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А Б В Г Д Е Ж З И Й К Л М Н О П Р С Т У Ф Х Ц Ч Ш Щ Э Ю Я
0-9 A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
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1. Lolita. Part Two. Chapters 27 - 31
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2. Lolita. Part Two. Chapters 17 - 21
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3. Здесь говорят по-русски (перевод С. Сакуна)
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4. Lolita. Part One. Chapters 28 - 33
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5. Lolita. Part Two. Chapters 32 - 36
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6. Интервью Набокова на английском языке. Playboy, 1964 г.
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7. Eugene Onegin. A Novel in Verse by Aleksandr Pushkin. Chapter eight
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8. Интервью Набокова на английском языке. Time, 1969 г.
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9. Lolita. Part One. Chapters 9 - 11
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10. Lolita. Part One. Chapters 1 - 8
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11. Eugene Onegin. A Novel in Verse by Aleksandr Pushkin. Chapter three
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12. Lolita. Part Two. Chapters 22 - 26
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13. Eugene Onegin. A Novel in Verse by Aleksandr Pushkin. Chapter six
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14. The Song of Igor's Campaign, Igor son of Svyatoslav and grandson of Oleg (перевод Набокова)
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15. Lolita. Part Two. Chapters 3 - 8
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16. Боги (перевод С. В. Сакуна)
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17. Интервью Набокова на английском языке. TV-13 NY, 1965 г.
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18. Набоков Дмитрий: Отцовские бабочки. Интервью данное Брайеном Бойдом журналу BOMB Magazine
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19. Eugene Onegin. A Novel in Verse by Aleksandr Pushkin. Chapter seven
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20. Интервью Набокова на английском языке. BBC Television, 1962 г.
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21. Lolita. Part One. Chapters 18 - 22
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22. Lolita. Part Two. Chapters 9 - 16
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23. Eugene Onegin. A Novel in Verse by Aleksandr Pushkin. Chapter one
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24. Lolita. Part One. Chapters 23 - 27
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25. Эссе о драматургии ("Playwriting", на английском языке)
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26. Интервью Набокова на английском языке. Wisconsin Studies, 1967 г.
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27. Предисловие к английскому переводу романа "Отчаяние" ("Despair")
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28. Найман Эрик: Извращения в «Пнине» (Набоков наоборот). Глава 2
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29. Интервью Набокова на английском языке. The Sunday Times, 1969 г.
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30. Брайан Бойд. Владимир Набоков: американские годы. Глава 2. Заезжий лектор: Уэлсли и Кембридж, 1941–1942
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31. Lolita. Part One. Chapters 12 - 17
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32. Савельева В.В.: Художественная гипнология и онейропоэтика русских писателей. Приложение
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33. Интервью Набокова на английском языке. BBC-2, 1969 г.
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34. Eugene Onegin. A Novel in Verse by Aleksandr Pushkin. Fragments of Onegin's journey
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35. Долинин Александр: Комментарий к роману Владимира Набокова «Дар». Глава пятая
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36. Чарльз Кинбот: Серебристый свет. Подлинная жизнь Владимира Набокова. Chapter Ten. America
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37. Nabokov: from lepidopterology to "Lolita"
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38. Articles about butterflies
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39. Eugene Onegin. A Novel in Verse by Aleksandr Pushkin. Chapter two
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40. Eugene Onegin. A Novel in Verse by Aleksandr Pushkin. Notes to Eugene Onegin
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41. Интервью Набокова на английском языке. The Paris Review, 1967 г.
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42. Сакун С. В.: Гамбит Сирина (сборник статей). "Л. Кэрролл и Ф. Достоевский в романе "Защита Лужина". Тематическая традиция"
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43. Грейсон Джейн: Метаморфозы "Дара"
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44. Сконечная О.: Русский параноидальный роман. Глава 5. После конца света: Набоков
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45. Lolita. Foreword
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46. Lolita. Part Two. Chapters 1 - 2
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47. Сакун С. В.: Гамбит Сирина (сборник статей). Шахматно-психологические проблемы романа В. Набокова "Защита Лужина"
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48. The female of lycaeides sublivens nab
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49. Inspiration
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50. Интервью Набокова на английском языке. Vogue, 1972 г.
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1. Lolita. Part Two. Chapters 27 - 31
Входимость: 8. Размер: 46кб.
Часть текста: almost my own. Whenever that happenedwhenever her lovely, childish scrawl was horribly transformed into the dull hand of one of my few correspondentsI used to recollect, with anguished amusement, the times in my trustful, pre-dolorian past when I would be misled by a jewel-bright window opposite wherein my lurking eye, the ever alert periscope of my shameful vice, would make out from afar a half-naked nymphet stilled in the act of combing her Alice-in-Wonderland hair. There was in the fiery phantasm a perfection which made my wild delight also perfect, just because the vision was out of reach, with no possibility of attainment to spoil it by the awareness of an appended taboo; indeed, it may well be that the very attraction immaturity has for me lies not so much in the limpidity of pure young forbidden fairy child beauty as in the security of a situation where infinite perfections fill the gap between the little given and the great promisedthe great rosegray never-to-be-had. Mes fentres!   Hanging above blotched sunset and welling night, grinding my teeth, I would crowd all the demons of my desire against the railing of a throbbing balcony: it would be ready to take off in the apricot and black humid evening; did take offwhereupon...
2. Lolita. Part Two. Chapters 17 - 21
Входимость: 7. Размер: 52кб.
Часть текста: over the lid and could be securely locked. Once glance sufficed to assure me that it was one of those cheap money boxes called for some reason “luizettas” that you buy in Algiers and elsewhere, and wonder what to do with afterwards. It turned out to be much too flat for holding my bulky chessmen, but I kept itusing it for a totally different purpose. In order to break some pattern of fate in which I obscurely felt myself being enmeshed, I had decideddespite Lo’s visible annoyanceto spend another night at Chestnut Court; definitely waking up at four in the morning, I ascertained that Lo was still sound asleep (mouth open, in a kind of dull amazement at the curiously inane life we all had rigged up for her) and satisfied myself that the precious contents of the “luizetta” were safe. There, snugly wrapped in a white woolen scarf, lay a pocket automatic: caliber. 32, capacity of magazine 8 cartridges, length a little under one ninth of Lolita’s length, stock checked walnut, finish full blued. I had inherited it from the late Harold Haze, with a 1938 catalog which cheerily said in part: “Particularly well adapted for use in the home and car as well as on the person.” There it lay, ready for instant service on the person or persons, loaded and fully cocked with the slide lock in safety position, thus precluding any accidental discharge. We must remember that a pistol is the Freudian symbol of the Ur-father’s central forelimb. I was now glad I had it with meand even more glad...
3. Здесь говорят по-русски (перевод С. Сакуна)
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Часть текста: доме. Не удивительно, что табачные имеют пристрастие к углам, ведь дело Мартына процветало. Витрина - скромного размера, но хорошо расположена. Небольшие зеркала оживляли её. На дне, во впадинах холмистого лазурного бархата ютились пёстрые папиросные коробки, с именами облечёнными в глянцевые международные диалекты, которые с таким же успехом служат названиями гостиниц; повыше располагались ряды папирос, ухмыляющиеся в их легковесных домиках. В своё время Мартын был обеспеченным помещиком. Он был славен в моих детских воспоминаниях замечательным трактором, во времена, когда я и его сын Петя одновременно стали жертвами Майн Рида и скарлатины, так, что теперь, после пятнадцати лет битком набитых всяческими вещами, я с удовольствием останавливался у этой табачной лавки, на этом оживленном углу, где Мартын продавал свой товар. Но с прошлого года нас связывало больше чем общие воспоминания. У Мартына была тайна, и я участвовал в этой тайне. “Ну, всё как обычно?” Спрашивал я шёпотом, и он, глянув поверх плеча, отвечал так же тихо, “да, слава богу, всё спокойно”. Эта тайна была совершенно необычайной. Я вспомнил, как уезжал в Париж и как за день до отъезда просидел до вечера у Мартына. Душу человека можно сравнить с универсальным магазином, а его глаза с двумя витринными окнами. Прицениваясь к глазам Мартына, отметим, что тёпло-коричневые тона были в моде. Судя по глазам, товар в этой душе был отменного качества. А какая пышная борода довольно поблёскивала здоровой русской сединой. А его плечи, его рост, его выражение лица. ... Одно время даже говорили, что он мог разрубить платок мечём, - один из подвигов Ричарда Львиное Сердце. И теперь ещё всякий эмигрант мог бы сказать с завистью, “Этот не сдастся”. Его жена была пухлой, тихой пожилой женщиной с родинкой у левой ноздри. Со времён революционных испытаний её лица коснулся тик: она бросала быстрый взгляд искоса вверх, к небу. Петя имел такое же внушительное тело, как и его...
4. Lolita. Part One. Chapters 28 - 33
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Часть текста: as she did so the nether side of her thigh up to the crotch of her pantiesshe had always been singularly absentminded, or shameless, or both, in matters of legshow. This, then, was the hermetic vision of her which I had locked inafter satisfying myself that the door carried no inside bolt. The key, with its numbered dangler of carved wood, became forthwith the weighty sesame to a rapturous and formidable future. It was mine, it was part of my hot hairy fist. In a few minutessay, twenty, say half-an-hour, sicher its sicher   as my uncle Gustave used to sayI would let myself into that “342” and find my nymphet, my beauty and bride, imprisoned in her crystal sleep. Jurors! If my happiness could have talked, it would have filled that genteel hotel with a deafening roar. And my only regret today is that I did not quietly deposit key “342” at the office, and leave the town, the country, the continent, the hemisphere,indeed, the globethat very same night. Let me explain. I was not unduly disturbed by her self-accusatory innuendoes. I was still firmly resolved to pursue my policy of sparing her purity by operating only in the stealth of night, only upon a completely anesthetized little nude. Restraint and reverence were still my motto-even if that...
5. Lolita. Part Two. Chapters 32 - 36
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Часть текста: because this was the very limit of injustice and frustrationand every limit presupposes something beyond ithence the neutral illumination. And when you bear in mind that these were the raised eyebrows and parted lips of a child, you may better appreciate what depths of calculated carnality, what reflected despair, restrained me from falling at her dear feet and dissolving in human tears, and sacrificing my jealousy to whatever pleasure Lolita might hope to derive from mixing with dirty and dangerous children in an outside world that was real to her. And I have still other smothered memories, now unfolding themselves into limbless monsters of pain. Once, in a sunset-ending street of Beardsley, she turned to little Eva Rosen (I was taking both nymphets to a concert and walking behind them so close as almost to touch them with my person), she turned to Eva, and so very serenely and seriously, in answer to something the other had said about its being better to die than hear Milton Pinski, some local schoolboy she knew, talk about music, my Lolita remarked: “You know, what’s so dreadful about dying is that you are completely on your own”; and it struck me, as my automaton knees went up and down, that I simply did not know a thing about my darling’s mind and that quite possibly, behind the awful...
6. Интервью Набокова на английском языке. Playboy, 1964 г.
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Часть текста: bad enjoyed for more than 30 years-- to both acclaim and abuse as the world-renowned author of a sensational bestseller. In the aftermath of this cause celebre, do you ever regret having written Lolita? On the contrary, I shudder retrospectively when I recall that there was a moment, in 1950, and again in 1951, when I was on the point of burning Humbert Humbert's little black diary. No, I shall never regret Lolita. She was like the composition of a beautiful puzzle-- its composition and its solution at the same time, since one is a mirror view of the other, depending on the way you look. Of course she completely eclipsed my other works-- at least those I wrote in English: The Real Life of Sebastian Knight, Bend Sinister, my short stories, my book of recollections; but I cannot grudge her this. There is a queer, tender charm about that mythical nymphet. Though many readers and reviewers would disagree that her charm is tender, few would deny that it is queer-- so much so that when director ...
7. Eugene Onegin. A Novel in Verse by Aleksandr Pushkin. Chapter eight
Входимость: 5. Размер: 71кб.
Часть текста: . . . . . . . . . . . . . . . .   . . . . . . . . . . . . . . . . . . . .   . . . . . . . . . . . . . . . . . . . .   8  . . . . . . . . . . . . . . . . . . . .   . . . . . . . . . . . . . . . . . . . .   . . . . . . . . . . . . . . . . . . . .   . . . . . . . . . . . . . . . . . . . . 12  . . . . . . . . . . . . . . . . . . . .   . . . . . . . . . . . . . . . . . . . .   . . . . . . . . . . . . . . . . . . . . III   And I, setting myself for law   only the arbitrary will of passions,   sharing emotions with the crowd,   4  I led my frisky Muse into the hubbub   of feasts and turbulent discussions —   the terror of midnight patrols;   and to them, in mad feasts,   8  she brought her gifts,   and like a little bacchante frisked,   over the bowl sang for the guests;   and the young people of past days 12  would turbulently dangle after her;   and I was proud 'mong friends   of my volatile mistress. IV   But I dropped out of their alliance —   and fled afar... she followed me.   How often the caressive Muse   4  for me would sweeten the mute way   with the bewitchment of a secret tale!   How often on Caucasia's crags,   Lenorelike, by the moon,   8  with me she'd gallop on a steed!   How often on the shores of Tauris   she in the gloom of night   led me to listen the sound of the sea, 12  Nereid's unceasing murmur,   the ...
8. Интервью Набокова на английском языке. Time, 1969 г.
Входимость: 5. Размер: 21кб.
Часть текста: I loathe Van Veen. The following two quotations seem closely related: "I confess I do not believe in time. I like to fold my magic carpet, after use, in such a way as to superimpose one part of the pattern upon another. " (Speak, Memory) and "pure time, perceptual time, tangible time, time free of content, context and running commentary-- this is my time and theme. All the rest is numerical symbol or some aspect of space. " (Ada). Will you give me a lift on your magic carpet to point out bow time is animated in the story of Van and Ada? In his study of time my creature distinguishes between text and texture, between the contents of time and its almost tangible essence. I ignored that distinction in my Speak, Memory and was mainly concerned with being faithful to the patterns of my past. I suspect that Van Veen, having less control over his imagination than I, novelized in his indulgent old age many images of his youth. You have spoken in the past of your indifference to music, but in Ada you describe time as "rhythm, the tender intervals between Stresses. " Are these...
9. Lolita. Part One. Chapters 9 - 11
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Часть текста: upon the globe when, after a winter of ennui and pneumonia in Portugal, I at last reached the States. In New York I eagerly accepted the soft job fate offered me: it consisted mainly of thinking up and editing perfume ads. I welcomed its desultory character and pseudoliterary aspects, attending to it whenever I had nothing better to do. On the other hand, I was urged by a war-time university in New York to complete my comparative history of French literature for English-speaking students. The first volume took me a couple of years during which I put in seldom less than fifteen hours of work daily. As I look back on those days, I see them divided tidily into ample light and narrow shade: the light pertaining to the solace of research in palatial libraries, the shade to my excruciating desires and insomnias of which enough has been said. Knowing me by now, the reader can easily imagine how dusty and hot I got, trying to catch a glimpse of nymphets (alas, always remote) playing in Central Park, and how repulsed I was by the glitter of deodorized career girls that a gay dog in one of the offices kept unloading upon me. Let us skip all that. A dreadful breakdown sent me to a sanatorium for more than a year; I went back to my workonly to be hospitalized again. Robust outdoor life seemed to promise me some relief. One of my favorite doctors, a charming cynical chap with a little brown beard, had a brother, and this brother was about to lead an expedition into...
10. Lolita. Part One. Chapters 1 - 8
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Часть текста: Lo. Lee. Ta. She was Lo, plain Lo, in the morning, standing four feet ten in one sock. She was Lola in slacks. She was Dolly at school. She was Dolores on the dotted line. But in my arms she was always Lolita. Did she have a precursor? She did, indeed she did. In point of fact, there might have been no Lolita at all had I not loved, one summer, a certain initial girl-child. In a princedom by the sea. Oh when? About as many years before Lolita was born as my age was that summer. You can always count on a murderer for a fancy prose style. Ladies and gentlemen of the jury, exhibit number one is what the seraphs, the misinformed, simple, noble-winged seraphs, envied. Look at this tangle of thorns. 2 I was born in 1910, in Paris. My father was a gentle, easy-going person, a salad of racial genes: a Swiss citizen, of mixed French and Austrian descent, with a dash of the Danube in his veins. I am going to pass around in a minute some lovely, glossy-blue picture-postcards. He owned a luxurious hotel on the Riviera. His father and two grandfathers had sold wine, jewels and silk, respectively. At thirty he married an English girl, daughter of Jerome Dunn, the alpinist, and granddaughter of two Dorset parsons, experts in obscure subjectspaleopedology and Aeolian harps, respectively. My very photogenic mother died in a freak accident (picnic, lightning) when I was three, and, save for a pocket of warmth in the darkest past, nothing of her subsists within the hollows and dells of memory, over which, if you can still stand my style (I am writing under observation), the sun of my infancy had set: surely, you all know those redolent remnants of day suspended, with the midges, about some hedge in bloom or suddenly entered and traversed by the rambler, at the bottom of a hill, in the summer dusk; a furry warmth, golden midges. My...