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А Б В Г Д Е Ж З И Й К Л М Н О П Р С Т У Ф Х Ц Ч Ш Щ Э Ю Я
0-9 A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
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1. Eugene Onegin. A Novel in Verse by Aleksandr Pushkin. Chapter seven
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2. Eugene Onegin. A Novel in Verse by Aleksandr Pushkin. Chapter three
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3. Eugene Onegin. A Novel in Verse by Aleksandr Pushkin. Chapter six
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4. Eugene Onegin. A Novel in Verse by Aleksandr Pushkin. Chapter eight
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5. Lolita. Part Two. Chapters 27 - 31
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6. Набоков Дмитрий: Отцовские бабочки. Отцовские бабочки. Father's Butterflies (английский язык)
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7. Eugene Onegin. A Novel in Verse by Aleksandr Pushkin. Chapter four
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8. Интервью Набокова на английском языке. Playboy, 1964 г.
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9. Lolita. Part One. Chapters 1 - 8
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10. Lolita. Part Two. Chapters 9 - 16
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11. Долинин Александр: Комментарий к роману Владимира Набокова «Дар». Глава четвертая. Страница 3
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12. Eugene Onegin. A Novel in Verse by Aleksandr Pushkin. Chapter two
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13. Lolita. Part One. Chapters 9 - 11
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14. Роупер Р: Набоков в Америке. По дороге к «Лолите». Глава 6
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15. Lolita. Part One. Chapters 18 - 22
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16. Здесь говорят по-русски (перевод С. Сакуна)
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17. Lolita. Part Two. Chapters 22 - 26
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18. The Song of Igor's Campaign, Igor son of Svyatoslav and grandson of Oleg (перевод Набокова)
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19. Набоков Дмитрий: Отцовские бабочки. Интервью данное Брайеном Бойдом журналу BOMB Magazine
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20. Lolita. Part One. Chapters 23 - 27
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21. Lolita. Part One. Chapters 12 - 17
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22. Савельева В.В.: Художественная гипнология и онейропоэтика русских писателей. Приложение
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23. Ильин С.: Комната. На перевод "Евгения Онегина"
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24. Боги (перевод С. В. Сакуна)
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25. Eugene Onegin. A Novel in Verse by Aleksandr Pushkin. Chapter one
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26. Брайан Бойд. Владимир Набоков: американские годы. Глава 15. "Евгений Онегин"
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27. Комментарий к роману "Евгений Онегин". Глава вторая. Пункты XVIII - XXXI
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28. Комментарий к роману "Евгений Онегин". Глава вторая. Эпиграф, пункты I - IX
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29. Долинин Александр: Комментарий к роману Владимира Набокова «Дар». Литература
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30. Комментарий к роману "Евгений Онегин". Приложение II. Заметки о просодии
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31. Lolita. Part Two. Chapters 32 - 36
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32. Eugene Onegin. A Novel in Verse by Aleksandr Pushkin. Fragments of Onegin's journey
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33. Берберова Н.: Из книги "Курсив мой: Автобиография"
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34. Чарльз Кинбот: Серебристый свет. Подлинная жизнь Владимира Набокова. Chapter Three. Mashen'ka
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35. Польская С.: О рассказе Владимира Набокова "Пасхальный дождь"
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36. Ада, или Эротиада (перевод О. М. Кириченко). Часть третья. Глава 5
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37. Мейер Присцилла. "Бледный огонь" Владимира Набокова. 5. История: король Карл II
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38. Жаккар Жан-Филипп: От Набокова к Пушкину. Возвышенное в творчестве Даниила Хармса
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39. Найман Эрик: Извращения в «Пнине» (Набоков наоборот). Глава 2
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40. Интервью Израэлю Шинкеру, июнь 1971
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41. Блюмбаум Аркадий: Антиисторицизм как эстетическая позиция (К проблеме: Набоков и Бергсон)
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42. Долинин Александр: Комментарий к роману Владимира Набокова «Дар». Глава пятая
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43. Чарльз Кинбот: Серебристый свет. Подлинная жизнь Владимира Набокова. Chapter Eight. Dying Is No Fun
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44. Грейсон Джейн: Французский связной - Набоков и Альфред де Мюссе. Идеи и опыты перевода
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45. Жаккар Жан-Филипп: От Набокова к Пушкину. Буквы на снегу, или Встреча двух означаемых в глухом лесу ("Отчаяние" В. Набокова)
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46. Lolita. Part One. Chapters 28 - 33
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47. Lolita. Part Two. Chapters 3 - 8
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48. Чарльз Кинбот: Серебристый свет. Подлинная жизнь Владимира Набокова. Chapter One. On Visiting Nabokov's Tomb
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49. Lolita. Part Two. Chapters 17 - 21
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50. Интервью Набокова на английском языке. Vogue, 1969 г.
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1. Eugene Onegin. A Novel in Verse by Aleksandr Pushkin. Chapter seven
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Часть текста:   has sung already in the hush of nights. II   How sad your apparition is to me,   spring, spring, season of love!   What a dark stir there is   4  in my soul, in my blood!   With what oppressive tenderness   I revel in the whiff   of spring fanning my face   8  in the lap of the rural stillness!   Or is enjoyment strange to me,   and all that gladdens, animates,   all that exults and gleams, 12  casts spleen and languishment   upon a soul long dead   and all looks dark to it? III   Or gladdened not by the return   of leaves that perished in the autumn,   a bitter loss we recollect,   4  harking to the new murmur of the woods;   or with reanimated nature we   compare in troubled thought   the withering of our years,   8  for which there is no renovation?   Perhaps there comes into our thoughts,   midst a poetical reverie,   some other ancient spring, 12  which sets our heart aquiver   with the dream of a distant clime,   a marvelous night, a moon.... IV   Now is the time: good lazybones,   epicurean sages; you,   equanimous fortunates;   4  you, fledglings of the Lyóvshin 41 school;   you, country Priams;   and sentimental ladies, you;   spring calls you to the country,   8  season of warmth, of flowers, of labors,   of inspired rambles,   and of seductive nights.   Friends! to the fields, quick, quick; 12  in heavy loaden chariots;...
2. Eugene Onegin. A Novel in Verse by Aleksandr Pushkin. Chapter three
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Часть текста: — that is bad, my friend.”   “Your fashionable world I hate;   4  dearer to me is the domestic circle   in which I can…” “Again an eclogue!   Ah, that will do, old boy, for goodness' sake.   Well, so you're off; I'm very sorry.   8  Oh, Lenski, listen — is there any way   for me to see this Phyllis,   subject of thoughts, and pen,   and tears, and rhymes, et cetera? 12  Present me.” “You are joking.” “No.”   “I'd gladly.” “When?” “Now, if you like.   They will be eager to receive us.” III   “Let's go.” And off the two friends drove;   they have arrived; on them are lavished   the sometimes onerous attentions   4  of hospitable ancientry.   The ritual of the treat is known:   in little dishes jams are brought,   on an oilcloth'd small table there is set   8  a jug of...
3. Eugene Onegin. A Novel in Verse by Aleksandr Pushkin. Chapter six
Входимость: 6. Размер: 55кб.
Часть текста: alone has driven home to sleep. II   All has grown quiet. In the drawing room   the heavy Pustyakov   snores with his heavy better half.   4  Gvozdin, Buyanov, Petushkov,   and Flyanov (who is not quite well)   have bedded in the dining room on chairs,   with, on the floor, Monsieur Triquet   8  in underwaistcoat and old nightcap.   All the young ladies, in Tatiana's   and Olga's rooms, are wrapped in sleep.   Alone, sadly by Dian's beam 12  illumined at the window, poor Tatiana   is not asleep   and gazes out on the dark field. III   With his unlooked-for apparition,   the momentary softness of his eyes,   and odd conduct with Olga,   4  to the depth of her soul   she's penetrated. She is quite unable   to understand him. Jealous   anguish perturbs her,   8  as if a cold hand pressed   her heart; as if beneath her an abyss   yawned black and dinned....   “I shall perish,” says Tanya, 12  “but perishing from him is sweet.   I murmur not: why murmur?   He cannot give me happiness.” IV   Forward, forward, my story!   A new persona claims us.   Five versts from Krasnogórie,   4  Lenski's estate, there lives   and thrives up to the present time   in philosophical reclusion   Zarétski, formerly a brawler,   8  the hetman of a gaming gang,   chieftain of rakehells, pothouse tribune,   but now a kind and simple   bachelor paterfamilias, 12  a steadfast friend, a peaceable landowner,   and even an honorable man:   thus does our age correct itself! V   Time was, the monde 's obsequious voice   used to extol his wicked pluck:   he, it is true, could from a pistol   4  at...
4. Eugene Onegin. A Novel in Verse by Aleksandr Pushkin. Chapter eight
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Часть текста: success provided us with wings;   the aged Derzhavin noticed us — and blessed us   4  as he descended to the grave.   . . . . . . . . . . . . . . . . . . . .   . . . . . . . . . . . . . . . . . . . .   . . . . . . . . . . . . . . . . . . . .   8  . . . . . . . . . . . . . . . . . . . .   . . . . . . . . . . . . . . . . . . . .   . . . . . . . . . . . . . . . . . . . .   . . . . . . . . . . . . . . . . . . . . 12  . . . . . . . . . . . . . . . . . . . .   . . . . . . . . . . . . . . . . . . . .   . . . . . . . . . . . . . . . . . . . . III   And I, setting myself for law   only the arbitrary will of passions,   sharing emotions with the crowd,   4  I led my frisky Muse into the hubbub   of feasts and turbulent discussions —   the terror of midnight patrols;   and to them, in mad feasts,   8  she brought her gifts,   and like a little bacchante frisked,   over the bowl sang for the guests;   and the young people of past days 12  would turbulently dangle after her;   and I was proud 'mong friends   of my volatile mistress. IV   But I dropped out of their alliance —   and fled afar... she followed me.   How often the caressive Muse   4  for me would sweeten the mute way   with the bewitchment of a secret tale!   How often on Caucasia's crags,   Lenorelike, by the moon,   8  with me she'd gallop on a steed!   How often on the shores of Tauris   she in the gloom of night   led me to listen the sound of the sea, 12  Nereid's unceasing murmur,   the deep eternal chorus of the billows,   the praiseful hymn to the sire of the worlds. V   And the far capital's glitter and ...
5. Lolita. Part Two. Chapters 27 - 31
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Часть текста: I leant against an adjacent urn, almost my own. Whenever that happenedwhenever her lovely, childish scrawl was horribly transformed into the dull hand of one of my few correspondentsI used to recollect, with anguished amusement, the times in my trustful, pre-dolorian past when I would be misled by a jewel-bright window opposite wherein my lurking eye, the ever alert periscope of my shameful vice, would make out from afar a half-naked nymphet stilled in the act of combing her Alice-in-Wonderland hair. There was in the fiery phantasm a perfection which made my wild delight also perfect, just because the vision was out of reach, with no possibility of attainment to spoil it by the awareness of an appended taboo; indeed, it may well be that the very attraction immaturity has for me lies not so much in the limpidity of pure young forbidden fairy child beauty as in the security of a situation where infinite perfections fill the gap between the little given and the great promisedthe great rosegray never-to-be-had. Mes fentres!   Hanging above blotched sunset and welling night, grinding my teeth, I would crowd all the demons of my desire against the railing of a throbbing balcony: it would be ready to take off in the apricot and black humid evening; did take offwhereupon the lighted image would move and Even would revert to a rib, and there would be nothing ...
6. Набоков Дмитрий: Отцовские бабочки. Отцовские бабочки. Father's Butterflies (английский язык)
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Часть текста: The absence or utter inadequacy of "references" in the atlases ad usum Delphini, the tedious perusal of the index of names enclosed with an annual volume of a monthly journal, the sheer number of these journals and volumes (in my father's library there were more than a thousand of the latter alone, representing a good hundred journals) - all this had to be overcome in order to hunt down the necessary reference, if it existed at all. Nonetheless, even in my exceptionally propitious situation things were not easy: Russia, particularly in the north, dwelt in a mist, while the local lists, scattered through the journals, totally haphazard, scanty, and cruelly inaccurate in nomenclature, only maddened me when at last I ferreted them out. My father was the preeminent entomologist of his time, and very well off to boot, but the ordinary amateur, unable to dispatch his scouts throughout Russia, and denied the opportunity - or not knowing how - to gain access to specialized collections and libraries (and an accidental boon, the hasty inspection of collections at a lepidopterological society or in the cellar of some...
7. Eugene Onegin. A Novel in Verse by Aleksandr Pushkin. Chapter four
Входимость: 4. Размер: 54кб.
Часть текста: and thus more surely we undo her   4  among bewitching toils.   Time was when cool debauch   was lauded as the art of love,   trumpeting everywhere about itself,   8  taking its pleasure without loving.   But that grand game   is worthy of old sapajous   of our forefathers' vaunted times; 12  the fame of Lovelaces has faded   with the fame of red heels   and of majestic periwigs. VIII   Who does not find it tedious to dissemble;   diversely to repeat the same;   try gravely to convince one   4  of what all have been long convinced;   to hear the same objections,   annihilate the prejudices   which never had and hasn't   8  a little girl of thirteen years!   Who will not grow weary of threats,   entreaties, vows, feigned fear,   notes running to six pages, 12  betrayals, gossiping, rings, tears,   surveillances of aunts, of mothers,   and the onerous friendship of husbands! IX   Exactly thus my Eugene thought.   In his first youth   he had been victim of tempestuous errings   4  and of unbridled passions.   Spoiled by a habitude of life,   with one thing for a while   enchanted, disenchanted with another,   ...
8. Интервью Набокова на английском языке. Playboy, 1964 г.
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Часть текста: before having them typed for submission to Toffler when he came to Montreux in mid-March, 1963. The present text takes into account the order of my interviewer's questions as well as the fact that a couple of consecutive pages of my typescript were apparently lost in transit. Egreto perambis doribus! With the American publication of Lolita in 1958, your fame and fortune mushroomed almost overnight from high repute among the literary cognoscenti-- which you bad enjoyed for more than 30 years-- to both acclaim and abuse as the world-renowned author of a sensational bestseller. In the aftermath of this cause celebre, do you ever regret having written Lolita? On the contrary, I shudder retrospectively when I recall that there was a moment, in 1950, and again in 1951, when I was on the point of burning Humbert Humbert's little black diary. No, I shall never regret Lolita. She was like the composition of a beautiful puzzle-- its composition and its solution at the same time, since one is a mirror view of the other, depending on the way you look. Of course she completely eclipsed my other works-- at least those I wrote in English: The Real Life of Sebastian Knight, Bend Sinister, my short stories, my book of recollections; but I cannot grudge her this. There is a queer, tender charm about that mythical nymphet. Though many readers and reviewers would disagree that her charm is tender, few would deny that it is queer-- so much so that when director Stanley Kubrick proposed his plan to make a movie of Lolita, you were quoted as saying, "Of course they'll have to change the plot. Perhaps they...
9. Lolita. Part One. Chapters 1 - 8
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Часть текста: exhibit number one is what the seraphs, the misinformed, simple, noble-winged seraphs, envied. Look at this tangle of thorns. 2 I was born in 1910, in Paris. My father was a gentle, easy-going person, a salad of racial genes: a Swiss citizen, of mixed French and Austrian descent, with a dash of the Danube in his veins. I am going to pass around in a minute some lovely, glossy-blue picture-postcards. He owned a luxurious hotel on the Riviera. His father and two grandfathers had sold wine, jewels and silk, respectively. At thirty he married an English girl, daughter of Jerome Dunn, the alpinist, and granddaughter of two Dorset parsons, experts in obscure subjectspaleopedology and Aeolian harps, respectively. My very photogenic mother died in a freak accident (picnic, lightning) when I was three, and, save for a pocket of warmth in the darkest past, nothing of her subsists within the hollows and dells of memory, over which, if you can still stand my style (I am writing under observation), the sun of my infancy had set: surely, you all know those redolent remnants of day suspended, with the midges, about some hedge in bloom or...
10. Lolita. Part Two. Chapters 9 - 16
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Часть текста: disappointing. There was Opal Something, and Linda Hall, and Avis Chapman, and Eva Rosen, and Mona Dahl (save one, all these names are approximations, of course). Opal was a bashful, formless, bespectacled, bepimpled creature who doted on Dolly who bullied her. With Linda Hall the school tennis champion, Dolly played singles at least twice a week: I suspect Linda was a true nymphet, but for some unknown reason she did not comewas perhaps not allowed to cometo our house; so I recall her only as a flash of natural sunshine on an indoor court. Of the rest, none had any claims to nymphetry except Eva Rosen. Avis ws a plump lateral child with hairy legs, while Mona, though handsome in a coarse sensual way and only a year older than my aging mistress, had obviously long ceased to be a nymphet, if she ever had been one. Eva Rosen, a displaced little person from France, was on the other hand a good example of a not strikingly beautiful child revealing to the perspicacious amateur some of the basic elements of nymphet charm, such as a perfect pubescent figure and lingering eyes and high cheekbones. Her glossy copper hair had Lolita’s silkiness, and the features of her delicate milky-white face with pink lips and silverfish eyelashes were less foxy than those of her likesthe great clan of intra-racial redheads; nor did she sport their green uniform but wore, as I remember her, a lot of black or cherry darka very smart black pullover, for instance, and high-heeled black shoes, and garnet-red fingernail polish. I spoke French to her (much to Lo’s disgust). The child’s tonalities were still admirably pure, but for school words and play words she resorted to current American and then a slight Brooklyn accent would crop up in her speech, which was amusing in a little Parisian...