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А Б В Г Д Е Ж З И Й К Л М Н О П Р С Т У Ф Х Ц Ч Ш Щ Э Ю Я
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1. Lolita. Part One. Chapters 28 - 33
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2. Eugene Onegin. A Novel in Verse by Aleksandr Pushkin. Chapter seven
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3. Eugene Onegin. A Novel in Verse by Aleksandr Pushkin. Chapter six
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4. Lolita. Part One. Chapters 23 - 27
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5. Комментарий к роману "Евгений Онегин". Глава четвертая. Пункты XXXIX - LI
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6. Eugene Onegin. A Novel in Verse by Aleksandr Pushkin. Chapter three
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7. Eugene Onegin. A Novel in Verse by Aleksandr Pushkin. Chapter one
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8. Lolita. Part One. Chapters 12 - 17
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9. Eugene Onegin. A Novel in Verse by Aleksandr Pushkin. Chapter four
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10. Комментарий к роману "Евгений Онегин". Приложение II. Заметки о просодии
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11. Букс Нора: Эшафот в хрустальном дворце. О русских романах Владимира Набокова. Глава IV. Волшебный фонарь, или «Камера обскура»
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12. Lolita. Part Two. Chapters 22 - 26
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13. Eugene Onegin. A Novel in Verse by Aleksandr Pushkin. Chapter two
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14. Lolita. Part Two. Chapters 27 - 31
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15. Eugene Onegin. A Novel in Verse by Aleksandr Pushkin. Notes to Eugene Onegin
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16. Lolita. Part Two. Chapters 1 - 2
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17. Eugene Onegin. A Novel in Verse by Aleksandr Pushkin. Chapter five
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18. Бабиков А. А.: Прочтение Набокова. Изыскания и материалы. Большая реставрация. Русская версия «Лолиты»: от рукописи к книге
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19. Lolita. Part Two. Chapters 9 - 16
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20. Eugene Onegin. A Novel in Verse by Aleksandr Pushkin. Fragments of Onegin's journey
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21. Eugene Onegin. A Novel in Verse by Aleksandr Pushkin. Chapter eight
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22. Интервью Набокова на английском языке. The New York Times Book Review, 1968 г.
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23. Брайан Бойд. Владимир Набоков: русские годы. Глава 16. Светлый стол, сумрачный мир: Берлин, 1930–1932
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24. Чарльз Кинбот: Серебристый свет. Подлинная жизнь Владимира Набокова. Chapter Six. This Hovering Honeyed Mist
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25. Ада, или Радости страсти. Семейная хроника. (Часть 3, глава 3)
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26. The Song of Igor's Campaign, Igor son of Svyatoslav and grandson of Oleg (перевод Набокова)
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27. Федотов О.И.: Между Моцартом и Сальери (о поэтическом даре Набокова). 1.9. Америка. Попытка обрести новую родину
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28. Lolita. Part One. Chapters 9 - 11
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29. Lolita. Part Two. Chapters 3 - 8
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30. Интервью Набокова на английском языке. Wisconsin Studies, 1967 г.
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31. Боги (перевод С. В. Сакуна)
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32. Мельников Н. Г.: О Набокове и прочем. Владимир Набоков и взбесившиеся лошади просвещения
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33. Роупер Р: Набоков в Америке. По дороге к «Лолите». Примечания
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34. Комментарий к роману "Евгений Онегин". Глава первая. Пункты XXXVI - XLIII
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35. Грейсон Джейн: Французский связной - Набоков и Альфред де Мюссе. Идеи и опыты перевода
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36. Савельева В.В.: Художественная гипнология и онейропоэтика русских писателей. От автора
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37. Lolita. Part One. Chapters 18 - 22
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1. Lolita. Part One. Chapters 28 - 33
Входимость: 12. Размер: 42кб.
Часть текста: take just a tiny bit of your precious time. So this was le grand moment.   I had left my Lolita still sitting on the edge of the abysmal bed, drowsily raising her foot, fumbling at the shoelaces and showing as she did so the nether side of her thigh up to the crotch of her pantiesshe had always been singularly absentminded, or shameless, or both, in matters of legshow. This, then, was the hermetic vision of her which I had locked inafter satisfying myself that the door carried no inside bolt. The key, with its numbered dangler of carved wood, became forthwith the weighty sesame to a rapturous and formidable future. It was mine, it was part of my hot hairy fist. In a few minutessay, twenty, say half-an-hour, sicher its sicher   as my uncle Gustave used to sayI would let myself into that “342” and find my nymphet, my beauty and bride, imprisoned in her crystal sleep. Jurors! If my happiness could have talked, it would have filled that genteel hotel with a deafening roar. And my only regret today is...
2. Eugene Onegin. A Novel in Verse by Aleksandr Pushkin. Chapter seven
Входимость: 8. Размер: 67кб.
Часть текста: sung already in the hush of nights. II   How sad your apparition is to me,   spring, spring, season of love!   What a dark stir there is   4  in my soul, in my blood!   With what oppressive tenderness   I revel in the whiff   of spring fanning my face   8  in the lap of the rural stillness!   Or is enjoyment strange to me,   and all that gladdens, animates,   all that exults and gleams, 12  casts spleen and languishment   upon a soul long dead   and all looks dark to it? III   Or gladdened not by the return   of leaves that perished in the autumn,   a bitter loss we recollect,   4  harking to the new murmur of the woods;   or with reanimated nature we   compare in troubled thought   the withering of our years,   8  for which there is no renovation?   Perhaps there comes into our thoughts,   midst a poetical reverie,   some other ancient spring, 12  which sets our heart aquiver   with the dream of a distant clime,   a marvelous night, a moon.... IV   Now is the time: good lazybones,   epicurean sages; you,   equanimous fortunates;   4  you, fledglings of the Lyóvshin 41 school;   you, country Priams;   and sentimental ladies, you;   spring calls you to the country,   8  season of warmth, of flowers, of labors,   of inspired rambles,   and of seductive nights.   Friends! to the fields, quick, quick; 12  in heavy loaden chariots;   with your own horses or with posters;   out of the towngates start to trek! V   And you, indulgent reader,   in your imported calash, leave   the indefatigable city   4  where in the winter...
3. Eugene Onegin. A Novel in Verse by Aleksandr Pushkin. Chapter six
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Часть текста: Nasce una gente a cui '1 morir non dole. Petr. I   On noticing that Vladimir had vanished,   Onegin, by ennui pursued again,   by Olga's side sank into meditation,   4  pleased with his vengeance.   After him Ólinka yawned too,   sought Lenski with her eyes,   and the endless cotillion   8  irked her like an oppressive dream.   But it has ended. They go in to supper.   The beds are made. Guests are assigned   night lodgings — from the entrance hall 12  even to the maids' quarters. Restful sleep   by all is needed. My Onegin   alone has driven home to sleep. II   All has grown quiet. In the drawing room   the heavy Pustyakov   snores with his heavy better half.   4  Gvozdin, Buyanov, Petushkov,   and Flyanov (who is not quite well)   have bedded in the dining room on chairs,   with, on the floor, Monsieur Triquet   8  in underwaistcoat and old nightcap.   All the young ladies, in Tatiana's   and Olga's rooms, are wrapped in sleep.   Alone, sadly by...
4. Lolita. Part One. Chapters 23 - 27
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Часть текста: Opposite’s sloping lawn at an angle from the sidewalk (where a tartan laprobe had dropped in a heap), and stood there, shining in the sun, its doors open like wings, its front wheels deep in evergreen shrubbery. To the anatomical right of this car, on the trim turn of the lawn-slope, an old gentleman with a white mustache, well-dresseddouble-breasted gray suit, polka-dotted bow-tielay supine, his long legs together, like a death-size wax figure. I have to put the impact of an instantaneous vision into a sequence of words; their physical accumulation in the page impairs the actual flash, the sharp unity of impression: Rug-heap, car, old man-doll, Miss O.’s nurse running with a rustle, a half-empty tumbler in her hand, back to the screened porchwhere the propped-up, imprisoned, decrepit lady herself may be imagined screeching, but not loud enough to drown the rhythmical yaps of the Junk setter walking from group to groupfrom a bunch of neighbors already collected on the sidewalk, near the bit of checked stuff, and back to the car which he had finally run to earth, and then to another group on the lawn, consisting of Leslie, two policemen and a sturdy man with tortoise shell glasses. At this point, I should explain that the prompt appearance of the patrolmen, hardly more than a minute after the accident, was due to their having been ticketing the illegally parked cars in a cross lane two blocks down the grade; that the fellow with the glasses was Frederick Beale, Jr., driver of the Packard; that his 79-year-old...
5. Комментарий к роману "Евгений Онегин". Глава четвертая. Пункты XXXIX - LI
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Часть текста: Порой белянки черноокой 4 Младой и свежий поцелуй, Узде послушный конь ретивый, Обед довольно прихотливый, Бутылка светлого вина, 8 Уединенье, тишина: Вот жизнь Онегина святая; И нечувствительно он ей Предался, красных летних дней 12 В беспечной неге не считая, Забыв и город, и друзей, И скуку праздничных затей. 1—4 Один из лучших примеров для иллюстрации трудностей особого рода, которые должны иметь в виду переводчики Пушкина, — это следующее четверостишие из строфы XXXIX, описывающее летнее времяпрепровождение Онегина в 1820 г. в его деревенском поместье: Прогулки, чтенье, сон глубокой, Лесная тень, журчанье струй, Порой белянки черноокой Младой и свежий поцелуй, В первом стихе (верно переведенном Тургеневым — Виардо как «La promenade, la lecture, un sommeil profond et salutaire»), прогулки нельзя перевести очевидными «walks», поскольку это русское слово может означать и верховые прогулки, предпринимаемые как в виде спортивных упражнений, так и для удовольствия. В своем переводе я отказался от «promenades» и остановился на «rambles», поскольку это слово с равным успехом может быть употреблено для обозначения как пеших, так и верховых прогулок. Следующее слово означает «reading», а далее идет головоломка: «сон глубокой» подразумевает не только «deep sleep», но и «sound sleep» —...
6. Eugene Onegin. A Novel in Verse by Aleksandr Pushkin. Chapter three
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Часть текста:   of rain, of flax, of cattle yard.” II   “So far I do not see what's bad about it.”   “Ah, but the boredom — that is bad, my friend.”   “Your fashionable world I hate;   4  dearer to me is the domestic circle   in which I can…” “Again an eclogue!   Ah, that will do, old boy, for goodness' sake.   Well, so you're off; I'm very sorry.   8  Oh, Lenski, listen — is there any way   for me to see this Phyllis,   subject of thoughts, and pen,   and tears, and rhymes, et cetera? 12  Present me.” “You are joking.” “No.”   “I'd gladly.” “When?” “Now, if you like.   They will be eager to receive us.” III   “Let's go.” And off the two friends drove;   they have arrived; on them are lavished   the sometimes onerous attentions   4  of hospitable ancientry.   The ritual of the treat is known:   in little dishes jams are brought,   on an oilcloth'd small table there is set   8  a jug of lingonberry water.   . . . . ...
7. Eugene Onegin. A Novel in Verse by Aleksandr Pushkin. Chapter one
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Часть текста:   Not thinking to amuse the haughty world,   having grown fond of friendship's heed,   I wish I could present you with a gage   4  that would be worthier of you —   be worthier of a fine soul   full of a holy dream,   of live and limpid poetry,   8  of high thoughts and simplicity.   But so be it. With partial hand   take this collection of pied chapters:   half droll, half sad, 12  plain-folk, ideal,   the careless fruit of my amusements,   insomnias, light inspirations,   unripe and withered years, 16  the intellect's cold observations,   and the heart's sorrowful remarks. CHAPTER ONE To live it hurries and to feel it hastes. Prince Vyazemski I   “My uncle has most honest principles:   when he was taken gravely ill,   he forced one to respect him   4  and nothing better could invent.   To others his example is a lesson;   but, good God, what a bore to sit   by a sick person day and night, not stirring   8  a step away!   What base perfidiousness   to entertain one half-alive,   adjust for him his pillows, 12  sadly serve him his medicine,   sigh — and think inwardly   when will the devil take you?” II   Thus a young scapegrace thought   as with post horses in the dust he flew,   by the most lofty will of Zeus   4  the heir of all his kin.   Friends of Lyudmila and Ruslan!   The hero of my novel,   without preambles, forthwith,   8  I'd like to have you meet:   Onegin, a good pal of mine,   was born upon the Neva's banks,   where maybe you were born, 12  or used to shine, my reader!   There formerly I too promenaded —   but harmful is the North to me. 1 III   Having served excellently, nobly,  ...
8. Lolita. Part One. Chapters 12 - 17
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Часть текста: to do, and how to do it, without impinging on a child’s chastity; after all, I had had some   experience in my life of pederosis; had visually possessed dappled nymphets in parks; had wedged my wary and bestial way into the hottest, most crowded corner of a city bus full of straphanging school children. But for almost three weeks I had been interrupted in all my pathetic machinations. The agent of these interruptions was usually the Haze woman (who, as the reader will mark, was more afraid of Lo’s deriving some pleasure from me than of my enjoying Lo). The passion I had developed for that nymphetfor the first nymphet in my life that could be reached at last by my awkward, aching, timid clawswould have certainly landed me again in a sanatorium, had not the devil realized that I was to be granted some relief if he wanted to have me as a plaything for some time longer. The reader has also marked the curious Mirage of the Lake. It would have been logical on the part of Aubrey McFate (as I would like to dub that devil of mine) to arrange a small treat for me on the promised beach, in the presumed forest. Actually, the promise Mrs. Haze had made was a fraudulent one: she had not told me that Mary Rose Hamilton (a dark little beauty in her own right) was to come too, and that the two nymphets would be whispering apart, and playing apart, and having a good time all by themselves, while Mrs. Haze and her handsome lodger conversed sedately in the seminude, far from prying eyes. Incidentally, eyes did pry and tongues did wag. How queer life is! We hasten to alienate the very fates we intended to woo. Before my actual arrival, my landlady had planned to have an old spinster, a Miss Phalen, whose mother had been cook in Mrs. Haze’s family, come to stay in the house with Lolita and me, while Mrs. Haze, a career girl at heart,...
9. Eugene Onegin. A Novel in Verse by Aleksandr Pushkin. Chapter four
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Часть текста: Who does not find it tedious to dissemble;   diversely to repeat the same;   try gravely to convince one   4  of what all have been long convinced;   to hear the same objections,   annihilate the prejudices   which never had and hasn't   8  a little girl of thirteen years!   Who will not grow weary of threats,   entreaties, vows, feigned fear,   notes running to six pages, 12  betrayals, gossiping, rings, tears,   surveillances of aunts, of mothers,   and the onerous friendship of husbands! IX   Exactly thus my Eugene thought.   In his first youth   he had been victim of tempestuous errings   4  and of unbridled passions.   Spoiled by a habitude of life,   with one thing for a while   enchanted, disenchanted with another,   8  irked slowly by desire,   irked, too, by volatile success,   hearkening in the hubbub and the hush   to the eternal mutter of his soul, 12  smothering yawns with laughter:   this was the way he killed eight years,   having lost life's best bloom. X   With belles no longer did he fall in love,   but dangled after them just anyhow;   when they refused, he solaced in a twinkle;   4  when they betrayed, was glad to rest.   He sought them without rapture,   while he left them without regret,   hardly remembering their love and spite.   8  Exactly thus does an indifferent guest   drive up for evening whist:   sits down; then, when the game is over,   he drives off from the place, 12  at home falls peacefully asleep,   and in the morning does not know himself   where he will drive to in the evening. XI   But on receiving Tanya's...
10. Комментарий к роману "Евгений Онегин". Приложение II. Заметки о просодии
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Часть текста: работы на материале «Евгения Онегина». Английское же стихотворное наследие, колоссальное по объему и известное своей многовековой традицией, не получило еще должного описания. Специально я этим вопросом не интересовался, но, насколько помню, мне не встречалось ни одной работы, в которой английский ямб — и, в частности, четырехстопный — был бы систематизирован и описан на основе сравнительного литературоведения, чтобы хоть как-то удовлетворить лиц, занимающихся изучением просодии. Если мне и случалось читать об английской просодии, то я тотчас же откладывал в сторону эти работы, стоило мне встретить в них нагромождения музыкальных нот или нелепые примеры организации строф, не имеющие ничего общего со структурой стиха. Другие работы с путаными рассуждениями о «долготе» и «краткости», «количестве» и «эквивалентности» не только изобилуют обычными нелепостями или субъективными заблуждениями, но и не дают сколь-либо систематического представления о модуляциях ямба, ограничиваясь утомительными рассуждениями об «апострофизации», «заменах ...