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1. Lolita. Part Two. Chapters 17 - 21
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2. Lolita. Part Two. Chapters 9 - 16
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3. Lolita. Part One. Chapters 23 - 27
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4. Lolita. Part Two. Chapters 32 - 36
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5. Lolita. Part One. Chapters 1 - 8
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6. Lolita. Part One. Chapters 12 - 17
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7. Lolita. Part Two. Chapters 22 - 26
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8. Lolita. Part Two. Chapters 27 - 31
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9. Эссе о драматургии ("Playwriting", на английском языке)
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10. Интервью Набокова на английском языке. Wisconsin Studies, 1967 г.
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11. Савельева В.В.: Художественная гипнология и онейропоэтика русских писателей. Приложение
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12. Интервью Набокова на английском языке. Time, 1969 г.
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13. Интервью Набокова на английском языке. TV-13 NY, 1965 г.
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14. Lolita. Part One. Chapters 9 - 11
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15. Lolita. Part One. Chapters 18 - 22
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16. Интервью Набокова на английском языке. Vogue, 1972 г.
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17. Inspiration
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18. Eugene Onegin. A Novel in Verse by Aleksandr Pushkin. Chapter four
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19. Интервью Набокова на английском языке. BBC-2, 1969 г.
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20. Lolita. Part Two. Chapters 1 - 2
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21. Lolita. Part One. Chapters 28 - 33
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22. Lolita. Part Two. Chapters 3 - 8
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23. Интервью Набокова на английском языке. The New York Times, 1969 г.
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24. Интервью Набокова на английском языке. Playboy, 1964 г.
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25. Здесь говорят по-русски (перевод С. Сакуна)
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26. Бренча на клавикордах
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27. Eugene Onegin. A Novel in Verse by Aleksandr Pushkin. Chapter one
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28. Чарльз Кинбот: Серебристый свет. Подлинная жизнь Владимира Набокова. Chapter Eight. Dying Is No Fun
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29. Сакун С. В.: Гамбит Сирина (сборник статей). Шахматный секрет романа В. Набокова "Защита Лужина"
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30. Чарльз Кинбот: Серебристый свет. Подлинная жизнь Владимира Набокова. Chapter Three. Mashen'ka
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31. Розенгрант Дж.: Владимир Набоков и этика изображения. Двуязычная практика
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32. Мельников Н. Г.: О Набокове и прочем. Несовершенное творение, или стрельба дуплетом
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33. The Song of Igor's Campaign, Igor son of Svyatoslav and grandson of Oleg (перевод Набокова)
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34. Федотов О.И.: Между Моцартом и Сальери (о поэтическом даре Набокова). 1.9. Америка. Попытка обрести новую родину
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35. Чарльз Кинбот: Серебристый свет. Подлинная жизнь Владимира Набокова. Chapter Six. This Hovering Honeyed Mist
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36. Савельева В.В.: Художественная гипнология и онейропоэтика русских писателей. Глава шестая. Преследование темы: О композиции сновидений в творчестве В.Набокова
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37. Чарльз Кинбот: Серебристый свет. Подлинная жизнь Владимира Набокова. Chapter One. On Visiting Nabokov's Tomb
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38. Мельников Н. Г.: О Набокове и прочем. Владимир Набоков и взбесившиеся лошади просвещения
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39. Грейсон Джейн: Метаморфозы "Дара"
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40. Интервью Набокова на английском языке. Life, 1964 г.
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41. Долинин Александр: Комментарий к роману Владимира Набокова «Дар». Заглавие и имена героев
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42. Вне Лолиты: Вновь открывая Набокова. (Проект CNN, 1999 г.). The Man
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43. Интервью Набокова на английском языке. BBC Television, 1962 г.
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44. Бабиков А. А.: Прочтение Набокова. Изыскания и материалы. Неподошедшие конечности и недоделанные торсы. Рукопись «Райской птицы» и ранняя редакция «Solus Rex» в замысле «Лолиты»
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45. The Man of To-morrow’s Lament (Жалобная песнь Супермена)
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46. Rowe's symbols
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47. Чарльз Кинбот: Серебристый свет. Подлинная жизнь Владимира Набокова. Chapter Seven. King, Queen, Knave
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48. Мейер Присцилла. "Бледный огонь" Владимира Набокова. 7. Культура: ученые и поэты
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49. Погребная Я.В.: «Плоть поэзии и призрак прозрачной прозы...» - лирика В.В. Набокова. 2. Первое произведение как семиологический факт
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50. Комментарий к роману "Евгений Онегин". Глава четвертая. Пункты XXXIX - LI
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1. Lolita. Part Two. Chapters 17 - 21
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Часть текста: night that my box of chessmen was broken, he sent me next morning, with a little lad of his, a copper case: it had an elaborate Oriental design over the lid and could be securely locked. Once glance sufficed to assure me that it was one of those cheap money boxes called for some reason “luizettas” that you buy in Algiers and elsewhere, and wonder what to do with afterwards. It turned out to be much too flat for holding my bulky chessmen, but I kept itusing it for a totally different purpose. In order to break some pattern of fate in which I obscurely felt myself being enmeshed, I had decideddespite Lo’s visible annoyanceto spend another night at Chestnut Court; definitely waking up at four in the morning, I ascertained that Lo was still sound asleep (mouth open, in a kind of dull amazement at the curiously inane life we all had rigged up for her) and satisfied myself that the precious contents of the “luizetta” were safe. There, snugly wrapped in a white woolen scarf, lay a pocket automatic: caliber. 32, capacity of magazine 8 cartridges, length a little under one ninth of Lolita’s length, stock checked walnut, finish full blued. I had inherited it from the late Harold Haze, with a 1938 catalog which cheerily said in part: “Particularly well adapted for use in the home and car as well as on the person.” There it lay, ready for instant service on the person or persons, loaded and fully cocked with the slide lock in safety position, thus precluding any accidental discharge. We must remember that a pistol is the Freudian symbol of the Ur-father’s central forelimb. I was now glad I had it with meand even more glad that I had learned to use it two years before, in the pine forest around my and Charlotte’s glass lake. Farlow, with whom I had roamed those remote woods, was an admirable marksman, and with his. 38 actually managed to hit a...
2. Lolita. Part Two. Chapters 9 - 16
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Часть текста: Opal Something, and Linda Hall, and Avis Chapman, and Eva Rosen, and Mona Dahl (save one, all these names are approximations, of course). Opal was a bashful, formless, bespectacled, bepimpled creature who doted on Dolly who bullied her. With Linda Hall the school tennis champion, Dolly played singles at least twice a week: I suspect Linda was a true nymphet, but for some unknown reason she did not comewas perhaps not allowed to cometo our house; so I recall her only as a flash of natural sunshine on an indoor court. Of the rest, none had any claims to nymphetry except Eva Rosen. Avis ws a plump lateral child with hairy legs, while Mona, though handsome in a coarse sensual way and only a year older than my aging mistress, had obviously long ceased to be a nymphet, if she ever had been one. Eva Rosen, a displaced little person from France, was on the other hand a good example of a not strikingly beautiful child revealing to the perspicacious amateur some of the basic elements of nymphet charm, such as a perfect pubescent figure and lingering eyes and high cheekbones. Her glossy copper hair had Lolita’s silkiness, and the features of her delicate milky-white face with pink lips and silverfish eyelashes were less foxy than those of her likesthe great clan of intra-racial redheads; nor did she sport their green uniform but wore, as I remember her, a lot of black or cherry darka very smart black pullover, for instance, and high-heeled black shoes, and garnet-red fingernail polish. I spoke French to her (much to Lo’s disgust). The child’s tonalities were still admirably pure, but for school words...
3. Lolita. Part One. Chapters 23 - 27
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Часть текста: angle from the sidewalk (where a tartan laprobe had dropped in a heap), and stood there, shining in the sun, its doors open like wings, its front wheels deep in evergreen shrubbery. To the anatomical right of this car, on the trim turn of the lawn-slope, an old gentleman with a white mustache, well-dresseddouble-breasted gray suit, polka-dotted bow-tielay supine, his long legs together, like a death-size wax figure. I have to put the impact of an instantaneous vision into a sequence of words; their physical accumulation in the page impairs the actual flash, the sharp unity of impression: Rug-heap, car, old man-doll, Miss O.’s nurse running with a rustle, a half-empty tumbler in her hand, back to the screened porchwhere the propped-up, imprisoned, decrepit lady herself may be imagined screeching, but not loud enough to drown the rhythmical yaps of the Junk setter walking from group to groupfrom a bunch of neighbors already collected on the sidewalk, near the bit of checked stuff, and back to the car which he had finally run to earth, and then to another group on the lawn, consisting of Leslie, two policemen and a sturdy man with tortoise shell glasses. At this point, I should explain that the prompt appearance of the patrolmen, hardly more than a minute after the accident, was due to their having been ticketing the illegally parked cars in a cross lane two blocks down the grade; that the fellow with the glasses was Frederick Beale, Jr., driver of the Packard; that his 79-year-old father, whom the nurse had just watered on the green bank...
4. Lolita. Part Two. Chapters 32 - 36
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Часть текста: of helplessness so perfect that it seemed to grade into one of rather comfortable inanity just because this was the very limit of injustice and frustrationand every limit presupposes something beyond ithence the neutral illumination. And when you bear in mind that these were the raised eyebrows and parted lips of a child, you may better appreciate what depths of calculated carnality, what reflected despair, restrained me from falling at her dear feet and dissolving in human tears, and sacrificing my jealousy to whatever pleasure Lolita might hope to derive from mixing with dirty and dangerous children in an outside world that was real to her. And I have still other smothered memories, now unfolding themselves into limbless monsters of pain. Once, in a sunset-ending street of Beardsley, she turned to little Eva Rosen (I was taking both nymphets to a concert and walking behind them so close as almost to touch them with my person), she turned to Eva, and so very serenely and seriously, in answer to something the other had said about its being better to die than hear Milton Pinski, some local schoolboy she knew, talk about music, my Lolita remarked: “You know, what’s so dreadful about dying is that you are completely on your own”; and it struck me, as my automaton knees went up and down,...
5. Lolita. Part One. Chapters 1 - 8
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Часть текста: and gentlemen of the jury, exhibit number one is what the seraphs, the misinformed, simple, noble-winged seraphs, envied. Look at this tangle of thorns. 2 I was born in 1910, in Paris. My father was a gentle, easy-going person, a salad of racial genes: a Swiss citizen, of mixed French and Austrian descent, with a dash of the Danube in his veins. I am going to pass around in a minute some lovely, glossy-blue picture-postcards. He owned a luxurious hotel on the Riviera. His father and two grandfathers had sold wine, jewels and silk, respectively. At thirty he married an English girl, daughter of Jerome Dunn, the alpinist, and granddaughter of two Dorset parsons, experts in obscure subjectspaleopedology and Aeolian harps, respectively. My very photogenic mother died in a freak accident (picnic, lightning) when I was three, and, save for a pocket of warmth in the darkest past, nothing of her subsists within the hollows and dells of memory, over which, if you can still stand my style (I am writing under observation), the sun of my infancy had set: surely, you all know those redolent remnants of day suspended, with the midges, about some hedge in bloom or suddenly entered and traversed by the rambler, at the bottom of a hill, in the summer ...
6. Lolita. Part One. Chapters 12 - 17
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Часть текста: me with a dull pain in the very root of my being. I knew exactly what I wanted to do, and how to do it, without impinging on a child’s chastity; after all, I had had some   experience in my life of pederosis; had visually possessed dappled nymphets in parks; had wedged my wary and bestial way into the hottest, most crowded corner of a city bus full of straphanging school children. But for almost three weeks I had been interrupted in all my pathetic machinations. The agent of these interruptions was usually the Haze woman (who, as the reader will mark, was more afraid of Lo’s deriving some pleasure from me than of my enjoying Lo). The passion I had developed for that nymphetfor the first nymphet in my life that could be reached at last by my awkward, aching, timid clawswould have certainly landed me again in a sanatorium, had not the devil realized that I was to be granted some relief if he wanted to have me as a plaything for some time longer. The reader has also marked the curious Mirage of the Lake. It would have been logical on the part of Aubrey McFate (as I would like to dub that devil of mine) to arrange a small treat for me on the promised beach, in the presumed forest. Actually, the promise Mrs. Haze had made was a fraudulent one: she had not told me that Mary Rose Hamilton (a dark little beauty in her own right) was to come too, and that the two nymphets would be whispering apart, and playing apart, and having a good time all by themselves, while Mrs. Haze and her handsome lodger conversed sedately in the...
7. Lolita. Part Two. Chapters 22 - 26
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Часть текста: oh, how different things were now! I am not referring to Trapp or Trapps. After allwell, really… After all, gentlemen, it was becoming abundantly clear that all those identical detectives in prismatically changing cars were figments of my persecution mania, recurrent images based on coincidence and chance resemblance. Soyons   logiques  , crowed the cocky Gallic part of my brainand proceeded to rout the notion of a Lolita-maddened salesman or comedy gangster, with stooges, persecuting me, and hoaxing me, and otherwise taking riotous advantage of my strange relations with the law. I remember humming my panic away. I remember evolving even an explanation of the “Birdsley” telephone call… But if I could dismiss Trapp, as I had dismissed my convulsions on the lawn at Champion, I could do nothing with the anguish of knowing Lolita to be so tantalizingly, so miserably unattainable and beloved on the very even of a new era, when my alembics told me she should stop being a nymphet, stop torturing me. An additional, abominable, and perfectly gratuitous worry was lovingly prepared for me in Elphinstone. Lo had been dull and silent during the last laptwo hundred mountainous miles uncontaminated by smoke-gray sleuths or zigzagging zanies. She hardly glanced at the famous, oddly shaped, splendidly flushed rock which jutted above the mountains and had been the take-off for nirvana on the part of a temperamental show girl. The town was newly built, or rebuilt, on the flat floor of a seven-thousand-foot-high valley; it would soon bore Lo, I hoped, and we would spin on to California, to the Mexican border, to mythical bays, ...
8. Lolita. Part Two. Chapters 27 - 31
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Часть текста: in the act of combing her Alice-in-Wonderland hair. There was in the fiery phantasm a perfection which made my wild delight also perfect, just because the vision was out of reach, with no possibility of attainment to spoil it by the awareness of an appended taboo; indeed, it may well be that the very attraction immaturity has for me lies not so much in the limpidity of pure young forbidden fairy child beauty as in the security of a situation where infinite perfections fill the gap between the little given and the great promisedthe great rosegray never-to-be-had. Mes fentres!   Hanging above blotched sunset and welling night, grinding my teeth, I would crowd all the demons of my desire against the railing of a throbbing balcony: it would be ready to take off in the apricot and black humid evening; did take offwhereupon the lighted image would move and Even would revert to a rib, and there would be nothing in the window but an obese partly clad man reading the paper. Since I sometimes won the race between my fancy and nature’s reality, the deception was bearable. Unbearable pain began when chance entered the fray and deprived me of the smile meant for me. “ Savez-vous qu’ dix ans ma petite tait folle de voius?”   said a woman I talked to at a tea in Paris, and the petite   had just married, miles away, and I could not even remember if I had ever noticed her in that garden, next to those tennis courts, a dozen years before. And now likewise, the radiant foreglimpse, the promise of reality, a promise not only to be simulated seductively but also to be nobly heldall this, chance denied mechance and a change to smaller characters on the pale beloved writer’s part. My fancy was both Proustianized and Procrusteanized; for that particular morning, late in September 1952, as I had come down to grope for my mail, the dapper and bilious janitor with whom I was on execrable terms started to complain ...
9. Эссе о драматургии ("Playwriting", на английском языке)
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Часть текста: англ. яз.) Introduction The lectures "The Tragedy of Tragedy" and "Playwriting" were composed for a course on drama that Nabokov gave at Stanford during the summer of 1941. We had arrived in America in May of 1940; except for some brief guest appearances, this was Father's first lecturing engagement at an American university. The Stanford course also included a discussion of some American plays, a survey of Soviet theatre, and an analysis of commentary on drama by several American critics. The two lectures presented here have been selected to accompany Nabokov's plays because they embody, in concentrated form, many of his principal guidelines for writing, reading, and performing plays. The reader is urged to bear in mind, however, that, later in life, Father might have expressed certain thoughts differently. The lectures were partly in typescript and partly in manuscript, replete with Nabokov's corrections, additions, deletions, occasional slips of the pen, and references to previous and subsequent installments of the course. I have limited myself to what editing seemed necessary for the presentation of the lectures in essay form. If Nabokov had been alive, he might perhaps have performed more radical surgery. He might also have added that the...
10. Интервью Набокова на английском языке. Wisconsin Studies, 1967 г.
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Часть текста: Studies in Contemporary Literature, vol. VIII, no. 2, spring 1967) was conducted on September 25, 27, 28, 29, 1966, at Montreux, Switzerland. Mr. Nabokov and his wife have for the last six years lived in an opulent hotel built in 1835, which still retains its nineteenth-century atmosphere. Their suite of rooms is on the sixth floor, overlooking Lake Geneva, and the sounds of the lake are audible through the open doors of their small balcony. Since Mr. Nabokov does not like to talk off the cuff (or "Off the Nabocuff," as he said) no tape recorder was used. Mr. Nabokov ei! ther wrote out his answers to the questions or dictated them to the interviewer; in some instances, notes from the conversation were later recast as formal questions-and-answers. The interviewer was Nabokov's student at Cornell University in 1954, and the references are to Literature 311-312 (MWF, 12), a course on the Masterpieces of European Fiction (Jane Austen, Gogol, Dickens, Flaubert, Tolstoy, Stevenson, Kafka, Joyce, and Proust). Its enrollment had reached four hundred by the time of Nabokov's resignation in 1959. The footnotes to the interview, except where indicated, are provided by the interviewer, Alfred Appel, Jr. For years bibliographers and literary...