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А Б В Г Д Е Ж З И Й К Л М Н О П Р С Т У Ф Х Ц Ч Ш Щ Э Ю Я
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1. Articles about butterflies
Входимость: 14. Размер: 35кб.
2. Интервью Набокова на английском языке. Wisconsin Studies, 1967 г.
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3. Lolita. Part Two. Chapters 9 - 16
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4. Интервью Набокова на английском языке. Playboy, 1964 г.
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5. Lolita. Part One. Chapters 23 - 27
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6. Lolita. Part Two. Chapters 22 - 26
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7. Интервью Набокова на английском языке. The Sunday Times, 1969 г.
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8. Lolita. Part One. Chapters 1 - 8
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9. L. C. Higcins and N. D. Riley
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10. Набоков Дмитрий: Отцовские бабочки. Интервью данное Брайеном Бойдом журналу BOMB Magazine
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11. Чарльз Кинбот: Серебристый свет. Подлинная жизнь Владимира Набокова. Chapter Seven. King, Queen, Knave
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12. On some inaccuracies in klots' field guide
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13. Lolita. Part One. Chapters 9 - 11
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14. Интервью Набокова на английском языке. The New York Times Book Review, 1968 г.
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15. Lolita. Part Two. Chapters 27 - 31
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16. Lolita. Part Two. Chapters 32 - 36
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17. Чарльз Кинбот: Серебристый свет. Подлинная жизнь Владимира Набокова. Chapter Nine. Zashchita Luzhina
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18. Щербак Нина: «Роман Владимира Набокова «Ада»: лабиринты смыслов и обратимость времени»
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19. Lolita. Part One. Chapters 28 - 33
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20. Lolita. Part Two. Chapters 3 - 8
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21. Интервью Набокова на английском языке. Life, 1964 г.
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22. Lolita. Foreword
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23. Lolita. Part Two. Chapters 17 - 21
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24. Review by Brian Boyd, Robert Michael Pyle
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25. Интервью Набокова на английском языке. The New York Times Book Review, 1972 г.
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26. Интервью Набокова на английском языке. The New York Times, 1969 г.
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27. Eugene Onegin. A Novel in Verse by Aleksandr Pushkin. Chapter six
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28. Интервью Набокова на английском языке. Novel, 1970 г.
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29. Lolita. Part One. Chapters 18 - 22
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30. Интервью Набокова на английском языке. BBC Television, 1962 г.
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31. Утгоф Г.М.: «Audiatur et altera pars» - к проблеме «Набоков и Лоуэлл»
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32. Интервью Набокова на английском языке. BBC-2, 1969 г.
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33. Eugene Onegin. A Novel in Verse by Aleksandr Pushkin. Chapter four
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34. Долинин Александр: Комментарий к роману Владимира Набокова «Дар». Глава третья
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35. Anniversary notes
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36. Комментарий к роману "Евгений Онегин". Глава шестая. Эпиграф, пункты I - XX
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37. Розенгрант Дж.: Владимир Набоков и этика изображения. Двуязычная практика
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38. Lolita. Part One. Chapters 12 - 17
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39. Эссе о драматургии ("Playwriting", на английском языке)
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40. Савельева В.В.: Художественная гипнология и онейропоэтика русских писателей. Приложение
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41. Погребная Я.В.: «Плоть поэзии и призрак прозрачной прозы...» - лирика В.В. Набокова. 2. Первое произведение как семиологический факт
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42. Бартон Д.Д.: Миры и антимиры Владимира Набокова. Часть II. Набоков — анаграммист
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43. Интервью Набокова на английском языке. Vogue, 1972 г.
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44. Интервью Набокова на английском языке. Vogue, 1969 г.
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45. Комментарий к роману "Евгений Онегин". Приложение II. Заметки о просодии
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46. Lolita. Part Two. Chapters 1 - 2
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47. Интервью Набокова на английском языке. TV-13 NY, 1965 г.
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48. Комментарий к роману "Евгений Онегин". Предваряющие тексты
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49. Чарльз Кинбот: Серебристый свет. Подлинная жизнь Владимира Набокова. Chapter Three. Mashen'ka
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50. Жаккар Жан-Филипп: От Набокова к Пушкину. Возвышенное в творчестве Даниила Хармса
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1. Articles about butterflies
Входимость: 14. Размер: 35кб.
Часть текста: Articles about butterflies THE FEMALE OF LYCAEIDES SUBLIVENS NAB Last summer (1951) I decided to visit Telluride, San Miguel County, Colorado, in order to search for the unknown female of what I had described as Lycaeides argyrognomon sublivens in 1949 (Bull. Mus. Comp. Zool., vol. 101: p. 513) on the strength of nine males in the Museum of Comparative Zoology, Harvard, which had been taken in the vicinity of Telluride half a century ago. L. sublivens is an isolated southern representative (the only known one south of northwestern Wyoming, southeast of Idaho, and east of California) of the species (the holarctic argyrognomon Berg str.=idas auct.) to which anna Edw., scudderi Edw., aster Edw., and six other nearctic subspecies belong. I bungled my family's vacation but got what I wanted. Owing to rains and floods, especially noticeable in Kansas, most of the drive from New York State to Colorado was entomologically uneventful. When reached at last, Telluride turned out to be a damp, unfrequented, but very spectacular cul-de-sac (which a prodigious rainbow straddied every evening) at the end of two converging roads, one from Placerville, the other from Dolores, both atrocious. There is one motel, the optimistic and excellent Valley View Court where my wife and I stayed, at 9,000 feet altitude, from the 3rd to the 29th of July, walking up daily to at least 12,000 feet along various more or less steep trails in search of sublivens. Once or twice Mr. Homer Reid of Telluride took us up in his jeep. Every morning the sky would be of an impeccable ...
2. Интервью Набокова на английском языке. Wisconsin Studies, 1967 г.
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Часть текста: Their suite of rooms is on the sixth floor, overlooking Lake Geneva, and the sounds of the lake are audible through the open doors of their small balcony. Since Mr. Nabokov does not like to talk off the cuff (or "Off the Nabocuff," as he said) no tape recorder was used. Mr. Nabokov ei! ther wrote out his answers to the questions or dictated them to the interviewer; in some instances, notes from the conversation were later recast as formal questions-and-answers. The interviewer was Nabokov's student at Cornell University in 1954, and the references are to Literature 311-312 (MWF, 12), a course on the Masterpieces of European Fiction (Jane Austen, Gogol, Dickens, Flaubert, Tolstoy, Stevenson, Kafka, Joyce, and Proust). Its enrollment had reached four hundred by the time of Nabokov's resignation in 1959. The footnotes to the interview, except where indicated, are provided by the interviewer, Alfred Appel, Jr. For years bibliographers and literary journalists didn't know whether to group you under "Russian" or "American. "Now that you're living in Switzerland there seems to be complete agreement that you're American. Do you find this kind of distinction at all important regarding your identity as a writer? I have always maintained, even as a schoolboy in Russia, that the nationality of a worthwhile writer is of secondary importance. The more distinctive an insect's aspect, the less apt the taxonomist is to glance first of all at the locality label under the pinned specimen in order to decide which of several vaguely described races it should be assigned to. The writer's art is his real passport. His identity should be immediately recognized by a special pattern or unique coloration. His habitat may confirm the ...
3. Lolita. Part Two. Chapters 9 - 16
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Часть текста: Eva Rosen, a displaced little person from France, was on the other hand a good example of a not strikingly beautiful child revealing to the perspicacious amateur some of the basic elements of nymphet charm, such as a perfect pubescent figure and lingering eyes and high cheekbones. Her glossy copper hair had Lolita’s silkiness, and the features of her delicate milky-white face with pink lips and silverfish eyelashes were less foxy than those of her likesthe great clan of intra-racial redheads; nor did she sport their green uniform but wore, as I remember her, a lot of black or cherry darka very smart black pullover, for instance, and high-heeled black shoes, and garnet-red fingernail polish. I spoke French to her (much to Lo’s disgust). The child’s tonalities were still admirably pure, but for school words and play words she resorted to current American and then a slight Brooklyn accent would crop up in her speech, which was amusing in a little Parisian who went to a select New England school with phoney British aspirations. Unfortunately, despite “that French kid’s uncle” being “a millionaire,” Lo dropped Eva for some reason before I had had time to enjoy in my modest way her fragrant presence in the Humbert open house. The reader knows what importance I attached to having a bevy of page girls, consolation prize nymphets, around my Lolita. For a while, I endeavored to interest my senses in Mona Dahl who was a good deal ...
4. Интервью Набокова на английском языке. Playboy, 1964 г.
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Часть текста: world-renowned author of a sensational bestseller. In the aftermath of this cause celebre, do you ever regret having written Lolita? On the contrary, I shudder retrospectively when I recall that there was a moment, in 1950, and again in 1951, when I was on the point of burning Humbert Humbert's little black diary. No, I shall never regret Lolita. She was like the composition of a beautiful puzzle-- its composition and its solution at the same time, since one is a mirror view of the other, depending on the way you look. Of course she completely eclipsed my other works-- at least those I wrote in English: The Real Life of Sebastian Knight, Bend Sinister, my short stories, my book of recollections; but I cannot grudge her this. There is a queer, tender charm about that mythical nymphet. Though many readers and reviewers would disagree that her charm is tender, few would deny that it is queer-- so much so that when director Stanley Kubrick proposed his plan to make a movie of Lolita, you were quoted as saying, "Of course they'll have to change the...
5. Lolita. Part One. Chapters 23 - 27
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Часть текста: old man-doll, Miss O.’s nurse running with a rustle, a half-empty tumbler in her hand, back to the screened porchwhere the propped-up, imprisoned, decrepit lady herself may be imagined screeching, but not loud enough to drown the rhythmical yaps of the Junk setter walking from group to groupfrom a bunch of neighbors already collected on the sidewalk, near the bit of checked stuff, and back to the car which he had finally run to earth, and then to another group on the lawn, consisting of Leslie, two policemen and a sturdy man with tortoise shell glasses. At this point, I should explain that the prompt appearance of the patrolmen, hardly more than a minute after the accident, was due to their having been ticketing the illegally parked cars in a cross lane two blocks down the grade; that the fellow with the glasses was Frederick Beale, Jr., driver of the Packard; that his 79-year-old father, whom the nurse had just watered on the green bank where he laya banked banker so to speakwas not in a dead faint, but was comfortably and ...
6. Lolita. Part Two. Chapters 22 - 26
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Часть текста: mania, recurrent images based on coincidence and chance resemblance. Soyons   logiques  , crowed the cocky Gallic part of my brainand proceeded to rout the notion of a Lolita-maddened salesman or comedy gangster, with stooges, persecuting me, and hoaxing me, and otherwise taking riotous advantage of my strange relations with the law. I remember humming my panic away. I remember evolving even an explanation of the “Birdsley” telephone call… But if I could dismiss Trapp, as I had dismissed my convulsions on the lawn at Champion, I could do nothing with the anguish of knowing Lolita to be so tantalizingly, so miserably unattainable and beloved on the very even of a new era, when my alembics told me she should stop being a nymphet, stop torturing me. An additional, abominable, and perfectly gratuitous worry was lovingly prepared for me in Elphinstone. Lo had been dull and silent during the last laptwo hundred mountainous miles uncontaminated by smoke-gray sleuths or zigzagging ...
7. Интервью Набокова на английском языке. The Sunday Times, 1969 г.
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Часть текста: to make them as concise as possible. My replies represent unpublished material, should be printed verbatim and in toto, and copyrighted in my name. Answers may be rearranged in whatever order the interviewer car the editor wishes: for example, they may be split, with insertion of the questioner's comments or bits of descriptive matter (but none of the latter material may be ascribed to me). Unprepared remarks, quips, etc., may come from me during the actual colloquy but may nut be published without my approval. The article will be shown to me before publication so as to avoid factual errors {e. g., in names, dates, etc.). Mr. Oakes' article appeared in The Sunday Times on June 22, 1969. As a distinguished entomologist and novelist do you find that your two main preoccupations condition, restrict, or refine your view of the world? What world? Whose world? If we mean the average world of the average newspaper reader in Liverpool, Livorno, or Vilno, then we are dealing in trivial generalities. If, on the other hand, an artist invents his own world, as I think I do, then how can he be said to influence his own understanding of what he has created himself? As soon as we start defining such terms as "the writer," "the world," "the novel," and so on, we slip into a solipsismal abyss where general ideas...
8. Lolita. Part One. Chapters 1 - 8
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Часть текста: style. Ladies and gentlemen of the jury, exhibit number one is what the seraphs, the misinformed, simple, noble-winged seraphs, envied. Look at this tangle of thorns. 2 I was born in 1910, in Paris. My father was a gentle, easy-going person, a salad of racial genes: a Swiss citizen, of mixed French and Austrian descent, with a dash of the Danube in his veins. I am going to pass around in a minute some lovely, glossy-blue picture-postcards. He owned a luxurious hotel on the Riviera. His father and two grandfathers had sold wine, jewels and silk, respectively. At thirty he married an English girl, daughter of Jerome Dunn, the alpinist, and granddaughter of two Dorset parsons, experts in obscure subjectspaleopedology and Aeolian harps, respectively. My very photogenic mother died in a freak accident (picnic, lightning) when I was three, and, save for a pocket of warmth in the darkest past, nothing of her subsists within the hollows and dells of memory, over which, if you can still stand my style (I am writing under observation), the sun of my infancy had set: surely, you all know those redolent remnants of day suspended, with the midges, about some hedge in bloom or suddenly entered and traversed by the rambler, at the bottom of a hill, in the summer dusk; a furry warmth, golden midges. My mother’s elder sister, Sybil, whom a...
9. L. C. Higcins and N. D. Riley
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Часть текста: in a tangle of barbed wire, and to work out the distribution of Evers-mann's Orange Tip or the Edda Ringlet would have proved much harder than mapping the moon. The little maps that the Field Guide does supply for the fauna it covers seem seldom to err. I note that the range of the Twin-spot Fritillary and that of the Idas Blue are incorrectly marked, and I think Nogell's Hairstreak, which reaches Romania from the east, should have been included. Among minor shortcomings is the somewhat curt way in which British butterflies are treated (surely the Norfolk race of the Swallowtail, which is so different from the Swedish, should have received more attention). I would say that alder, rather than spruce, characterizes the habitat of Wolfens-berger's and Thor's Fritillaries. I regret that the dreadful nickname "Admiral" is used instead of the old "Admirable." The new vernacular names are well invented-- and, paradoxically, will be more attractive to the expert wishing to avoid taxonomic controversy when indicating a species than to the youngster who will lap up the Latin in a trice. The checklist of species would have been considerably more appealing if the names of authors had not been omitted (a deplorable practice of commercial origin which impairs a number of recent zoological and botanical manuals in America). The choice of important subspecies among the thousands described in the last hundred years is a somewhat subjective matter and cannot be discussed here. In deciding whether to regard a butterfly as a race of its...
10. Набоков Дмитрий: Отцовские бабочки. Интервью данное Брайеном Бойдом журналу BOMB Magazine
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Часть текста: and he must flee (a world tour, a centenary), and undergo the ordeals of exile before coming to rest, in some almost successful disguise—as a professor of English at the University of Auckland, New Zealand. An unlikely plot, but the real story is no less exceptional: Brian Boyd, author of the prize-winning two-volume biography, Vladimir Nabokov: The Russian Years and Vladimir Nabokov: The American Years, and of Nabokov's Ada: The Place of Consciousness and the just-released Nabokov's Pale Fire: The Magic of Artistic Discovery, is a scholar who changed his mind. Writing in The New York Observer on Boyd's 'remarkable, obsessive, delirious, devotional study, Nabokov's Pale Fire,' Ron Rosenbaum called him 'an ornament of the accidents and possibilities of Nabokov scholarship' and praised him 'for having the courage and humility to retract an earlier conjecture and the imaginative daring' to (as Boyd himself might put it) re-re-reread Pale Fire. Nabokov's 1962 novel takes the form of an introduction by a scholar named Charles Kinbote; a lucid 999-line poem by an American poet named John Shade; and a commentary and index by Kinbote, whose attention veers continually from the...