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А Б В Г Д Е Ж З И Й К Л М Н О П Р С Т У Ф Х Ц Ч Ш Щ Э Ю Я
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1. The Song of Igor's Campaign, Igor son of Svyatoslav and grandson of Oleg (перевод Набокова)
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2. Lolita. Part Two. Chapters 32 - 36
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3. Lolita. Part One. Chapters 1 - 8
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4. Lolita. Part One. Chapters 18 - 22
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5. Интервью Набокова на английском языке. Wisconsin Studies, 1967 г.
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6. Интервью Набокова на английском языке. The Paris Review, 1967 г.
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7. Набоков Дмитрий: Отцовские бабочки. Интервью данное Брайеном Бойдом журналу BOMB Magazine
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8. Lolita. Part One. Chapters 9 - 11
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9. Lolita. Part One. Chapters 28 - 33
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10. Lolita. Part Two. Chapters 1 - 2
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11. Букс Нора: Эшафот в хрустальном дворце. О русских романах Владимира Набокова. Глава III. Приобщение к таинству
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12. Eugene Onegin. A Novel in Verse by Aleksandr Pushkin. Chapter seven
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13. Чарльз Кинбот: Серебристый свет. Подлинная жизнь Владимира Набокова. Chapter Three. Mashen'ka
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14. Интервью Набокова на английском языке. Novel, 1970 г.
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15. Eugene Onegin. A Novel in Verse by Aleksandr Pushkin. Chapter six
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16. Интервью Набокова на английском языке. The New York Times, 1969 г.
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17. Интервью Набокова на английском языке. Playboy, 1964 г.
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18. Эссе о драматургии ("Playwriting", на английском языке)
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19. Lolita. Part One. Chapters 12 - 17
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20. Интервью Набокова на английском языке. The New York Times Book Review, 1968 г.
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21. Набоков Дмитрий: Отцовские бабочки. Отцовские бабочки. Father's Butterflies (английский язык)
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22. Silentium (Fyodor Tyutchev, перевод Набокова)
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23. Интервью Набокова на английском языке. The Sunday Times, 1969 г.
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24. Чарльз Кинбот: Серебристый свет. Подлинная жизнь Владимира Набокова. Chapter Nine. Zashchita Luzhina
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25. Чарльз Кинбот: Серебристый свет. Подлинная жизнь Владимира Набокова. Chapter Two. An Insipid Incipit
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26. Грейсон Джейн: Метаморфозы "Дара"
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27. Утгоф Г.М.: «Audiatur et altera pars» - к проблеме «Набоков и Лоуэлл»
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28. Набоков В. В., Набокова В. - Маркову В., без даты
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29. Паперно И.: Как сделан "Дар" Набокова
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30. Сакун С. В.: Гамбит Сирина (сборник статей). Шахматно-психологические проблемы романа В. Набокова "Защита Лужина"
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31. The female of lycaeides sublivens nab
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32. Чарльз Кинбот: Серебристый свет. Подлинная жизнь Владимира Набокова. Chapter Seven. King, Queen, Knave
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33. Интервью Набокова на английском языке. Vogue, 1972 г.
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34. Бартон Д.Д.: Миры и антимиры Владимира Набокова. Часть I. Набоков — man of letters
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35. Найман Эрик: Извращения в «Пнине» (Набоков наоборот). Глава 4
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36. Lolita. Part Two. Chapters 9 - 16
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37. Интервью Набокова на английском языке. BBC-2, 1968 г.
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38. Маликова М.: "Первое стихотворение" В. Набокова. Перевод и комментарий
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39. Сакун С. В.: Гамбит Сирина (сборник статей). Шахматный секрет романа В. Набокова "Защита Лужина"
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40. Lolita. Part One. Chapters 23 - 27
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41. Бренча на клавикордах
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42. Eugene Onegin. A Novel in Verse by Aleksandr Pushkin. Fragments of Onegin's journey
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43. Eugene Onegin. A Novel in Verse by Aleksandr Pushkin. Chapter four
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44. Интервью Набокова на английском языке. BBC-2, 1969 г.
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45. Lolita. Part Two. Chapters 27 - 31
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46. Articles about butterflies
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47. Eugene Onegin. A Novel in Verse by Aleksandr Pushkin. Chapter two
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48. Чарльз Кинбот: Серебристый свет. Подлинная жизнь Владимира Набокова. Chapter Six. This Hovering Honeyed Mist
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49. Nabokov: from lepidopterology to "Lolita"
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50. Review by Brian Boyd, Robert Michael Pyle
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1. The Song of Igor's Campaign, Igor son of Svyatoslav and grandson of Oleg (перевод Набокова)
Входимость: 7. Размер: 34кб.
Часть текста: brothers, Boyan did not [really] set ten falcons upon a flock of swans: his own vatic fingers he laid on the live strings,   which then twanged out by themselves a paean to princes. So let us begin, brothers, this tale- from Vladimir of yore to nowadays Igor. who girded his mind with fortitude, and sharpened his heart with manliness; [thus] imbued with the spirit of arms, he led his brave troops against the Kuman land in the name of the Russian land. Boyan apostrophized O Boyan, nigh tingale of the times of old! If you were to trill [your praise of]   these troops,   while hopping, nightingale, over the tre e of thought; [if you were] flying in mind up to the clouds; [if] weaving paeans around these times, [you were] roving the Troyan Trail, across fields onto hills; then the song to be sung of Igor, that grandson of Oleg [, would be]: "No storm has swept falcons across wide fields;   flocks of daws flee toward the Great Don";   or you might intone thus, vatic Boyan, grandson of Veles: "Steeds neigh beyond the Sula; glory rings in Kiev; trumpets blare in Novgorod[-Seversk]; banners are raised in Putivl."   Vsievolod's speech Igor waits for his dear brother Vsevolod. And Wild Bull Vsevolod [arrives and] says to him: "My one brother, one bright brightness, you Igor! We both are Svyatoslav's sons. Saddle, brother, your swift steeds. As to mine, they are ...
2. Lolita. Part Two. Chapters 32 - 36
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Часть текста: had set her funny little heart ona roller rink with some special plastic floor or a movie matinee to which she wanted to go alone), I happened to glimpse from the bathroom, through a chance combination of mirror aslant and door ajar, a look on her face… that look I cannot exactly describe… an expression of helplessness so perfect that it seemed to grade into one of rather comfortable inanity just because this was the very limit of injustice and frustrationand every limit presupposes something beyond ithence the neutral illumination. And when you bear in mind that these were the raised eyebrows and parted lips of a child, you may better appreciate what depths of calculated carnality, what reflected despair, restrained me from falling at her dear feet and dissolving in human tears, and sacrificing my jealousy to whatever pleasure Lolita might hope to derive from mixing with dirty and dangerous children in an outside world that was real to her. And I have still other smothered memories, now unfolding themselves into limbless monsters of pain. Once, in a sunset-ending street of Beardsley, she turned to little Eva Rosen (I was taking both nymphets to a concert and walking behind them so close as almost to touch them with my person), she turned to Eva, and so very serenely and seriously, in answer to something the other had said about its being better to die than hear Milton Pinski, some local schoolboy she knew, talk about music, my Lolita remarked: “You know, what’s so dreadful about dying is that you are completely...
3. Lolita. Part One. Chapters 1 - 8
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Часть текста: on the teeth. Lo. Lee. Ta. She was Lo, plain Lo, in the morning, standing four feet ten in one sock. She was Lola in slacks. She was Dolly at school. She was Dolores on the dotted line. But in my arms she was always Lolita. Did she have a precursor? She did, indeed she did. In point of fact, there might have been no Lolita at all had I not loved, one summer, a certain initial girl-child. In a princedom by the sea. Oh when? About as many years before Lolita was born as my age was that summer. You can always count on a murderer for a fancy prose style. Ladies and gentlemen of the jury, exhibit number one is what the seraphs, the misinformed, simple, noble-winged seraphs, envied. Look at this tangle of thorns. 2 I was born in 1910, in Paris. My father was a gentle, easy-going person, a salad of racial genes: a Swiss citizen, of mixed French and Austrian descent, with a dash of the Danube in his veins. I am going to pass around in a minute some lovely, glossy-blue picture-postcards. He owned a luxurious hotel on the Riviera. His father and two grandfathers had sold wine, jewels and silk, respectively. At thirty he married an English girl, daughter of Jerome Dunn, the alpinist, and granddaughter of two Dorset parsons, experts in obscure subjectspaleopedology and Aeolian harps, respectively. My very photogenic mother died in a freak accident (picnic, lightning) when I was three, and, save for a pocket of warmth in the darkest past, nothing of her subsists within the hollows and dells of memory, over which, if you can still stand my style (I am writing under observation), the sun of my infancy had set: surely, you all know those redolent remnants of day suspended, with the midges, about some hedge in bloom or suddenly entered and traversed by the rambler, at the bottom of a hill, in the ...
4. Lolita. Part One. Chapters 18 - 22
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Часть текста: a tolerant smile; then, my reader, the wedding is generally a “quiet” affair. The bride may dispense with a tiara of orange blossoms securing her finger-tip veil, nor does she carry a white orchid in a prayer book. The bride’s little daughter might have added to the ceremonies uniting H. and H. a touch of vivid vermeil; but I knew I would not dare be too tender with cornered Lolita yet, and therefore agreed it was not worth while tearing the child away from her beloved Camp Q. My soi-disant   passionate and lonely Charlotte was in everyday life matter-of-fact and gregarious. Moreover, I discovered that although she could not control her heart or her cries, she was a woman of principle. Immediately after she had become more or less my mistress (despite the stimulants, her “nervous, eager chri  a heroic chri   !  had some initial trouble, for which, however, he amply compensated her by a fantastic display of old-world endearments), good Charlotte interviewed me about my relations with God. I could have answered that on that score my mind was open; I said, insteadpaying my tribute to a pious platitudethat I believed in a cosmic spirit. Looking down at her fingernails, she also asked me had I not in my family a certain strange strain. I countered by inquiring whether ...
5. Интервью Набокова на английском языке. Wisconsin Studies, 1967 г.
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Часть текста: Contemporary Literature, vol. VIII, no. 2, spring 1967) was conducted on September 25, 27, 28, 29, 1966, at Montreux, Switzerland. Mr. Nabokov and his wife have for the last six years lived in an opulent hotel built in 1835, which still retains its nineteenth-century atmosphere. Their suite of rooms is on the sixth floor, overlooking Lake Geneva, and the sounds of the lake are audible through the open doors of their small balcony. Since Mr. Nabokov does not like to talk off the cuff (or "Off the Nabocuff," as he said) no tape recorder was used. Mr. Nabokov ei! ther wrote out his answers to the questions or dictated them to the interviewer; in some instances, notes from the conversation were later recast as formal questions-and-answers. The interviewer was Nabokov's student at Cornell University in 1954, and the references are to Literature 311-312 (MWF, 12), a course on the Masterpieces of European Fiction (Jane Austen, Gogol, Dickens, Flaubert, Tolstoy, Stevenson, Kafka, Joyce, and Proust). Its enrollment had reached four hundred by the time of Nabokov's resignation in 1959. The footnotes to the interview, except where indicated, are provided by the interviewer, Alfred Appel, Jr. For years bibliographers and literary journalists didn't know whether to group you under "Russian" or "American. "Now that you're living in Switzerland there seems to be complete agreement that you're American. Do you find this kind of distinction at all important regarding your identity as a writer? I have always maintained, even as a schoolboy in Russia, that the nationality of a worthwhile writer is of secondary importance. The more distinctive an insect's aspect, the less apt the taxonomist is to glance first of all at the locality label under the pinned specimen in order to...
6. Интервью Набокова на английском языке. The Paris Review, 1967 г.
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Часть текста: and girls very little older than Lolita. They marry-- to no particular public outrage; rather, public cooing. No, it is not my sense of the immorality of the Humbert Humbert-Lolita relationship that is strong; it is Humbert's sense. He cares, I do not. I do not give a damn for public morals, in America or elsewhere. And, anyway, cases of men in their forties marrying girls in their teens or early twenties have no bearing on Lolita whatever. Humbert was fond of "little girls"-- not simply "young girls." Nymphets are girl-children, not starlets and "sex kittens." Lolita was twelve, not eighteen, when Humbert met her. You may remember that by the time she is fourteen, he refers to her as his "aging mistress." One critic has said about you that "his feelings are like no one else's. " Does this make sense to you? Or does it mean that you know your feelings better than others know theirs? Or that you have discovered yourself at other levels? Or simply that your history is unique? I do not recall that article; but if a critic makes such a...
7. Набоков Дмитрий: Отцовские бабочки. Интервью данное Брайеном Бойдом журналу BOMB Magazine
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Часть текста: the Estate of Vladimir Nabokov. A commentator from a distant southern land that begins with Z composes an outlandish elucidation of another man's masterpiece. His startling, perhaps outrageous claims upset certain entrenched academic specialists, and he must flee (a world tour, a centenary), and undergo the ordeals of exile before coming to rest, in some almost successful disguise—as a professor of English at the University of Auckland, New Zealand. An unlikely plot, but the real story is no less exceptional: Brian Boyd, author of the prize-winning two-volume biography, Vladimir Nabokov: The Russian Years and Vladimir Nabokov: The American Years, and of Nabokov's Ada: The Place of Consciousness and the just-released Nabokov's Pale Fire: The Magic of Artistic Discovery, is a scholar who changed his mind. Writing in The New York Observer on Boyd's 'remarkable, obsessive, delirious, devotional study, Nabokov's Pale Fire,' Ron Rosenbaum called him 'an ornament of the accidents and possibilities of Nabokov scholarship' and praised him 'for having the courage and humility to retract an earlier conjecture and the imaginative daring' to (as Boyd himself might put it) re-re-reread Pale Fire. Nabokov's 1962 novel takes the form of an introduction by a scholar named Charles Kinbote; a lucid 999-line poem by an American poet named John Shade; and a commentary and index by Kinbote, whose attention veers continually from the poem to his own unsatisfactory life, from John Shade's homely metaphysics and painful autobiography to what must be his own entirely irrelevant fantasy—unless he really is Charles the Beloved, the deposed King of Zembla; and that unless unlocks only the first in a series of secret passages. From the dedication copy of Pale Fire, inscribed by Nabokov for his wife Vera. Image from Vera's...
8. Lolita. Part One. Chapters 9 - 11
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Часть текста: other hand, I was urged by a war-time university in New York to complete my comparative history of French literature for English-speaking students. The first volume took me a couple of years during which I put in seldom less than fifteen hours of work daily. As I look back on those days, I see them divided tidily into ample light and narrow shade: the light pertaining to the solace of research in palatial libraries, the shade to my excruciating desires and insomnias of which enough has been said. Knowing me by now, the reader can easily imagine how dusty and hot I got, trying to catch a glimpse of nymphets (alas, always remote) playing in Central Park, and how repulsed I was by the glitter of deodorized career girls that a gay dog in one of the offices kept unloading upon me. Let us skip all that. A dreadful breakdown sent me to a sanatorium for more than a year; I went back to my workonly to be hospitalized again. Robust outdoor life seemed to promise me some relief. One of my favorite doctors, a charming cynical chap with a little brown beard, had a brother, and this brother was about to lead an expedition into arctic Canada. I was attached to it as a “recorder of psychic reactions.” With two young botanists and an old carpenter I shared now and then (never very successfully) the favors of one of our nutritionists, a Dr. Anita Johnsonwho was soon flown back, I am glad to...
9. Lolita. Part One. Chapters 28 - 33
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Часть текста: in her crystal sleep. Jurors! If my happiness could have talked, it would have filled that genteel hotel with a deafening roar. And my only regret today is that I did not quietly deposit key “342” at the office, and leave the town, the country, the continent, the hemisphere,indeed, the globethat very same night. Let me explain. I was not unduly disturbed by her self-accusatory innuendoes. I was still firmly resolved to pursue my policy of sparing her purity by operating only in the stealth of night, only upon a completely anesthetized little nude. Restraint and reverence were still my motto-even if that “purity” (incidentally, thoroughly debunked by modern science) had been slightly damaged through some juvenile erotic experience, no doubt homosexual, at that accursed camp of hers. Of course, in my old-fashioned, old-world way, I, Jean-Jacques Humbert, had taken for granted, when I first met her, that she was as unravished as the stereotypical notion of “normal child” had been since the lamented end of the Ancient World B. C. and its fascinating practices. We are not surrounded in our enlighted era by little slave flowers that can be casually plucked between business and bath as they used to be in the days of the Romans; and we do not, as dignified Orientals did in still more luxurious times, use tiny entertainers fore and aft between the mutton and the rose sherbet. The whole point is that the old link between the adult world and the child world has been completely severed nowadays by new customs and new laws. Despite my having dabbled in psychiatry and social work, I really knew very little about children. After all, Lolita was only twelve, and no matter what...
10. Lolita. Part Two. Chapters 1 - 2
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Часть текста: only a pharisaic parody of privacy could be attained by means of the incomplete partition dividing the cabin or room into two communicating love nests. By and by, the very possibilities that such honest promiscuity suggested (two young couples merrily swapping mates or a child shamming sleep to earwitness primal sonorities) made me bolder, and every now and then I would take a bed-and-cot or twin-bed cabin, a prison cell or paradise, with yellow window shades pulled down to create a morning illusion of Venice and sunshine when actually it was Pennsylvania and rain. We came to know nous connmes,   to use a Flaubertian intonationthe stone cottages under enormous Chateaubriandesque trees, the brick unit, the adobe unit, the stucco court, on what the Tour Book of the Automobile Association describes as “shaded” or “spacious” or “landscaped” grounds. The log kind, finished in knotty pine, reminded Lo, by its golden-brown glaze, of friend-chicken...