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 Кол-во Слово
35ABBA
48ABLE
438ABOUT
104ABOVE
45ABSOLUTELY
31ABSURD
44ACADEMIC
36ACCENT
39ACCORDING
33ACCOUNT
36ACHIEVEMENT
90ACROSS
80ACT
31ACTUAL
68ACTUALLY
251ADA
36ADAM
68ADD
35ADMIRABLE
30ADULT
39ADVENTURE
46AFFAIR
289AFTER
212AGAIN
102AGAINST
121AGE
85AGO
45AIME
40AINSI
78AIR
50ALAS
37ALBUM
77ALEXANDER
118ALFRED
35ALICE
946ALL
50ALLUSION
108ALMOST
108ALONE
104ALONG
152ALREADY
214ALSO
40ALT
75ALTER
74ALTHOUGH
144ALWAY
133AMERICA
234AMERICAN
65AMI
143AMONG
97AMOUR
37AMSTERDAM
43ANALYSIS
47ANCIENT
81ANDREW
37ANIMAL
186ANN
60ANNA
82ANNOTATED
219ANOTHER
33ANS
76ANSWER
287ANY
82ANYTHING
37ANYWAY
32APART
118APPEAR
200APRIL
184ARBOR
45ARC
132ARCHIVE
135ARDIS
62ARDOR
853ARE
101ARM
168AROUND
31ARRIVED
241ART
31ARTHUR
64ARTICLE
103ARTIST
46ARTISTIC
59ASK
90ASKED
61ATLANTIC
68ATTEMPT
35ATTENTION
62AUDIENCE
182AUGUST
38AUSTIN
227AUTHOR
71AUTOBIOGRAPHY
35AUTRE
30AUTUMN
68AUX
35AVANT
88AVEC
47AWARE
182AWAY
37AWFUL

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по слову ABILITY

1. Савельева В.В.: Художественная гипнология и онейропоэтика русских писателей. Приложение
Входимость: 1. Размер: 39кб.
Часть текста: such as physiology, medicine, philosophy, psychology, literary and cultural studies, and semiotics. V.M.Kovalzon, The Doctor of Biology and a member of the International Association for the Study of Dreams, defines the process of sleeping as “...особое генетически детерминированное состояние организма человека и других теплокровных животных (т.е. млекопитающих и птиц), характеризующееся закономерной последовательной сменой определенных полиграфических картин в виде циклов, фаз и стадий» (“.a special, genetically determined state of the human body and the body of other warm-blooded animals (mammals and birds), which is characterized by the logical succession of certain multi-graphic pictures in the form of cycles, phases and stages” ) [6, с.311]. The process of sleeping is inevitably accompanied by the phases of dreams, which some scholars describe as the period of paradoxical sleeping. According to J.M. Lotman, a dream is «семиотическое зеркало, и каждый видит в нем отражение своего языка» (“.a semiotic mirror, and everyone beholds in it the reflection of his or her own language”) [9, с.124]. V. N. Toporov, while chronologically cataloguing literary dreams from the texts of I. S. Turgenev, proposed to classify them according to their themes and to distinguish their repeating motifs and archetypes [21]. But the recurrence of similar images and situations of literary dreams might be found in the literary texts not only of the same, but of different authors. This fact cannot be explained in a singular way, and, probably, is connected to the phenomena of inter-textual genesis and the formation of the literary meta-text within the boundaries of one national culture. The appearance of the same image in different texts ...
2. Набоков Дмитрий: Отцовские бабочки. Отцовские бабочки. Father's Butterflies (английский язык)
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Часть текста: Russian circles) who wished to acquire from books a general notion of the fauna of Europe, including Russia, was compelled to scrabble for his crumbs of information in entomological journals in six languages and in multivolume, hard-to-find editions such as the Oberthьr books or those of Grand Duke Nikolai Mikhailovich. The absence or utter inadequacy of "references" in the atlases ad usum Delphini, the tedious perusal of the index of names enclosed with an annual volume of a monthly journal, the sheer number of these journals and volumes (in my father's library there were more than a thousand of the latter alone, representing a good hundred journals) - all this had to be overcome in order to hunt down the necessary reference, if it existed at all. Nonetheless, even in my exceptionally propitious situation things were not easy: Russia, particularly in the north, dwelt in a mist, while the local lists, scattered through the journals, totally haphazard, scanty, and cruelly inaccurate in nomenclature, only maddened me when at last I ferreted them out. My father was the preeminent entomologist of his time, and very well off to boot, but the ordinary amateur, unable to dispatch his scouts throughout Russia, and denied the opportunity - or not knowing how - to gain access to specialized collections and libraries (and an accidental boon, the hasty inspection of collections at a lepidopterological society or in the cellar of some museum, does not satisfy the true enthusiast, who needs to have the boon always at hand), had no choice but to hope for a miracle. And that miracle dawned in 1912 with the appearance of my father's...
3. Интервью Набокова на английском языке. Swiss Broadcast, 1972 ? г.
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Часть текста: interview for Swiss Broadcast, European & Overseas Service. I do not know when, or if, our rather odd colloquy was used. Here are a few samples. You've been quoted as saying that in a first-rate work of fiction, the real clash isn't between the characters, but between the author and the world. Would you explain this? I believe I said "between the author and the reader," not "the world," which would be a meaningless formula, since a creative artist makes his own world or worlds. He clashes with readerdom because he is his own ideal reader and those other readers are so very often mere lip-moving ghosts and amnesiacs. On the other hand, a good reader is bound to make fierce efforts when wrestling wdth a difficult author, but those efforts can be most rewarding after the bright dust has settled. What is your particular clash? Well, that's the clash I am generally faced with. In many of your writings, you have conceived what {consider to be an Alice-in-Wonderland world of unreality and illusion. What is the connection with your real struggle with the world? Alice in Wonderland is a specific book by a definite author with its own quaintness, its own quirks, its own quiddity. If read very carefully, it will be seen to imply, by humorous juxtaposition, the presence of a quite solid, and rather sentimental, world, behind the semi-detached dream. Moreover, Lewis Carroll liked little girls. I don't. The mixture of unreality and illusion may have led some people to consider you mystifying and your writing full of puzzles. What is your answer to people who say you are just plain obscure? To stick to the crossword puzzle in their Sunday paper. Do you make a point of puzzling people and playing games with readers? What a bore that would be! The past figures prominently in some of your writing. What concern do you have for the present and the future? My...
4. Nabokov: from lepidopterology to "Lolita"
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Часть текста: to "Lolita" Nabokov: from lepidopterology to 'Lolita' By Steve Connor 30 March 2000 Nabokov's Butterflies: unpublished and uncollected writings by Vladimir Nabokov; edited by Brian Boyd and Robert Michael Pyle (Allen Lane, £25) There are many instances of professional zoologists being excellent authors - from Charles Darwin to Richard Dawkins - but few examples of great novelists doubling up as proficient zoologists. Vladimir Nabokov, author of Lolita , Russian émigré intellectual and expert lepidopterist, is the "type specimen" of a renowned novelist with a creditable reputation as an insect taxonomist. In butterfly circles, Nabokov was a monarch. Butterflies and literature were Nabokov's twin passions. He started in 1906, aged seven, when he caught his first specimen on his family estate. A few years later, Nabokov was precocious enough to think he had found a new species, only to have his dreams dashed. Undaunted, he set out on a life of butterfly hunting, interspersed with equally passionate forays into fiction. Nabokov not only realised his dream of finding a new species; he had several named after him. He became an authority on the taxonomy of a family known as the "Blues". "It is not improbable," he said, "that had there been no revolution in Russia, I would have devoted myself entirely to lepidopterology." To him, butterflies represented a form of immortality, whereby the asexual, shuffling caterpillar transmogrified after "death" into an aerial acrobat with the sexual potency to impart a physical presence to future generations. Although not avowedly religious, Nabokov suspected a conscious design to the world and thought it likely, according to his biographer, Brian Boyd, that there was some transformation of human consciousness beyond death. The astounding metamorphosis of ugly bug into...
5. Интервью Набокова на английском языке. Novel, 1970 г.
Входимость: 1. Размер: 30кб.
Часть текста: [McGraw-Hill] will offer several examples of the verse of my early youth, including "The Rain Has Flown," which was composed in the park of our country place, Vyra, in May 1917, the last spring my family was to live there. This "new" volume consists of three sections: a selection of thirty-six Russian poems, presented in the original and in translation; fourteen poems which I wrote directly in English, after 1940 and my arrival in America (all of which were published in The New Yorker), and eighteen chess problems, all but two of which were composed in recent years (the chess manuscripts of the 1940-1960 period have been mislaid and the earlier unpublished jottings are not worth printing). These Russian poems constitute no more than one percent of the mass of verse which I exuded with monstrous regularity during my youth. Do the components of that monstrous mass fall into any discernible periods or stages of development? What can be called rather grandly my European period of verse-making seems to show several distinctive stages: an initial one of passionate and commonplace love verse (not represented in Poems and Problems)-, a period reflecting utter distrust of the so-called October Revolution; a period (reaching well into the nineteen-twenties) of a kind of...