to do with afterwards. It turned out to be much too flat for holding my bulky chessmen, but I kept itusing it for a totally different purpose. In order to break some pattern of fate in which I obscurely felt myself being enmeshed, I had decideddespite Lo’s visible annoyanceto spend another night at Chestnut Court; definitely waking up at four in the morning, I ascertained that Lo was still sound asleep (mouth open, in a kind of dull amazement at the curiously inane life we all had rigged up for her) and satisfied myself that the precious contents of the “luizetta” were safe. There, snugly wrapped in a white woolen scarf, lay a pocket automatic: caliber. 32, capacity of magazine 8 cartridges, length a little under one ninth of Lolita’s length, stock checked walnut, finish full blued. I had inherited it from the late Harold Haze, with a 1938 catalog which cheerily said in part: “Particularly well adapted for use in the home and car as well as on the person.” There it lay, ready for instant service on the person or persons, loaded and fully cocked with the slide lock in...
7. Интервью Набокова на английском языке. The Paris Review, 1967 г.
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Часть текста: rest (asterisked) were mailed to me by George A. Plimpton. The combined set appeared in The Paris Review of October, 1967. Good morning. Let me ask forty-odd questions. Good morning. I am ready. Your sense of the immorality of the relationship between Humbert Humbert and Lolita is very strong. In Hollywood and New York, however, relationships are frequent between men of forty and girls very little older than Lolita. They marry-- to no particular public outrage; rather, public cooing. No, it is not my sense of the immorality of the Humbert Humbert-Lolita relationship that is strong; it is Humbert's sense. He cares, I do not. I do not give a damn for public morals, in America or elsewhere. And, anyway, cases of men in their forties marrying girls in their teens or early twenties have no bearing on Lolita whatever. Humbert was fond of "little girls"-- not simply "young girls." Nymphets are girl-children, not starlets and "sex kittens." Lolita was twelve, not eighteen,...
8. Чарльз Кинбот: Серебристый свет. Подлинная жизнь Владимира Набокова. Chapter One. On Visiting Nabokov's Tomb
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Часть текста: of my editor, to forego this tiresome ritual. Every word, every thought, every mark of punctuation in this work is my own, except where stated otherwise according to the dictates of careful scholarship. Certainly the comments (solicited or not) of many persons have guided me in perfecting my book, but only insofar as they served as signposts of exactly the type of tired tripe I wished to avoid. The most common of these was a chilly "You can't do that," as if my book were violating some immemorial cosmic law. For all their carping about institutional constraints on the freedom of their thought and work, my fellow academicians (and even many of you, self-styled "Nabokovians") have revealed themselves to be virulently censorial when confronted by the weird fruit of my research. Few things are more depressing to an intelligent person than the revelation that a whole league of supposedly enlightened literati is in fact a mob of petulant nitwits. Chapter One On Visiting Nabokov's Tomb   "Biography is a form of murder." -- J. Tenier The cemetery of the Centre Funéraire St. Martin is bordered on three sides by a tall wrought-iron fence (whose black bars are spaced widely enough to permit the passage of a small child) and on the fourth by a pine and birch forest which extends over the summit of the hill and descends to meet the right bank of Lac Léman six and a half kilometers to the north. The gate stands (usually unlocked) across a pebbled footpath that begins at the stairhead of the uppermost of several contiguous flights (equal in...
9. Набоков Дмитрий: Отцовские бабочки. Интервью данное Брайеном Бойдом журналу BOMB Magazine
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Часть текста: Horowitz Bookseller, 1999). Courtesy the Estate of Vladimir Nabokov. A commentator from a distant southern land that begins with Z composes an outlandish elucidation of another man's masterpiece. His startling, perhaps outrageous claims upset certain entrenched academic specialists, and he must flee (a world tour, a centenary), and undergo the ordeals of exile before coming to rest, in some almost successful disguise—as a professor of English at the University of Auckland, New Zealand. An unlikely plot, but the real story is no less exceptional: Brian Boyd, author of the prize-winning two-volume biography, Vladimir Nabokov: The Russian Years and Vladimir Nabokov: The American Years, and of Nabokov's Ada: The Place of Consciousness and the just-released Nabokov's Pale Fire: The Magic of Artistic Discovery, is a scholar who changed his mind. Writing in The New York Observer on Boyd's 'remarkable, obsessive, delirious, devotional study, Nabokov's Pale Fire,' Ron Rosenbaum called him 'an ornament of the accidents and possibilities of Nabokov scholarship' and praised him 'for having the courage and humility to retract an earlier conjecture and the imaginative daring' to (as Boyd himself might put it) re-re-reread Pale Fire. Nabokov's 1962 novel takes the form of an introduction by a scholar named Charles Kinbote; a lucid 999-line poem by an American poet named John Shade; and a commentary and index by Kinbote, whose attention veers continually from the poem to his own unsatisfactory life, from John Shade's homely metaphysics and painful autobiography to what must be his own entirely irrelevant fantasy—unless he really is Charles the Beloved, the deposed King of Zembla; and that unless unlocks only the first in a series of secret passages. From the dedication copy of Pale Fire, inscribed by Nabokov for his wife Vera. Image from...
10. Eugene Onegin. A Novel in Verse by Aleksandr Pushkin. Chapter five
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Часть текста: Plowing up fluffy furrows,   a bold kibitka flies:   the driver sits upon his box   8  in sheepskin coat, red-sashed.   Here runs about a household lad,   upon a hand sled having seated “blackie,”   having transformed himself into the steed; 12  the scamp already has frozen a finger.   He finds it both painful and funny — while   his mother, from the window, threatens him... III   But, maybe, pictures of this kind   will not attract you;   all this is lowly nature;   4  there is not much refinement here.   Warmed by the god of inspiration,   another poet in luxurious language   for us has painted the first snow   8  and all the shades of winter's delectations. 27   He'll captivate you, I am sure of it,   when he depicts in flaming verses   secret promenades in sleigh; 12  but I have no intention of contending   either with him at present or with you,   singer of the young Finnish Maid! 28 IV   Tatiana (being Russian   at heart, herself not knowing why)   loved, in all its cold beauty,   4  a Russian winter:   rime in the sun upon a frosty day,   and sleighs, and, at late dawn,   the radiance of the rosy snows,   8  and gloam of Twelfthtide eves.   Those evenings in the ancient fashion   were celebrated in their house:...