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А Б В Г Д Е Ж З И Й К Л М Н О П Р С Т У Ф Х Ц Ч Ш Щ Э Ю Я
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1. Эссе о драматургии ("Playwriting", на английском языке)
Входимость: 13. Размер: 59кб.
2. Интервью Набокова на английском языке. Playboy, 1964 г.
Входимость: 10. Размер: 53кб.
3. Lolita. Part One. Chapters 1 - 8
Входимость: 7. Размер: 53кб.
4. Lolita. Part One. Chapters 23 - 27
Входимость: 6. Размер: 59кб.
5. Lolita. Part One. Chapters 18 - 22
Входимость: 6. Размер: 53кб.
6. Lolita. Part Two. Chapters 27 - 31
Входимость: 6. Размер: 46кб.
7. Интервью Набокова на английском языке. Wisconsin Studies, 1967 г.
Входимость: 5. Размер: 63кб.
8. Review by Brian Boyd, Robert Michael Pyle
Входимость: 5. Размер: 13кб.
9. Lolita. Part Two. Chapters 9 - 16
Входимость: 5. Размер: 59кб.
10. Интервью Набокова на английском языке. BBC Television, 1962 г.
Входимость: 5. Размер: 20кб.
11. Lolita. Part Two. Chapters 3 - 8
Входимость: 4. Размер: 54кб.
12. Lolita. Part One. Chapters 28 - 33
Входимость: 4. Размер: 42кб.
13. Интервью Набокова на английском языке. Bayerischer Rundfunk, 1971-72 г.
Входимость: 4. Размер: 17кб.
14. Найман Эрик: Извращения в «Пнине» (Набоков наоборот). Глава 1
Входимость: 4. Размер: 56кб.
15. Lolita. Part One. Chapters 12 - 17
Входимость: 3. Размер: 43кб.
16. Anniversary notes
Входимость: 3. Размер: 33кб.
17. Интервью Набокова на английском языке. Vogue, 1969 г.
Входимость: 3. Размер: 11кб.
18. Lolita. Part Two. Chapters 32 - 36
Входимость: 3. Размер: 58кб.
19. Набоков Дмитрий: Отцовские бабочки. Отцовские бабочки. Father's Butterflies (английский язык)
Входимость: 3. Размер: 36кб.
20. Найман Эрик: Извращения в «Пнине» (Набоков наоборот). Глава 2
Входимость: 3. Размер: 39кб.
21. Lolita. Part Two. Chapters 17 - 21
Входимость: 2. Размер: 52кб.
22. Тамми Пекка: Поэтика даты у Набокова
Входимость: 2. Размер: 61кб.
23. Интервью Набокова на английском языке. Life, 1964 г.
Входимость: 2. Размер: 10кб.
24. Articles about butterflies
Входимость: 2. Размер: 35кб.
25. Вне Лолиты: Вновь открывая Набокова. (Проект CNN, 1999 г.). The Man
Входимость: 2. Размер: 8кб.
26. Из переписки Владимира Набокова и Эдмонда Уилсона. 1943 г.
Входимость: 2. Размер: 43кб.
27. Nabokov: from lepidopterology to "Lolita"
Входимость: 2. Размер: 5кб.
28. Интервью Набокова на английском языке. The New York Times Book Review, 1968 г.
Входимость: 2. Размер: 15кб.
29. Интервью Набокова на английском языке. The Paris Review, 1967 г.
Входимость: 2. Размер: 29кб.
30. Lolita. Part Two. Chapters 22 - 26
Входимость: 2. Размер: 57кб.
31. Lolita. Part Two. Chapters 1 - 2
Входимость: 2. Размер: 49кб.
32. Щербак Нина: «Роман Владимира Набокова «Ада»: лабиринты смыслов и обратимость времени»
Входимость: 2. Размер: 45кб.
33. Набоков Дмитрий: Отцовские бабочки. Интервью данное Брайеном Бойдом журналу BOMB Magazine
Входимость: 2. Размер: 24кб.
34. Интервью Набокова на английском языке. BBC-2, 1968 г.
Входимость: 2. Размер: 9кб.
35. Бартон Д.Д.: Миры и антимиры Владимира Набокова. Часть V. Набоков — литературный космолог
Входимость: 1. Размер: 96кб.
36. Eugene Onegin. A Novel in Verse by Aleksandr Pushkin. Chapter six
Входимость: 1. Размер: 55кб.
37. Маяцкий М.: Читать “Лолиту” в эпоху Дютру
Входимость: 1. Размер: 30кб.
38. Брайан Бойд. Владимир Набоков: американские годы. Библиография
Входимость: 1. Размер: 82кб.
39. Каневская Марина: Семиотическая значимость зеркального отображения. Умберто Эко и Владимир Набоков
Входимость: 1. Размер: 33кб.
40. Пнин (перевод Г. Барабтарло, второе издание). Литература, упоминаемая в статье в сокращенных наименованиях
Входимость: 1. Размер: 6кб.
41. Букс Нора: Эшафот в хрустальном дворце. О русских романах Владимира Набокова. Глава V. Эшафот в хрустальном дворце
Входимость: 1. Размер: 57кб.
42. Борис Кац: "Exegi monumentum" Владимира Набокова - к прочтению стихотворения "Какое сделал я дурное дело... "
Входимость: 1. Размер: 28кб.
43. Lolita. Part One. Chapters 9 - 11
Входимость: 1. Размер: 53кб.
44. Маликова М.: "Первое стихотворение" В. Набокова. Перевод и комментарий
Входимость: 1. Размер: 81кб.
45. Левинтон Г. А.: The Importance of Being Russian или Les allusions perdues
Входимость: 1. Размер: 106кб.
46. Интервью Набокова на английском языке. Time, 1969 г.
Входимость: 1. Размер: 21кб.
47. Inspiration
Входимость: 1. Размер: 14кб.
48. Интервью Набокова на английском языке. The Sunday Times, 1969 г.
Входимость: 1. Размер: 11кб.
49. Lolita. Foreword
Входимость: 1. Размер: 7кб.
50. Eugene Onegin. A Novel in Verse by Aleksandr Pushkin. Fragments of Onegin's journey
Входимость: 1. Размер: 26кб.

Примерный текст на первых найденных страницах

1. Эссе о драматургии ("Playwriting", на английском языке)
Входимость: 13. Размер: 59кб.
Часть текста: that, later in life, Father might have expressed certain thoughts differently. The lectures were partly in typescript and partly in manuscript, replete with Nabokov's corrections, additions, deletions, occasional slips of the pen, and references to previous and subsequent installments of the course. I have limited myself to what editing seemed necessary for the presentation of the lectures in essay form. If Nabokov had been alive, he might perhaps have performed more radical surgery. He might also have added that the gruesome throes of realistic suicide he finds unacceptable onstage (in "The Tragedy of Tragedy") are now everyday fare on kiddies' TV, while "adult" entertainment has long since outdone all the goriness of the Grand Guignol. He might have observed that the aberrations of theatrical method wherein the illusion of a barrier between stage and audience is shattered - a phenomenon he considered "freakish" - are now commonplace: actors wander and mix; the audience is invited to participate; it is then applauded by the players in a curious reversal of roles made chic by Soviet performers ordered to emulate the mise-en-sce´ne of party congresses; and the term "happening" has already managed to grow obsolescent. He might have commented that the quest for originality for its own sake has led to ludicrous excesses and things have taken their helter-skelter course in random theatre as they have in random music and in random painting. Yet Nabokov's own plays demonstrate that it is possible to respect the rules of drama and still be original, just as one can write original poetry without neglecting the basic requirements of prosody, or play brilliant tennis, to paraphrase T. S. Eliot, without taking down the net. There were those who considered Father's professorial persona odd and ...
2. Интервью Набокова на английском языке. Playboy, 1964 г.
Входимость: 10. Размер: 53кб.
Часть текста: Alvin Toffler appeared in Playboy for January, 1964. Great trouble was taken on both sides to achieve the illusion of a spontaneous conversation. Actually, my contribution as printed conforms meticulously to the answers, every word of which I had written in longhand before having them typed for submission to Toffler when he came to Montreux in mid-March, 1963. The present text takes into account the order of my interviewer's questions as well as the fact that a couple of consecutive pages of my typescript were apparently lost in transit. Egreto perambis doribus! With the American publication of Lolita in 1958, your fame and fortune mushroomed almost overnight from high repute among the literary cognoscenti-- which you bad enjoyed for more than 30 years-- to both acclaim and abuse as the world-renowned author of a sensational bestseller. In the aftermath of this cause celebre, do you ever regret having written Lolita? On the contrary, I shudder retrospectively when I recall that there...
3. Lolita. Part One. Chapters 1 - 8
Входимость: 7. Размер: 53кб.
Часть текста: in Paris. My father was a gentle, easy-going person, a salad of racial genes: a Swiss citizen, of mixed French and Austrian descent, with a dash of the Danube in his veins. I am going to pass around in a minute some lovely, glossy-blue picture-postcards. He owned a luxurious hotel on the Riviera. His father and two grandfathers had sold wine, jewels and silk, respectively. At thirty he married an English girl, daughter of Jerome Dunn, the alpinist, and granddaughter of two Dorset parsons, experts in obscure subjectspaleopedology and Aeolian harps, respectively. My very photogenic mother died in a freak accident (picnic, lightning) when I was three, and, save for a pocket of warmth in the darkest past, nothing of her subsists within the hollows and dells of memory, over which, if you can still stand my style (I am writing under observation), the sun of my infancy had set: surely, you all know those redolent remnants of day suspended, with the midges, about some hedge in bloom or suddenly entered and traversed by the rambler, at the bottom of a hill, in the summer dusk; a furry warmth, golden midges. My mother’s elder sister, Sybil, whom a cousin of my father’s had married and then neglected, served in my immediate family as a kind of unpaid governess and housekeeper. Somebody told me later that she had been in love with my father, and that he had lightheartedly taken...
4. Lolita. Part One. Chapters 23 - 27
Входимость: 6. Размер: 59кб.
Часть текста: evergreen shrubbery. To the anatomical right of this car, on the trim turn of the lawn-slope, an old gentleman with a white mustache, well-dresseddouble-breasted gray suit, polka-dotted bow-tielay supine, his long legs together, like a death-size wax figure. I have to put the impact of an instantaneous vision into a sequence of words; their physical accumulation in the page impairs the actual flash, the sharp unity of impression: Rug-heap, car, old man-doll, Miss O.’s nurse running with a rustle, a half-empty tumbler in her hand, back to the screened porchwhere the propped-up, imprisoned, decrepit lady herself may be imagined screeching, but not loud enough to drown the rhythmical yaps of the Junk setter walking from group to groupfrom a bunch of neighbors already collected on the sidewalk, near the bit of checked stuff, and back to the car which he had finally run to earth, and then to another group on the lawn, consisting of Leslie, two policemen and a sturdy man with tortoise shell glasses. At this point, I should explain that the prompt appearance of the patrolmen, hardly more than a minute after the accident, was due to their having been...
5. Lolita. Part One. Chapters 18 - 22
Входимость: 6. Размер: 53кб.
Часть текста: in Our Great Little Town for hardly two years, and the latter for hardly a month; when Monsieur wants to get the whole damned thing over with as quickly as possible, and Madame gives in with a tolerant smile; then, my reader, the wedding is generally a “quiet” affair. The bride may dispense with a tiara of orange blossoms securing her finger-tip veil, nor does she carry a white orchid in a prayer book. The bride’s little daughter might have added to the ceremonies uniting H. and H. a touch of vivid vermeil; but I knew I would not dare be too tender with cornered Lolita yet, and therefore agreed it was not worth while tearing the child away from her beloved Camp Q. My soi-disant   passionate and lonely Charlotte was in everyday life matter-of-fact and gregarious. Moreover, I discovered that although she could not control her heart or her cries, she was a woman of principle. Immediately after she had become more or less my mistress (despite the stimulants, her “nervous, eager chri  a heroic chri   !  had some initial trouble, for which, however, he amply compensated her by a fantastic display of old-world endearments), good Charlotte interviewed me about my relations with God. I could have answered that on that score my mind was open; I said, insteadpaying my tribute to a pious platitudethat I believed in a cosmic spirit. Looking down at her fingernails, she also asked me had I not in my family a certain strange strain. I countered by inquiring whether she would still want to ...
6. Lolita. Part Two. Chapters 27 - 31
Входимость: 6. Размер: 46кб.
Часть текста: slit. Several times already, a trick of harlequin light that fell through the glass upon an alien handwriting had twisted it into a semblance of Lolita’s script causing me almost to collapse as I leant against an adjacent urn, almost my own. Whenever that happenedwhenever her lovely, childish scrawl was horribly transformed into the dull hand of one of my few correspondentsI used to recollect, with anguished amusement, the times in my trustful, pre-dolorian past when I would be misled by a jewel-bright window opposite wherein my lurking eye, the ever alert periscope of my shameful vice, would make out from afar a half-naked nymphet stilled in the act of combing her Alice-in-Wonderland hair. There was in the fiery phantasm a perfection which made my wild delight also perfect, just because the vision was out of reach, with no possibility of attainment to spoil it by the awareness of an appended taboo; indeed, it may well be that the very attraction immaturity has for me lies not so much in the limpidity of pure young forbidden fairy child beauty as in the security of a situation where infinite perfections fill the gap between the little given and the great promisedthe great rosegray never-to-be-had. Mes fentres!   Hanging above blotched sunset and welling night, ...
7. Интервью Набокова на английском языке. Wisconsin Studies, 1967 г.
Входимость: 5. Размер: 63кб.
Часть текста: suite of rooms is on the sixth floor, overlooking Lake Geneva, and the sounds of the lake are audible through the open doors of their small balcony. Since Mr. Nabokov does not like to talk off the cuff (or "Off the Nabocuff," as he said) no tape recorder was used. Mr. Nabokov ei! ther wrote out his answers to the questions or dictated them to the interviewer; in some instances, notes from the conversation were later recast as formal questions-and-answers. The interviewer was Nabokov's student at Cornell University in 1954, and the references are to Literature 311-312 (MWF, 12), a course on the Masterpieces of European Fiction (Jane Austen, Gogol, Dickens, Flaubert, Tolstoy, Stevenson, Kafka, Joyce, and Proust). Its enrollment had reached four hundred by the time of Nabokov's resignation in 1959. The footnotes to the interview, except where indicated, are provided by the interviewer, Alfred Appel, Jr. For years bibliographers and literary journalists didn't know whether to group you under "Russian" or "American. "Now that you're living in Switzerland there seems to be complete agreement that you're American. Do you find this kind of distinction at all important regarding your identity as a writer? I have always maintained, even as a schoolboy in Russia, that the nationality of a worthwhile writer is of secondary importance. The more distinctive an insect's aspect, the less apt the taxonomist is to glance first of all at the locality label under the pinned specimen in order to decide which of several vaguely described races it should be assigned to. The writer's art is his real passport. His identity should be immediately recognized by a special pattern or unique coloration. His habitat may confirm the correctness of the determination but should not lead to it. Locality labels are known to have been faked by unscrupulous insect dealers. Apart from these...
8. Review by Brian Boyd, Robert Michael Pyle
Входимость: 5. Размер: 13кб.
Часть текста: that: "Translations are by Brian Boyd unless otherwise noted." (A number are noted as being by Nabokov fils, but certainly not all.) From the Reviews:   "Some selectivity could have made for a more accessible volume, though the care with which it has been assembled is an impressive testament to the deep devotion that Nabokov continues to inspire almost 25 years after his death. Apart from entomologists and Nabokov fans, it is difficult to imagine that many readers will last the enormous distance." - Simon Caterson, The Age "While few readers will want to study the scientific articles reprinted here, their presence in this striking miscellany operates in subtle ways to remind us that Nabokov (who referred to himself as VN), was also a student "of that other VN, Visible Nature"." - Jay Parini, The Guardian "Nabokovian humour shines through these writings, illustrated by a note he penned to Hugh Hefner pointing out how the carefully positioned wings and eyespot of a butterfly can be made to look like the Playboy bunny motif." - Steve Connor, The Independent "This book glistens like a rainforest: swarming with sap and colour, with love and death." - Robert Winder, New Statesman " Nabokov's Butterflies is a book trying to be many books (.....) The thematic...
9. Lolita. Part Two. Chapters 9 - 16
Входимость: 5. Размер: 59кб.
Часть текста: nymphetry except Eva Rosen. Avis ws a plump lateral child with hairy legs, while Mona, though handsome in a coarse sensual way and only a year older than my aging mistress, had obviously long ceased to be a nymphet, if she ever had been one. Eva Rosen, a displaced little person from France, was on the other hand a good example of a not strikingly beautiful child revealing to the perspicacious amateur some of the basic elements of nymphet charm, such as a perfect pubescent figure and lingering eyes and high cheekbones. Her glossy copper hair had Lolita’s silkiness, and the features of her delicate milky-white face with pink lips and silverfish eyelashes were less foxy than those of her likesthe great clan of intra-racial redheads; nor did she sport their green uniform but wore, as I remember her, a lot of black or cherry darka very smart black pullover, for instance, and high-heeled black shoes, and garnet-red fingernail polish. I spoke French to her (much to Lo’s disgust). The child’s tonalities were still admirably pure, but for school words and play words she resorted to current American and then a slight Brooklyn accent would crop up in her speech, which was amusing in a little Parisian who went to a select New England school with...
10. Интервью Набокова на английском языке. BBC Television, 1962 г.
Входимость: 5. Размер: 20кб.
Часть текста: to the reproduction of the interview proper. It eventually appeared on the Bookstand program and was published in The Listener (November 22, 1962). I have mislaid the cards on which I had written my answers. I suspect that the published text was taken straight from the tape for it teems with inaccuracies. These I have tried to weed out ten years later but was forced to strike out a few sentences here and there when memory refused to restore the sense flawed by defective or improperly mended speech. The poem I quote (with metrical accents added) will be found translated into English in Chapter Two of The Gift, G. P. Putnam's Sons, New York, 1963. Would you ever go back to Russia? I will never go back, for the simple reason that all the Russia I need is always with me: literature, language, and my own Russian childhood. I will never return. I will never surrender. And anyway, the grotesque shadow of a police state will not be dispelled in my lifetime. I don't think they know my works there-- oh, perhaps a number of readers exist there in my special secret service, but let us not forget that Russia has grown tremendously...